In the choreographer Sabine Glenz’s new work, music, sound and movement meld into a living organ. Bonds are formed, choreographic processes organize themselves, collective images are created playfully and dissolve again; it is an order of the multifarious. As a reaction to „Three Constructions“ by John Cage and the planar “Interludes” by the composer Robert Merdzo, Glenz and her dancers create fine veins between acoustics and movement that come from nowhere, are seemingly infinite, disappear into nothingness and separate… to then create new axes and branching points.
Choreography: Sabine Glenz
Dance: Joris Camelin, Gonçalo Cruzinha, Gaëtane Douin, Anna Fontanet, Selina Lettenbichler, Virginie Roy
Eva-Maria Schaller
Music: Sebastian Förschl, Stefan Gagelmann, Jörg Hannabach, Mathias Lachenmayr, Michael Leopold, Wolfram Winkel und Michael Ahne (Assistenz)
With: John Cage: Three Constructions
Interludes: Robert Merdžo
Costume: Johanna Katharina Leitner
Objects: Manuela Müller
Light: Charlotte Marr Dates
World premiere: August 7, 8:30 pm
Further performances: 8. + 9. August, 6:30 pm Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de
Web: Tanzwerkstatt Europa Tickets
VVK 18,-/13,- EUR / AK 20,-/15,- EUR
München Ticket (Tel.: +49 89 54 81 81 81 oder www.muenchenticket.de)
Production: Sabine Glenz in Kooperation mit JOINT ADVENTURES – Walter Heun Support: Kulturreferat der Landeshauptstadt München, Bayerischer Landesverband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, Bezirk Oberbayern. Artists crash together fascinated by the rapid decline of empathy. Admitting that the waters around us have grown, dance, theatre and live-music weave together asking politely: Please don’t stand in the doorway. Don’t block up the hall. Pondering if the last time we cried was in front of a youtube video maybe it would be nice to go to the theatre?
Choreography: Jasmine Ellis
Dance: Yael Cibulski, Evelyne Rossie, Luca Cacitti, Lukas Malkowski
Dramaturgy: Martina Missel
Music: Lukas Bamesreiter, Ralph Heidel, Maximilian Hirning
Costume: Sarah Kaldewey ATELIER KALDEWEY
Stage: Nicola Missel
Photos: Ray Demski
Part of RODEO. Munich Dance and Theatere-festival. In Cooperation eith Tanztendenz München e.V. Supported by ATELIER KALDEWEY and BOXWERK München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz rodeomuenchen.de Tickets www.schwerereiter.de Tickets
Coasts: 15,- / 8,- erm.
Reservation: tickets@ratundtat-kulturbuero.de
The inhabitants of the blue planet are distraught. Huge swarms of virtual birds are passing over their heads; the so-called „bird-oid objects“ (=boids) are completely out of control. The specially created software agents are smuggling themselves into people’s lives and influencing their behavior in the sphere state. Will humanity survive?
While referencing science fiction visions from the past, the dance performance creates a crude and colorful mix of constructs and a loss of control in constantly arising new patterns while being immersed in Günter Lause’s electronic soundscape.
Idea / Concept: Moritz Ostruschnjak
Choreography: Moritz Ostruschnjak in collaboration with Daniela Bendini
and the dancers
Dance: Gaetano Badalamenti, Darren Devaney, Chiaki Horita, Isaac Spencer, Nuria Giménez Villarroya
Live-Music / Electronics: Günther Lause (Max Lange, Konrad Wehrmeister)
Lighting Design: Tanja Rühl
Costume: Renate Ostruschnjak
Sound: Paolo Mariangeli
Management: Hannah Melder
Part of RODEO. Munich Dance and Theatere-festival. Supported by the Bavarian State Association for Contemporary Dance (BLZT) with funding from the Bavarian State Ministry for Science, Research and Art. Moritz Ostruschnjak is member of Tanztendenz München e.V.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz rodeomuenchen.de Tickets
Coasts: 15,- / 8,- erm.
Reservation: ticket(at)rodeomuenchen.de, rodeomuenchen.de
(Start VVK: 10. September 2018)
With Ivan-Vincent Massey, Grand Studio (Brüssel, Belgien), Maurice Carlin, Inslington Mill (Salford, England) and Mario Lopez, veículoSUR ( São Paulo, Brasilien)
Moderation: Micha Purucker (Tanztendenz München e.V.)
Part of RODEO. Munich dance and theatre festival. In cooperation with Tanztendenz München e.V.
Venue
Tanztendenz München e.V.
Lindwurmstr. 88
80337 München tanztendenz.de Tickets
Entrance free
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz rodeomuenchen.de Tickets
Coasts: 12,- / 8,- erm.
Reservation: ticket(at)rodeomuenchen.de, rodeomuenchen.de
(Start VVK: 10. September 2018)
6 pm Beergarde
Drinks + Snacks in front of schwere reiter
8:30 pm Herzreiter
Reading with Angelika Fink und Lea Ralfs.
9:30 pm Concert POLIZEI
The three-headed human music machine POLIZEI stimulates the longing for rhythmic order where otherwise there is only destructive chaos. With: Marco Stanke (Synth), Michael Ullrich (Drums), Philipp Zörndlein (Bass)
10:30 pm Jonas Friedlich (DJ) + Daniel Kluge (VJ)
Open with Jonas Friedlich clectic mixing between techno, house, breakbeat, d&b. Visuals by Daniel Kluge.
Date
Samstag, 14. Juli, ab 18:00
Venue: schwere reiter, Dachauer Strasse 114., www.schwere reiter.de
Entrence free
Eine Veranstaltung des Tanztendenz München e.V. in Kooperation mit PATHOS München. Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
12,- / 8,- erm.
Reservation: openspace.muenchen@gmail.com
Have a look at the trailer: Trailer NichtIch
Idea / Performance: Katja Wachter, James Newton
Video- and Sound: Hannes Wollmann
Light: David Herzog
Grafik: Matthias Friederich
Photo: Franz Kimmel
With gerous support of Kulturreferat der Landeshauptstadt München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
15,- / 10,- erm.
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
Have a look at the trailer of "NichtIch": Trailer NichtIch
With gerous support of Kulturreferat der Landeshauptstadt München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
15,- / 10,- erm.
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
This choreographed interaction between man and machine is based on the finding that it is impossible to determine how humans understand the notion of time and their relationship towards it. A joint analysis of the understanding, perception and the meaning of time revealed what the West presently defines it as a high-speed life in which the individual has to permanently fulfil excessive demands.
“Looking at the situation Europe‘s currently in, especially with regards to the growing nationalism, the three performers become symbols of a destructive force originating in an exclusive concentration on the self.“ (Ceren Oran)
Cast
Concept, Artistic Director, Choreographer: Ceren Oran
Performers: Daphna Horenczyk, Jaroslav Ondus, Çağlar Yiğitoğullari
Music: Hüseyin Evirgen
Live-saxophone: Simon Couratier
Stage: Empfangshalle München
Dramaturg: Sarah Israel
Light design: Rainer Ludwig
Production management: Tanzbüro München Dates
Fr 2. october, 22:00
Sa 3. october, 20:00
So 4. october, 18:00 Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or bus 53
stop Leonrodplatz www.schwerereiter.de
www.ietm.org Tickets
12,60 Euro
How to book:
www.ietm.org Tracks is a performance by 6 dancers and the band called "River into Lake". Ceren Oran is curating, the personal choreographic concepts and inspiration of each dancer, on the repertoire of the Belgian Band. Different musical and choreographic tracks are creating an evening, a new form: Dance Concert. This project is taking place under Oran's research project "Why do we dance", and it tries to capture different approaches of the artists in relation to the interplay between body, emotions and music.
Curation: Ceren Oran
Dance and Choreography: Daphna Horenczyk, Jaroslav Ondruš, Búi Rouch, Elina Akhmetova, Karolina Hejnova, Ceren Oran
Music: River Into the Lake
With gerous support of Kulturreferat der Landeshauptstadt and Bayerischen Landesverband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Bildung und Kultus, Wissenschaft und Kunst München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
12,- / 8,- erm.
