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 May 15 to May 16, 2017 / 7 pm DANCE 2017: Nicole Peisl Vielfalt I & II (world premiere) > schwere reiter Nicole Peisl's work creates a space where simple design elements generate a field of tension, which creates for the audience a diversity of ideas, perceptions, notions, and sensations. Diversity I thrives on dynamics, a method of "getting involved"; it's more a relationship than a form. Diversity II – even more opened up – allows a playful situation to evolve, where what one senses and perceives receives a name. A conversation that is very humorous and physically very intelligent brings strange things and also comforts and inconveniences to light. The dancer (she was a member of William Forsythe's ballet company in Frankfurt from 2000 - 2004), choreographer, performer, and lecturer Nicole Peisl allows an energetic field to develop that is marked by what is currently taking place, by what just took place, and by what is just about to take place. The situational choreography also illuminates the interplay between the somatic complexity of the movements and the surrounding relationship field. World premiere: Monday, May 15, 7 p.m Another performance: Tuesday, May 16, 7 p.m Artist talk: May 16 Vielfalt I Choreography: Nicole Peisl Dancers: Elena Gianotti, Satu Herrala Dramaturge: Johanna Milz Vielfalt I is a Forsythe Company production for Motion Bank Vielfalt II (world premiere) Choreography: Nicole Peisl Dancers: Johanna Milz und Nicole Peisl Assistant dramaturge: Frederike Thielmann Lighting und technical assistant: Ulf Naumann Vielfalt II is a Pathos Munich production www.dance-muenchen.de Venue schwere reiter Dachauer Straße 114 80636 München Tram 12, 20, 21 or Bus 53 Station Leonrodplatz www.schwerereiter.de Tickets Coasts: 16,- / 10,- erm. Online: www.muenchenticket.de Ticket telephone: 089 / 54 81 81 81  Tanztendenz Munich e.V. is sponsored by the Munich Department of Arts and Culture |
Nicole Peisl absolvierte nach ihrer Zeit als Mitglied von William Forsythes Ballett Frankfurt eine Ausbildung in Visionary Craniosacral Arbeit®, einer non-invasiven Körperarbeit, und schloss 2013 ihr Training für Somatic Experiencing ab, das von Dr. Peter A. Levine entwickelt wurde. Sie war choreografische Beraterin für die Performancegruppe Mamaza und als Gutachterin für die Universität für Tanz und Zirkus (DOCH) in Stockholm (SE) tätig. Seit 2009 arbeitet sie regelmäßig mit dem Autor und Philosophen Alva Noë in den Bereichen Kreation, Recherche und Lehrtätigkeit zusammen. Seit 2014 vertieft sie ihre Forschung über Körper, Bewegung und Bewusstsein im Rahmen eines Doktorats an der University of California, Davis. |
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