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
An evening with two soli and one duet by two choreographers.
"Adom Modulation“: Zufit Simon (Choreography), Zufit Simon, Lois Alexander (Dance), Fredrik Olofsson (Music)
A Produktion of artblau Tanzwerkstatt Produktion, With generous support from Mitteln des Landes Niedersachsen und tanznacht Berlin.
„deviant answers – local time“ und „es wird gesagt, sie leben in kleinen hotels“(world premier): Micha Purucker (Choreography), Michal Heriban (Dance), Robert Merdzo (Acustics)
With generous support of Kulturreferates der Landeshauptstadt München, artblau Tanzwerkstatt Braunschweig and 83 Production S.R.O.
of Kulturreferat der Landeshauptstadt München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
station Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- erm.
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
This Dezember the irish choreographer Luke Murphy is residence guest at Tanztendenz. Together with his dances he rehearses his upcoming piece „Carnivore“. The showing presents parts of „Carnivore“ and an artist talk.
Carnivore": A provocative new project commissioned by and created in a response to „The Renaissance Skin Project“ at Kings College London – With six hundred years behind us we still find ourselves caught between contradictory rhetoric simultaneously celebrating the body but emphasising identity and self as lying elsewhere.
ln collaboration with Kings College London Historians Evelyn Welch and Hannah Murphy the work examines how the central research questions of „The Renaissance Skin“ project can be applied to contemporary notions of beauty, identity, communication, intimacy, worth and self. Through a series of physical vignettes in dialogue with a constantly evolving spatial context, „Carnivore“ will mine the sensation, expectation, detachment and feeling of the information our skin feeds us at any given moment.
„Carnivore“ will be created in collaboration with sculptor Alex Pentek on a large installation of foldable origami pieces which will be constructed and deconstructed throughout the performance. Texture and form are once again challenged as the architectural nature of the installation comes into conflict with unharnessed physicality of the performers in space.
„Carnivore“ will preview on May 23rd at The James O'Driscoll Gallery at Uillinn Arts Centre and Premiere from May 27-31 at Crawford Gallery in Cork, Ireland.
Carnivore is supported by a 2018-2019 Arts Council of Ireland Arts Grant Award and created through residencies at Shawbrook (Ireland), DanceNow Silo Kirkland Farm (USA), Tanztendenz (Munich), Ultima Vez (Brussels) and AnSanctoir (Ireland)
Performer:
Julie Koenig
Astrid Sweeney
Knut Vikstrom Precht
Stephen Moynihan Venue
Tanztendenz
Lindwurmstr. 88
80337 München
U 3 und U 6, Stadtbus 62 und N 40, Haltestelle Poccistraße
ATTENTION: Friday is SOLD OUT. Tickets available for saturday and sunday!
Steve Reich’s compositional technique, so-called “phasing,” is both the musical point of departure and the choreographic task. The pure motion of the bodies and the concentration on the sound of the instruments occupies the center of this work: an unadulterated dialogue between music and dance, undertaken by three dancers and four musicians. The principle of shifting the tempo of a basic choreographic motif alters the volume and the radius of the performed movements. Precise sequences gradually condense into complex bodily entanglements. The bodies temporarily form sculptural intermeshed images, which imperceptibly dissolve again. Dance and music, in seemingly separate components, interact or are uncoupled.
This work aims to pursue questions about our understanding of dance or to stimulate a widened perception from today’s perspective of the relationship between dance and music. The spectator’s proximity to the musicians, dancers and musical instruments enables them to experience the throbbing nature of the performance with the utmost immediacy and directness.
Press Release for download
Artistic director and choreographer: Sabine Glenz
Dancers: Gaëtane Douin, Angela Kecinski, Eva-Maria Schaller
Musicians: Sebastian Förschl, Stefan Gagelmann, Jörg Hannabach, Michael Leopold
Music by Steve Reich Steve Reich: “Marimba Phase“ (1967), “Pendulum Music” (1968), “Drumming“ (1970/71)
Costume: Johanna Katharina Leitner
Light: Charlotte Marr
PR: Beate Zeller
world premiere: september 15, 2017
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich and the Bavarian State Association for Contemporary Dance (BLZT) with funding from the Bavarian State Ministry for Science, Research and Art. Sabine Glenz is member of Tanztendenz München e.V.
venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
station Leonrodplatz
www.schwerereiter.de Tickets
17,- / 10,- red.
Ticket-reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
Please reserve your seat since places are limited!
The inhabitants of the blue planet are distraught. Huge swarms of virtual birds are passing over their heads; the so-called „bird-oid objects“ (=boids) are completely out of control.
The specially created software agents are smuggling themselves into people’s lives and influencing their behavior in the sphere state. Will humanity survive?
While referencing science fiction visions from the past, the dance performance creates a crude and colorful mix of constructs and a loss of control in constantly arising new patterns while being immersed in Günter Lause’s electronic soundscape.
Idea / Concept: Moritz Ostruschnjak
Choreography: Moritz Ostruschnjak in collaboration with Daniela Bendini and the dancers
Dance: Gaetano Badalamenti, Darren Devaney, Chiaki Horita, Isaac Spencer, Nuria Giménez Villarroya
Live-Music / Electronics: Günther Lause (Max Lange, Konrad Wehrmeister)
Lighting Design: Tanja Rühl
Costume: Renate Ostruschnjak
Sound: Paolo Mariangeli
Management: Hannah Melder
PR: Beate Zeller
world premiere: september 28, 2017
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich and the Bavarian State Association for Contemporary Dance (BLZT) with funding from the Bavarian State Ministry for Science, Research and Art. Moritz Ostruschnjak is member of Tanztendenz München e.V.
venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
station Leonrodplatz
Choreographers of Tanztendenz München e.V. invite artists and choreographers from Germany and abroad to jointly research and work on the theme of “Space/Room” in all its facets, both metaphorical and real. The approach to the theme may include spatial and bodily politics with historical, personal and current references, as well as geopolitics, mental interior rooms, art spaces and/or urban planning.
The mix of practical exercises, shared excursions and public lectures by high-carat presenters generates a medially heterogeneous yet thematically focused week with films, lectures, showings and discussions.
The evening events are open to the public and offer their audience the opportunity to grapple with the theme of space and to experience and discuss its various aspects.
The Choreographers’ Atelier takes place in the anniversary year “30 Years of Tanztendenz.”
Public Lectures at Tanztendenz
Saturday, November 18, 8:00 p.m. – Tanztendenz Marcus Steinweg: Empty Space (Lecture in English)
To think means to surrender oneself to the madness of an acceleration which carries the subject beyond its objects. It does not give birth to them. It pulls them toward itself because it is already there, where no object had been. This is the empty space between the present and the future. What Gilles Deleuze calls Becoming occurs in this space. Beyond history in the midst of history.
Sunday, November 19, 8:00 p.m. – Tanztendenz Franziska Konitzer: A Cosmic Standpoint Localization (Lecture in English)
This much is nearly certain: we find ourselves in a universe that has been continually enlarging for approximately 13.8 billion years. The Laniakea Supercluster contains the Local Group of galaxies, to which the Milky Way galaxy belongs. And in one of the spiral arms of the Milky Way is a more or less unspectacular star with a mostly blue planet orbiting around it. That’s us! But where exactly are we? How can possibly know all this when, strictly speaking, we’re all firmly stuck on the Earth’s surface?
Public Lectures at schwere reiter
Monday, November 20, 8:00 p.m. – schwere reiter Dominic Eskofier:
Introduction to Virtual Reality: Enlivening a Stage with Unlimited Possibilities
In this lecture by Dominic Eskofier, Head of Virtual Reality in EMEAI at Nvidia, we learn how immersive technologies such as VR could potentially transform the world of theater. The stage has no boundary and the props have no limits in the virtual world. How might an actor handle this situation? What challenges arise? And how can this world of unlimited possibilities be used to blaze new trails for storytelling?
Tuesday, November 21, 8:00 p.m. – schwere reiter Lars Henrik Gass: Film and Art after Cinema: An Objection
On the cinema as a location, “a mental space in which one no longer observes, reflects upon or imagines a reality, but is lost in time and compelled to perceive.” “The cinema was the place that took away my freedom and suggested another life which is diametrically opposite to my opinion about the world.”
Wednesday, November 22, 8:00 p.m. – schwere reiter Axel Krüger: Prison Architecture
Axel Krüger’s lecture focuses on the architectonic challenges involved in the planning of extremely closed and enclosing spaces. PLAN2, his architectural office, is also well known for the buildings it designed for the judiciary in Munich, Bremervörde, Zwickau, Frankfurt and Saarbrücken.
Thursday, November 23, 8:00 p.m. – schwere reiter Birgit Wiens: Theater Architecture as a Blueprint for Society: Walter Gropius and Francis Kéré
The question of new spatial concepts has been a recurrent theme in theatrical and architectural discourse since the beginning of the 20th century. As examples, this lecture focuses on two projects in modern and contemporary theater architecture: Walter Gropius’ “Total Theater,” which was designed on commission from Erwin Piscator as a “spatial machine” and a “communal theater that would unite people” (1927, never built); and Francis Kéré, whose “Satellite Theater” (for Chris Dercon’s Volksbühne in Berlin/Tempelhof, 2017, partially realized) alludes to Gropius’ visionary concept nearly half a century later. The theatrical-aesthetic, spatial-theoretical, socio- and (cultural-) political implications of both projects will be discussed.
Friday, November 24, 8:00 p.m. – schwere reiter Thomas Dörfler: Spatial Images and Reality: On the Genesis of Concepts of the World
A short history of the development of understandings of space from prehistory to the postmodern era, from Altamira to GoogleMaps: What consequences does today’s concept of the simultaneity and relationality of space have for our daily lives? What does it mean when our notions of space nowadays are almost exclusively cognitive and no longer haptic, sensory or atmospheric? The lecture concludes with examples from urban development and architecture to present what Lefebvre calls the “lived space” as the repressed of the modern understanding of space.
Venues
Tanztendenz
Lindwurmstraße 88 / 5. Stock
80337 München
U 3 + U 6, Stadtbus 62 + N 40, Haltestelle Poccistraße
schwere reiter tanz
Dachauer Straße 114
80636 München
www.schwerereiter.de
Tram 12, 20, 21, Bus 53, Haltestelle Leonrodplatz Admission
Admission to all events is free. Registration is not required.
An event of Tanztendenz München e.V.
With kind support from the Cultural Office of the State Capital City of Munich and District Council No. 9 Neuhausen-Nymphenburg. This project is made possible by the Bavarian State Association for Contemporary Dance (BLZT) with funds provided by the Bavarian State Ministry for Education Cultural Affairs, Science and Art.
I LIKE TO MOVE IT is a choreographic concert for three dancers and six loudspeakers.
Gradually at first, a musical-choreographic process creates constant shifts and imperceptible fractures
in the interdependence of dance and music. The staging operates precisely with the vibrations of the music and the dark sounds of the bass,
which are physically palpable, not just for the dancers but also for the audience.
During the course of the evening you will inevitably be drawn into a closed circuit of reciprocal influence,
initiated by Zufit Simon with her usual brilliance and smart comedy.
She simultaneously quotes and breaks the rules of the rock and roll concert.
Concept, Choreography: Zufit Simon
Sound: Fredrik Olofsson, Alexander Grebtschenko
Dance: Alessandra Defazio, Cheri Isen, Zufit Simon
Lighting Design: JOM, Michael Kunitsch
Costume: Sarah Marguier
Stage Set: Dietrich Oberländer
Management: artblau Tanzwerkstatt / Dietrich Oberländer
Public Relations: Beate Zeller
Photography: Benjamin Krieg
Eine artblau Tanzwerkstatt Produktion. Gefördert durch die Kulturverwaltung des Landes Berlin, sowie aus Mitteln des Landes Niedersachsen. Die Wiederaufnahme wird mit freundlicher Unterstützung des Kulturreferats der LH München ermöglicht.
In Kooperation mit schwere reiter tanz. Zufit Simon ist Mitglied der Tanztendenz München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Booking
Tickets: 17,- / 10,- red.
Booking: 089 / 721 10 15 or reservierung@schwerereiter.de
Artists crash together fascinated by the rapid decline of empathy. Admitting that the waters around us have grown, dance, theatre and live-music weave together asking politely: Please don’t stand in the doorway. Don’t block up the hall. Pondering if the last time we cried was in front of a youtube video maybe it would be nice to go to the theatre?
Choreografie: Jasmine Ellis
Tanz: Yael Cibulski, Evelyne Rossie, Luca Cacitti, Lukas Malkowski
Dramaturgie: Martina Missel
Musik: Lukas Bamesreiter, Ralph Heidel, Maximilian Hirning
Kostüme: Sarah Kaldewey ATELIER KALDEWEY
Bühne: Nicola Missel
Fotos: Ray Demski
Produktionsleitung: Theresa Schlichtherle
Presse: Claudia Illi
Gefördert durch das Kulturreferat der Landeshauptstadt München. In Kooperation mit Tanztendenz München e.V. Mit freundlicher Unterstützung von ATELIER KALDEWEY und BOXWERK München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Booking
Tickets: 17,- / 10,- erm.
booking: 089 / 721 10 15 or reservierung@schwerereiter.de
Elektrosmog-Soundperformance with
CARL GARI (The Trilogy Tapes, Permanent Vacation, München) Carl Gari soundcloud
DANIEL DOOR (Schamoni Musik, The Temple of Noise, München) Daniel Door soundcloud
AKI FRIEDRICH (Klangdusche, München) Klangdusche
Special Guest:
BROSHUDA live! (Haunter Records, No Corner, Berlin) Broshuda soundcloud
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
12,- / 8,- erm.
The term “session” refers to a period during which a body meets. Limits and rules are set, stretched, or repealed to provide new experiences and insights. Munich-based choreographer Anna Konjetzky’s new piece explores the format—hence the “about” in the title— and the session itself. Being distanced and involved are not contradictions. The dancers probe the workings, history and social meaning of lust and arousal. Which movements, words and looks stimulate us? In a similar way to when we browse the Internet, some things are aroused, by chance. This in turn opens up possibilities to pursue or drift away from a theme. Elements of a lecture performance emerge. The lecture shifts, is continued in a video, then returns to the stage and is translated into movement by the dancers for the audience. Analysis and sensual experience mesh in a reflection about and with the body.
Choreography: Anna Konjetzky Dance: Sahra Huby, Quindell Orton, Maxwell McCarthy, Victor Perez Armero Music: Sergej Maingardt Video: René Liebert Stage design: Hannes Hartmann amd Leonie Mohr Dramaturgy: Bastian Zimmermann Production: Sabine Klötzer – SISK PR: Simone Lutz
„about a session“ is a production by Anna Konjetzky coproduced by Münchner Kammerspiele. Funded by cultural department of the city of Munich, Bezirk Oberbayern an the Bayerischen Landesverband für zeitgenössischen Tanz (BLZT)/Bayerischen Staatsministeriums für Bildung und Kultus, Wissenschaft und Kunst.
Venue
Münchner Kammerspiele, Kammer 2
Falckenbergstraße 1
80539 München www.muenchner-kammerspiele.de Tickets
Prize: 19,- € www.muenchner-kammerspiele.de
A perfect opportunity to get to know the diversity of the contemporary dance scene: HIER = JETZT presents production excerpts and work in progress by 16 freelance artists on four different evenings. On the last evening, Open Space 4, the audience award will be presented after the performances, which this year is coupled with a three-month working scholarship sponsored by the Norbert Janssen Foundation with final performances at TANZWERKSTATT EUROPA.
The platform for contemporary dance HIER = JETZT was launched in 2016 by Tanztendenz members Johanna Richter and Birgitta Trommler and realized in co-production with Tanztendenz München e.V. In 2023, the platform takes place from April 3 to 16 and offers participating artist free studios at the schwere reiter, at Tanztendenz an at Iwanson International. The focus of HIER = JETZT is the laboratory situation and the exchange; choreographers are offered a platform to work intensively and independently on the diversity of their ideas - an open laboratory for piece developments. In the four concluding public "Open Space" evenings, the developed piece approaches will be presented in parts or as work in progress.
PROGRAM THUESDAY, 13 April
Choreographies by Alexandra Paal, Maria Paula Duarte Romero , Cola Ho Lok Yee, Matteo Sacco
PROGRAM FRIDAY, 14 April Choreographies by Anima Henn, Alice Pan, Hoyoung Im, Ben Meerwein
PROGRAM SATURDAY, 15 April Choreographies by Veronica Vagnoni, Antonia čop + Jon Olofsson Nordin, Natalia Koźbiał, Bianca Bauer
PROGRAM SUNDAY, 16 April Choreographies by Rinus Silzle + Laura Manz + Anima Henn + Paula Niehoff, Eléonore Barbara Bovet, Perle Cayron, Sonja Christ
More HIER = JETZT
HIER = JETZT on VIMEO
Interview with the initiators Johanna Richter + Birgitta Trommler
Auch zu finden auf: FACEBOOK und INSTAGRAM Team
Von und mit: Eléonore Barbara Bovet, Veronica Vagnoni, Matteo Sacco, Sonja Christl, Alexandra Paal, Bianca Bauer, Cola Ho Lok Yee, Anima Henn, Rinus Silzle + Laura Manz + Anima Henn, Perle Cayron, Antonia Čop, Natalia Koźbiał, Alice Pan, Ben Meerwein, Maria Paula Duarte Romero, Hoyoung Im
Team Konzept, Leitung: Johanna Richter, Birgitta Trommler / Technische Leitung, Licht : Rainer Ludwig / Ton: Philipp Kolb / Probendisposition, Assistenz : Laura Manz / Produktionsleitung: Elsa Büsing / Presse: Kathrin Schäfer / Video: Tim Bergmann, Thomas Göbl / Foto: Mehmet Vanli / Grafik: Martina Baldauf
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
Admission free
No advance sale, free tickets only available at the box office from 60 minutes before the performance starts
Eine Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der Landeshauptstadt München, den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst und unterstützt von privaten Spendern. In Kooperation mit einer Residence im Iwanson International. Mit technischer Unterstützung durch die Hochschule Macromedia, München. Der Publikumspreis von HIER = JETZT 2023 wird gefördert von der Norbert Janssen Stiftung.
The installation must be cancelled for known reasons. Not easy times for any of us.
As soon as a catch-up date is set, we will publish this.
The camerawoman Laura Kansy had taken the video footage for the announcement a short trailer has been made - if you want to have a look:
VIMEO – Wo komme ich her?
Stay healthy and in good spirits. See you soon!
Best regards, Judith Hummel & Team
Translated with www.DeepL.com/Translator (free version)
By walking, by going (back) Judith Hummel explores her own background. Together with her mother Margret and cinematographer Laura Kansy, she walks the same way her grandmother took 1944 when fleeing Rumania for Germany. In Juni 2019 they walk the first stage from Săcălaz, hometown of the grandparents, to the hungarian town Szeged. The installation in Köşk consists of video, sound, live-performance and memorabilia all deriving from this journey.
Dates
March, 26 to 29th, 7:30 pm
Team
Judith Hummel (artistic director, protagonist)
Margret Hummel (protagonist)
Laura Kansy (video, photo)
Tim Neuhaus (sound)
Stephanie Roderer (artistic collaboration, graphic design)
Ulrike Wörner von Faßmann (dramaturgy)
Heidi Schnirch (choreographic collaboration)
Charlotte Marr (light design
Katrin Schmid (stage)
Ruth Geiersberger (artistic councelling)
Juliane Huth (Route)
Jens Baßfeld (video technology)
Rat & Tat Kulturbüro (artistic production management)
Beate Zeller (PR)
Venue
Köşk
Schrenkstraße 8
80339 München
www.koesk-muenchen.de Tickets
Entrance free
Please do register at the latest 24 hours before you come (anmeld.koesk@gmail.com) due to limited capacity
Das Projekt wird gefördert vom Kulturreferat der Landeshauptstadt München, sowie von der Kulturstiftung der Stadtsparkasse München.
Judith Hummel ist Mitglied des Tanztendenz München e.V.
side.kicks 2019 presents three artists, each of them on one evening: Luke Murphy from Cork (12.12.), Japanese dancer and choreographer Emi Miyoshi from Freiburg (13.12.) and Anne-Mareike Hess from Luxemburg (14.12.). All three have been residency guests of Tanztendenz München e.V. in the past and reture now to Munich with three productions that all deal with sculptural aspects.
ln collaboration with Kings College London historians, Luke Murphy and renowned sculptor Alex Pentek collaborate on this provocative performance installation examining the nature of touch, contact and lifecycle of our skin. With a large installation of foldable origami pieces constructed and deconstructed throughout the performance, Carnivore interrogates how the central research questions of the Renaissance Skin Project can be applied to contemporary notions of beauty, identity, communication, intimacy, worth and self. Through a series of physical vignettes in dialogue with a constantly evolving spatial context, Carnivore will mine the sensation, expectation, detachment and feeling of the information our skin feeds us at any given moment.
Choreography: Luke Murphy Sculptur: Alex Pentek Dance: Luke Murphy, Eric Jackson Bradley, Julie Koenig, Carlye Eckert Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
17,- EUR / 10,- red. EUR
Reservation www.schwerereiter.de
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich and Culture Ireland. side.kicks is a production of Tanztendenz München e.V.
Carnivore: Arts Council of Ireland Arts Grant Award / Residencies: Tanztendenz München e.V., DanceNow Silo, Shawbrook Residency 2019, Uillinn West Cork Arts Centre and Ultima Vez.
„Unstern“ sheds light on the moment before disaster, when propensity to violence, nationalistic propaganda, upcoming war cries, machismo and uncertainty mingle. Performative scenes, dance, sound and video create the image of a society on the brink of collapse, the beginning of a new era.
Idea, Concept: Moritz Ostruschnjak
Choreography: Moritz Ostruschnjak together with Daniela Bendini and the dancers
Dancers: Fanni Esterházy, Antoine Roux-Briffaud, Gaetano Badalamenti, Lazare Huet
Video: Moritz Stumm
Music sampling, editing: Jonas Friedlich
Lightdesign: Tanja Rühl
Costume: Renate Ostruschnjak
Sound technic: Paolo Mariangeli
Production: Hannah Melder
PRt: Simone Lutz PR
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
station Leonrodplatz www.schwerereiter.de
Website Moritz Ostruschnjak: Moritz Ostruschnjak Tickets
17,- EUR / 10,- erm. EUR
Please reserve: 089 / 721 10 15 oder www.schwerereiter.de
Eine Veranstaltung von Moritz Ostruschnjak. Wiederaufnahme gefördert durch das Kulturreferat der LH München. Produktion gefördert durch das Kulturreferat der Landeshauptstadt München und durch den BLZT, Bayerischer Landesverband für zeitgenössischen Tanz, aus Mitteln des Bayerischen Staatsministeriums für Bildung und Kultus, Wissenschaft und Kunst. Realisiert durch eine Residency des Theater Freiburg. Mit freundlicher Unterstützung durch Stage Axis.
To imagine utopia as transformative power is to imagine it as a site of departure and not a destination. This implies an exercise of displacement and therefore requires a repositioning of our senses and meanings in order to enter the other-place and the other-story. This exercise requires special attention to reproduce choreographic thinking on the move, that is, to choreograph our movements as ways of learning to move in other directions.
Welcome to an open rehearsal of this work in progress brings a dialogue between body, sound, space, and images of the traveling artistic residence veiculoSUR 2018, in which five artists from different nationalities moved from south to north for 4 months, tensioned by the theme "strange bodies, and conflicts of norms."
Perfomance Concept: Maëlys Meyer, David Muñoz, Marcela Olate, Mario Lopes, Gabriel Spinosa, Thaïs Ushirobira
Mapping and vj: Maëlys Meyer
Sound Artist: Gabriel Spinosa
Spatial Design: David Muñoz Venue
Tanztendenz
Lindwurmstraße 88 / 5. Stock
80337 München
Metro U 3 + U 6 / Bus 62 + N 40, stationPoccistraße www.tanztendenz.de Tickets
Entrance free
A dance mashup, a bastard-pop of 1000 thefts: In AUTOPLAY the copy & past key becomes the leitmotiv. Every movement, every sound, every picture is an "objet trouvé" taken from the web. From contemporary choreography to harlem shake, from the video game Fortnite to shampoo advertisements – everything is mixed, re-organized and recombined. AUTOPLAY creates a room of hyperlinks generating a picture of our existence in the digital 21st century.
Choreograph: Moritz Ostruschnjak with Daniela Bendini an the dancers Dance:Annamaria Ajmone, Daniel Conant, CristianCucco, Antoine Roux-Briffaud Video: Moritz Stumm Music mixing & editing: Jonas Friedlich Dramatic advisor: Armin Kerber Costume: Daniela Bendini, Renate Ostruschnjak Soundtechnic: Paolo Mariangeli Produktions: Hannah Melder PR: Simone Lutz
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
station Leonrodplatz www.schwerereiter.de Tickets
17,- EUR / 10,- erm. EUR
Reservation: www.schwerereiter.de
double bill“ wird gefördert durch das Kulturreferat der Landeshauptstadt München.
Zufit Simon ist Mitglied des Tanztendenz München e.V.
Three solos, two choreographers (Munich premiere).
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
station Leonrodplatz www.schwerereiter.de Tickets
17,- EUR / 10,- erm. EUR
Reservation: www.schwerereiter.de
double bill“ wird gefördert durch das Kulturreferat der Landeshauptstadt München.
Zufit Simon ist Mitglied des Tanztendenz München e.V.
Dancers, actors and musicians and the post of the day. An Improvisation that has every evening a different theme, music and cast!
Concept: Katja Wachter
With: Ludger Lamers, Helmut Ott, Daniela Graca Schankula, Katrin Schafitel, Katja Wachter u.a. Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
station Leonrodplatz www.schwerereiter.de Tickets
12,- EUR / 8,- erm. EUR
Reservation: www.schwerereiter.de
R H Y T H M _______
R _H _ Y _____ T _ H _ M _
B O _D__ IES__ IN__ RH___Y___THM
A____ R _____ Y _ T _ H _ M
I _ N___S_ I_ L_ E_N _ C_ E
____________________S _ I_ L____________ N_ C_ E
Sneak Preview of rehearsals
Choreography: Stephan Herwig
Dance: Gaetano Badalamenti, Katrina E. Bastian,
Anna Fontanet, Maxwell McCarthy
Artistic collaboration: Karen Piewig
Lighting design: Michael Kunitsch
Sound: Martine-Nicole Rojina
Management: Angelika Endres
Public Relations: Beate Zeller
Due to acoustic reasons at the Kreativquartier (Circus Roncallli performs in front of schwere reiter from october 12 to november 12, 2019) we decided to postpone the world premiere of Stephan Herwig's new piece.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- EUR / 10,- red. EUR
Reservation www.schwerereiter.de
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich and the Bavarian State Association for Contemporary Dance (BLZT) with funding from the Bavarian State Ministry for Science and Art. Stephan Herwig is member of Tanztendenz München e.V.
Stephanie Felber in cooperation with her team creates (In)Security, an interactive situation that addresses individual and collective need for security. Spaces, situations, and gestures oscillate between comfort and discomfort, arising from a dubious gap in control, surveillance and patrol, which altogether raise the question of when „security“ might become threatening.
Artistic direction: Stephanie Felber
Performer/artistic collaboration: Sunday Israel Akpan, Susanne Grau, Nikos Konstantakis, Ludger Lamers, Elsa Mourlam
Technical Operator: Jochen Feitsch / MIREVI-Lab Hochschule Düsseldorf
Sounddesign: Christoph Reiserer
Setdesign/costume: Guida Miranda
Lightdesign: Diana Dorn
Productionmanagement: Veronika Heinrich
PR: Simone Lutz
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Statione Leonrodplatz www.schwerereiter.de Tickets
Price: 17,- EUR / 10,- EUR
Reservation: www.schwerereiter.de
Gefördert durch das Kulturreferat der Landeshauptstadt München und den Bayerischen Landesverband für Zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. // Partner: ZU-UK/GAS Station London, MIREVI-Lab Hochschule Düsseldorf // Stephanie Felber ist Gast des Tanztendenz München e.V.
Tschadien choreographer Taigué Ahmed deals in his solo with the experiences arriving in another country, a foreign society. A society that excludes him because of his different skin colour, his different clothing style, his different social behavior. A society that signals him to be out of place.
Choreography, Dance: Taigué Ahmed
Music: Benno Heisel
Video: Janine Jembere
Costume: Pascale Martin
Dramaturgy: Sarah Israel
Production: Katharina Denk
Venue
HochX
Entenbachstraße 37
81541 München www.theater-hochx.de Tickets
Price: 18,- / 10,- erm.
Reservation: www.theater-hochx.de
With friendly support of Kulturreferat der Landeshauptstadt München. Taigué Ahmed is invited by Tanztendenz München e.V. Choreography, Dance: Ceren Oran
Choreography, Puppeteer: Roni Sagi
Live-Music: Tuncay Acar (percussion), Magdalena Kriss (flute, voice)
Dramatic adviser: Susanne Lipinski
Illustration: Christoph Gredler
Supported by the Kulturreferat der Landeshauptstadt München, Bezirk Oberbayern and the Kulturstiftung der Stadtsparkasse München. Venue
HochX
Entenbachstraße 37
81541 München www.theater-hochx.de Tickets
Reservation: www.theater-hochx.de
The platform for artistic research veiculoSUR which unites six curators from the global South and North opens an international program. On October 12th, from 2 pm to 6 pm, veiculoSUR invites the public to an event at the Institut Français, with guests Sarah Bergh-Bieling, representative of the Kulturreferat München, and Pascale Obolo, Cameroonian filmmaker and creator of Afrikadaa magazine.
“VeiculoSUR is a platform that points out and experiments other ways of producing and other ways of thinking. It creates a space for conflict – understood as something inevitable and positive, from which other notions of bodies are brought forth. The moment of opening, of oxygenation and fermentation of the process with the local scene is essential for this”, says curator Marcela Olate.
The fact that this project stage takes place in Germany has symbolic significance within the concept: In addition to having a hegemonic role in the world economy, the country undeniably played a part in the development of the epistemology of knowledge and in the process of colonisation.
For veiculoSUR, Munich is a symbolic host for the discussion and for bringing ideas, knowledge and methodologies that originate in other parts of the world into a sometimes conflictual dialogue: The city has been opening up to recognize itself as part of these mechanisms and to foster research on the buried colonial history.
PROGRAMM
2 pm: veiculoSUR meets Kulturreferat Cultural Department of the City of Munich (in English)
A representative of the Culture and International Relations Department of the City of Munich will talk about the question of how the city of Munich addresses the issue of "foreign bodies", migration, and how these themes are taken into account within the cultural policy of the city.
3 pm: veiculoSUR meets Sarah Bergh-Bieling (in English)
During this meeting, Sarah Bergh-Bieling will talk about her experience as a mediator and commitment to bring anti-racist perspectives to arts and education institutions.
Bio Sarah Bergh: Sarah Bergh studied Education, Psychology and Theatre Studies. After more than ten years as a scheduler and booker at the theatre and in production management for various theatre, dance and performance festivals, she has been self-employed since 2002 with her office for the conception and realization of art and cultural projects (berghkuk.de/freispiel.info). The focus of her work is on political education, with the topics of migration and diversity education, human rights, discrimination / racism, decolonization and self-assertion / empowerment. In this context, she has developed numerous educational projects for young people together with public and private partners, foundations and artists. Since 2015 she is working in the Department of Political Education at the Pedagogical Institute / Department of Education and Sport of the LH Munich.
4:30 pm: veiculoSUR meets Pascale Obolo (in French)
Summary: Performance as a form of energy: transformations and mutations. As with climate change and globalization, bodies are becoming strangers, mutants. Thinking of ancestral practice more as a form of transmission, while it also has an inspiration in Afrofuturism, Parcale Obolo will speak about how ritual practice can provoke contemporary material.
Filmmaker, curator, editor-in-chief. Born in Yaoundé, Cameroon, Pascale Obolo studied at the Conservatoire Libre du Cinéma Français, in the film section, and then obtained a master's degree in cinema at the University of Paris VIII in the experimental cinema section. As an activist, her work questions memories, identity, exile and invisibility. Pascale Obolo is at the origin of the structure of Afrikadaa Lab: a contemporary art magazine, an intellectual and artistic laboratory whose vocation is to create a dynamic of creation in Paris and in African and diasporic territories. She also runs the African Art Book Fair (AABF) / an independent publishing fair focusing on editorial practices and supporting qualitative and unique publishing practices. As a teacher, she directs the formation des ateliers horizons at the Magasin, art center of Grenoble. Pascale Obolo has just joined the team of the scientific council of the school of fine arts of Réunion Island.
With the curators Mario Lopes (Munich/Germany), Marcela Olate (Santiago/Chile), Maelys Meyer (Lyon/France), Thais Ushibobira (São Paulo/Brazil), David Muñoz (Helsinki/Finland) and Andrea Arroba (Montevideo/Uruguay)
Spielort
Institut Français Munich
Kaulbachstraβe 13
München
Supported by Tanztendenz München e.V., Kulturreferat der LH München, Goethe-Institut e.V. and Institut Français Steve Reich’s compositional technique, so-called “phasing,” is both the musical point of departure and the choreographic task. The pure motion of the bodies and the concentration on the sound of the instruments occupies the center of this work: an unadulterated dialogue between music and dance, undertaken by three dancers and four musicians.
The principle of shifting the tempo of a basic choreographic motif alters the volume and the radius of the performed movements. Precise sequences gradually condense into complex bodily entanglements. The bodies temporarily form sculptural intermeshed images, which imperceptibly dissolve again.
Dance and music, in seemingly separate components, interact or are uncoupled.
This work aims to pursue questions about our understanding of dance or to stimulate a widened perception from today’s perspective of the relationship between dance and music. The spectator’s proximity to the musicians, dancers and musical instruments enables them to experience the throbbing nature of the performance with the utmost immediacy and directness.
Artistic director and choreographer: Sabine Glenz
Dancers: Gaëtane Douin, Angela Kecinski, Eva-Maria Schaller
Musicians: Sebastian Förschl, Stefan Gagelmann, Felix Gödecke, Michael Leopold
Music by Steve Reich: “Marimba Phase” (1967), “Pendulum Music” (1968),
“Drumming” (1970/71)
Costume: Johanna Katharina Leitner
Lighting design: Charlotte Marr
Public Relations: Beate Zeller
Spielort
Muffathalle
Zellstr. 4
81667 München www.muffatwerk.de Tickets
Price: 15,-
VVK via München Ticket 089 / 54 81 81 81 or www.muenchenticket.de
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich. The production of „Phases. Making“ was supported by the Bavarian State Association for Contemporary Dance (BLZT) with funding from the Bavarian State Ministry for Science and Art. Sabine Glenz is member of Tanztendenz München e.V.
side.kicks 2019 presents three artists, each of them on one evening: Luke Murphy from Cork (12.12.), Japanese dancer and choreographer Emi Miyoshi from Freiburg (13.12.) and Anne-Mareike Hess from Luxemburg (14.12.). All three have been residency guests of Tanztendenz München e.V. in the past and reture now to Munich with three productions that all deal with sculptural aspects.
"IN MY ROOM" challenges the sculptural and terpsichorean research of the room. Here japanese dancer Emi Miyoshi, the artist Jürgen Oschwald and sound artist Ephraim Wegnerwork together and create an evening, in which body and movement interact with the constantly changing stage situation.
Idea, Choreography, Dance: Emi Miyoshi
Installation, Performance: Jürgen Oschwald
Music, Sound: Ephraim Wegner, Annette Rießner
Dramatic advisor: Emma-Louise Jordan
Light: Markus Frietsch
Photo, Video: Marc Doradzillo Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
17,- EUR / 10,- red. EUR
Reservation www.schwerereiter.de
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich and the Cultural department of the city of Freiburg. side.kicks is a production of Tanztendenz München e.V.
N MY ROOM: In Cooperation with E-WERK Freiburg and Tanztendenz München e.V. / Sport: Kulturamt der Stadt Freiburg, Landesverband Freie Tanz- und Theater- schaffende Baden-Württemberg e.V. aus Mitteln des Ministeriums für Wissenschaft, Forschung und Kunst des Landes Baden-Württemberg, LBBW and Sparkasse Freiburg-Nördlicher Breisgau. side.kicks 2019 presents three artists, each of them on one evening: Luke Murphy from Cork (12.12.), Japanese dancer and choreographer Emi Miyoshi from Freiburg (13.12.) and Anne-Mareike Hess from Luxemburg (14.12.). All three have been residency guests of Tanztendenz München e.V. in the past and reture now to Munich with three productions that all deal with sculptural aspects.
My enemy is my fear
And it takes my breath away
So I call to fight with love, open up my heart
I call you to fight with love, open up your heart
Seduced by the belief that a fierce strongman, is all we need to get things done and save the world, choreographer Anne-Mareike Hess, takes us in her solo on a journey of becoming a warrior. Within a distorted and at the same time soft soundscape emerges a profoundly poetic image of human fragility and inner disruption. A dancing body caught in a perpetual fight with its emotions.
After „Synchronization in process“ (2016) and „Give me a reason to feel“ (2017), Warrior“ is the third piece in the context of the ongoing research about the „emotional body“.
After the performance: Artist talk with Bernard Baumgarten, Artistic director TROIS C-L – Centre de Création Chorégraphique Luxembourgeois
Choreography, Dance: Anne-Mareike Hess
Sounddesign: Marc Lohr
Costum: Mélanie Planchard
Lightdesign: Brice Durand
Dramatic advisor: Thomas Schaupp
Artistic advisor: Rosalind Goldberg
Vocal coach: Joséphine Evrard Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
17,- EUR / 10,- red. EUR
Reservation www.schwerereiter.de
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich and Centre de Création Chorégraphique Luxembourgeois - TROIS C-L, Ministère de la Culture Luxembourg. side.kicks is a production of Tanztendenz München e.V.
Warrior: Production: Utopie productions / Coproduction: Centre Culturel de Rencontre Abbaye de Neumünster, Weld, Skogen / creation support: Centre de Création Chorégraphique Luxembourgeois - TROIS C-L, Ministère de la Culture Luxembourg / Support: Fonds culturel national Luxembourg, Fondation Indépendance, The Swedish Arts Grants Committee / Residencies: Dancehouse Melbourne (AUS), Skogen (SE), O espaço do Tempo Montemor-O-Novo (PT) / With the support of the Grand Luxe network 2017/2018/2019
From 3th of February until 16th of February 2020 the Tanztendenz Munich e.V. will offer their studios once more to young emerging choreographers.
We offer a lab situation for research and exchange without any pressure of producing to choreographers, who are at the beginning of their artistic career.
The overall aim of OPEN STUDIOS is not to create finished pieces, but rather giving ideas and approaches a first try.
According to capacity every participant will be given four hours per day for rehearsal. Optional is a mentor from the choreographers of Tanztendenz Munich e.V. At the end of the two weeks there is the opportunity of an open exchange at Tanztendenz.
Unfortunately expenses for overnight accommodation or travel are not defrayed, but we can help to find an unexpensive accommodation. A celebration of diversity, of the non-normative, a celebration of beauty eluding to alternative live styles.
Dates
Premiere: 6. February 2020, 9 am + 11 am
Further performances: 7. February 2020, 10 am + 8. February 2020, 3 pm
Team
Artistic director, choreography, dance: Ceren Oran
Choreography, dance:: Roni Sagi
Dance: Maria Casares Gonzales, Jin Lee, Jovana Zelenović
Music, composition: Benny Omerzell
Costume: Sigrid Wurzinger
Production: Rat & Tat Kulturbüro
PR: Simone Schulte-Aladag
Venue
HochX
Entenbachstraße 37
81541 München www.theater-hochx.de Tickets
Reservation: www.theater-hochx.de
Gefördert durch das Kulturreferat der Landeshauptstadt München und durch den Bayerischen Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Bildung und Kultus, Wissenschaft und Kunst und den Bezirk Oberbayern. Ceren Oran ist Mitglied der Tanztendenz München e.V. Mit freundlicher Unterstützung durch das Tanzbüro München und Fokus Tanz. A celebration of diversity, of the non-normative, a celebration of beauty eluding to alternative live styles.
Dates
Premiere: 13. February 2020, 8 pm
Further performances: 15. + 16. Februar 2020, 8 pm Team
Concept, Performance: Lucy Wilke, Paweł Duduś
Sound: Kim Ramona Ranalter
Stage: Alexander Wilke; NN
Light: Barbara Westernach
Outside Eye: Tamara Pietsch, David Bloom
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
17,- EUR / 10,- erm. EUR
Reservation: www.schwerereiter.de
Gefördert durch das Kulturreferat der LH München, den BLZT; Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirk Oberbayern und die Kulturstiftung der Stadtsparkasse München. Diese Produktion wird unterstützt von Tanztendenz München e.V.
Ginevra Panzetti and Enrico Ticconi have been working as a duo in Berlin since 2008. In their work they combine dance, performance and visual arts. Their main focus is on the historical connection between communication, violence and power and they create hybrid characters and images that are situated somewhere between (theater) history and contemporaneity. “Harleking” is a demon with multiple identities. His body language is similar to the Harlequin’s in commedia dell’arte – an astute servant driven by an insatiable hunger. The specific hypnotic quality of Harleking’s communication combines the often extreme and contradictory content to form a fluid, metamorphic system. Everything can happen and at the same time become blurred again. “Harleking” is reminiscent of the grotesques, ancient decorative wall art with monstrous figures interlaced with elegant ornamental spirals. Figures that can bring about pleasure, but never joy. The piece was in the Aerowaves Twenty19 selection.
Dates
Wednesday, 4. March / 10:15 – 10:55
Thursday, 5. March / 5:15 – 5:55
Thursday, 5. March / 10:15 – 10:55
Team
With & by: Ginevra Panzetti, Enrico Ticconi
Sounddesign: Demetrio Castellucci
Lightdesign: Annegret Schalke
Costume: Ginevra Panzetti, Enrico Ticconi
Technical direction: Paolo Tizianel
Promotion: Marco Villari
Illustrations, grafics: Ginevra Panzetti Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
18,- EUR / 10,- red. EUR
Pre-Sale: Vorverkauf: www.muenchenticket.de
Förderer: AN (Italien), Tanzfabrik, Berlin, PACT Zollverein, Essen, NAOcrea - Ariella Vidach - AiEP, Milano, KommTanz - Compagnia Abbondanza/Bertoni, Rovereto, L‘arboreto - Teatro Dimora, Mondaino, AtelierSì, Bologna, C.L.A.P.Spettacolodalvivo, Brescia
Unterstützung: Cronopios - Teatro Petrella, Longiano, Vera Stasi - Progetti per la Scena, Tuscania, Network Anticorpi XL (Italien)
In kaleidoscopic scenes, “Unstern” illuminates the very moment before catastrophe strikes; it is a blend of violence, nationalist propaganda, incipient battle cries, machismo and insecurity. In a wide, empty space, Munich-based choreographer and dancer Moritz Ostruschnjak evokes a dismal and threatening atmosphere. Euphoria, ecstasy and disruption are juxtaposed. The longing for a collective result in the creation of body formations that on the one hand resort to aggression and violence and on the other hand lead to the adjustment and disciplining of bodies. The demonstration of dominance and authority are followed by surrender and destruction. Expressive images bring about narrative movements and performative scenes. A sequence of conditions, sensations and motives evolve into an image of a society on the edge, the onset of a new era. In his previous work, Ostruschnjak dealt with the changes in physical and social experience in times of digitization and virtualization. “Unstern” builds on this and, in reference to the beginning of the 20th century, reflects on the fundamental parameters of social, technological and political change as well as its implications.
Dates
Friday, 6. March / 10:15 – 11:15 pm
Samstag, 7. März / 5:00 – 6:00 pm Team
Idea, concept: Moritz Ostruschnjak
Choreography: Moritz Ostruschnjak together with Daniela Bendini and the dancers
Dance: Eli Cohen, Antoine Roux-Briffaud, Gaetano Badalamenti, Lazare Huet
Video: Moritz Stumm
Lightdesign: Tanja Rühl
Music sampling, editing: Jonas Friedlich
Costum: Renate Ostruschnjak
Sound technic: Paolo Mariangeli
Productionmanagement: Hannah Melder Venue
Muffathalle
Zellstraße 4
München
S-Bahn to Rosenheimer Platz, Isartor
Tram 15, 25 Rosenheimer Platz
Tram 16 Isartor
Tram 17 Isartor, Deutsches Museum, Am Gasteig www.muffatwerk.de Tickets
22,- EUR / 10,- erm. EUR
Pre_Sale: www.muenchenticket.de
Produktion: Moritz Ostruschnjak / Koproduktion: schwere reiter tanz
Förderer: Kulturreferat der Landeshauptstadt München, Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst
Realisiert durch eine Residency des Theater Freiburg im Rahmen des Netzwerks Grand Luxe.
As part of TANZPLATTFORM DEUTSCHLAND, Munich’s independent dance scene is offering three performative city walks during which the venues and open spaces of local artists will be presented.
Tursday, 5. March / 10 am > Route 1: Gasteig – Theater HochX
Olivia Furber and Ramzi Maqdisi with 9T Antiope take a walk with the title „The Land’s Heart Is Greater Than Its Map“. They end at HochX where the performative symposium titled “Transtopie” (transtopia)takes place. Iin brief keynote presentations and performative demonstrations, local artists use different approaches to tap into socially permeable spaces through political art. With CHAKKARS, Taigué Ahmed, ASPerformance, Mario Lopez and others
Friday, 6. March / 10 am > Iwanson International – Tanztendenz
This route will be accompanied by students from the Iwanson International School of Contemporary Dance in a choreography by Munich-based choreographer Katja Wachter. Based on the idea of a speed dating session, Tanztendenz is offering the opportunity to communicate with members of the local dance scene and to get to know representatives of various institutions.
Saturday, 7. March / 10 am > schwere reiter – Kreativquartier
Wearing object costumes designed by Robert Kis, dancers stroll along with the audience in choreographies by Munich-based choreographers Katja Wachter and Helmut Ott to various locations of the Kreativquartier, where local artists will introduce themselves and their open spaces.
Dates
Thursday. 5. March
Friday, 6. March
Saturday, 7. March
All routes will begin at 10.00 h at the Gasteig.
There are shuttles available for routes 2 & 3, which will take the participants to the respective starting points and back to the Gasteig again. Snacks and drinks will be provided on all routes.
Team
Concept & organizers: Theater HochX, Iwanson International School of Contemporary Dance, Tanztendenz München e.V. Starting point
Gasteig
Rosenheimer Straße 5
München
S-Bahn Rosenheimer Platz
Tram 15, 25 Rosenheimer Platz
Tram 17 Am Gasteig www.gasteig.de Tickets
The number of places is limited. Please register by email: tanzplattform2020@jointadventures.net
Funded by Bayerischer Landesverband für zeitgenössischen Tanz (BLZT) funded by Bayerisches Staatsministerium für Wissenschaft und Kunst, and the district council 7 / Sendling-Westpark.
Advertising panels with ad hoc selected and edited images become for fugitive moments the stage for choreografic performances.
A game with perception that places aesthetic moments in public space and leaves the passerby with questions how and when a significant gesture is recognized as outlandish.
Dates
24 March to 2 April 2020
Team
Concept / Choreography: Micha Purucker
Performer*innen tba
Venue
Have a look at the public places of Munich between 24 March and 2 April
Das Projekt wird gefördert vom Kulturreferat der Landeshauptstadt München. Micha Purucker ist Mitglied des Tanztendenz München e.V.
The text “58 Indices on the Body” by the French philosopher Jean-Luc Nancy is a list of sometimes contradictory, short remarks on the human body. The choreographer Zufit Simon, together with the two dancers Lois Alexander and Clarissa Rêgo, was inspired by his thoughts for her movement research.
„Why indices rather than characters, signs, distinctive markings? Because the body escapes, is never sure, lets its presence be suspected but not identified. [...] All we have at our disposal are indications, traces, imprints and vestiges.“ The analytical approach of thinking liquefies in a translation into dance – it becomes as concrete as it does ephemeral.
„A body is a difference. Since it is a difference from every other body [...] it’s never done with differing. It also differs from itself.“ But a body must always be thought in a relationship – it is also a Mit-Sein, a being-with others.
Concept, artistic director: Zufit Simon
Dance, choreography: Lois Alexander, Clarissa Rêgo, Zufit Simon
Music: Fredrik Olofsson
Costume: Valentina Primavera
Light: Jochen Haken
Outside Eye: Inka Paul
Management: Dietrich Oberländer
Public Relations: Beate Zeller
Design: Markus Pollinger
Photography: Oliver Look
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
price: 17,- / 10,- erm.
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
A production by Zufit Simon. Sponsored by the Bureau for Cultural Affairs of the State Capital City of Munich and by the State Niedersachsen, supported by dock 11/Berlin.
Zufit Simon is member of Tanztendenz München e.V. From January 20th to February 3rd Tanztendenz Munich will offer its studios at Lindwurmhof to young emerging choreographers.
We offer a lab situation for research and exchange without any pressure of producing to choreographers, who are at the beginning of their artistic career.
The overall aim of “Open Studios” is not to create finished pieces, but rather giving ideas and approaches a first try. According to capacity every participant will be given four hours per day for rehearsal. Optional is a mentoring from the choreographers of Tanztendenz Munich e.V.
The participants selected for 2019 are: Lisa Klingelhöfer (Freiburg), Lotta Sandborgh + Sophie Becker (Munich), Jeff Pham (Munich), Katharina Platz (Munich), Alina Belyagina (Russia), Nora Frohmann + Clemens Fellmann.
At the end of the two weeks, on Sunday, February 3rd at 6 pm there will be an informal, public showing at Tanztendenz.
Venue
Tanztendenz
Lindwurmstraße 88 / 5. Stock
80337 München
U 3 + U 6, Stadtbus 62 + N 40, station Poccistraße Prize
Der Entrance free
Please register: info@tanztendenz.de VERNISSAGE 28. Juni, 19:30
PERFORMANCE I: 30. Juni, 21:45 Uhr im Rahmen der Kulturnacht 19
PERFORMANCE II: 14. Juni, 18:30
Stefan Maria Marb (performance)
Jost-H. Hecker (violoncello)
Stefan Hagen, Volker Derlath (fotography)
Sabine Scharf (Video)
Andreas Kuhnlein (sculptures) Venue
Kulturwerkstatt, Haus 10 Fürstenfeld 10b 82256 Fürstenfeldbruck
www. kulturwerkstatthaus10.de Karten
Entrance free
The new dance piece by Munich choreographer Anna Konjetzky stages fragile and inefficient bodies and thematises our social interaction with them. As if in a game, five dancers compete against each other. They test their limits, work against muscle cramps, struggle with losing their balance, get out of step, fall, give up and start again. Inspired by Youtube videos depicting stumbling drunks and weakened marathon runners, the ensemble takes the subject of falling out of context, while analysing and commenting on its own physical progress.
Choreography, stage: Anna Konjetzky
Dance: Sahra Huby, Sooyeon Kim, Maxwell McCarthy, Quindell Orton and Robin Rohrmann
Music: Brendan Dougherty
Video: René Liebert
Dramaturgy: Sarah Israel
Light design: Wolfgang Eibert
Stage construction: Andrey von Schlippe
Production: Rat&Tat Kulturbüro Venue
Münchner Kammerspiele, Kammer 2
Falckenbergstr. 1
089 / 233 966 00
muenchner-kammerspiele.de Tickets
19,00 Euro, reduced. 6,00 Euro
VVK: muenchner-kammerspiele.de
A PRODUCTION by Anna Konjetzky in co-production with the Münchner Kammerspiele and the Argekultur Salzburg. WITH THE KIND support of the Cultural Department of the City of Munich. WITH BACKING from the BLZT (Bavarian National Association for Contemporary Dance) from funds of the Bavarian State Ministry for Education and Cultural Affairs, Science and the Arts, and the Performing Arts Foundation e.V.. The production was invited by Tanztendenz Munich e. V.
"GONE“ follows chains of associations, dynamics and rhythms which link a group of people, but then also segregates and changes them. „GONE“ plays with the energy within this group consisting of three performers who work together, communicate and establish relationships. As a group they are defined by their movements associations; the single dancer conveys his ideas to the others, defines himself through them or establishes borders between himself and the rest of the group. He influences the others and is influenced by them as well. Coalitions develop, then dissolve or crack.
Images appear, formed before being filled with meaning. Ephemeral images which come and go like the air we inhale and exhale. They are not interested in sense and answers, for as Bob Dylan already knew: „The answer, my friend, is blowing in the wind.“
Concept, choreography and artistic direction: Zufit Simon
Dance and creation: Eva Svaneblom, Zufit Simon, Lisa Rykena
Artistic introduction advice: Inka M. Paul, Ayara Hernández, Julietta Figuaora
Costumes: Mirella Oestreicher
Stage / Technic: Frieder Weiss / JOM
Production Manager: Dietrich Oberländer Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
station Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- erm.
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
Funded by Landeshauptstadt München – Kulturreferat and Land Niedersachsen.
A production of artblau Tanzwerkstatt Braunschweig. With kindly support of Dock 11 / Berlin Eden in cooperation with schwere reiter tanz. Zufit Simon is a member of Tanztendenz München e.V.
Choreography, Dance: Taigué Ahmed
Music: Benno Heisel
Video: Janine Jembere
Costume: Pascale Martin
Dramaturgy: Sarah Israel
Production: Katharina Denk
Venue
HochX
Entenbachstraße 37
81541 München www.theater-hochx.de Tickets
Price: 18,- / 10,- erm.
Reservation: www.theater-hochx.de
With friendly support of Kulturreferat der Landeshauptstadt München. Taigué Ahmed is invited by Tanztendenz München e.V.
With Cristina Caprioli (Stockholm/Schweden)
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
Price: 17,- / 10,- erm.
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
Choreography: Cristina D’Alberto
Dance: Daphna Horenczyk, Sara Campinoti, Búi Rouch
Voice: Antonia Dering
Dramaturgy: Amahl Khouri
Music: Leonhard Kuhn
Light design: Michael Bischoff
Production: Martina Missel, Rat&Tat Kulturbüro Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
Price: 17,- / 10,- erm.
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
With friendly support of Kulturreferat der Landeshauptstadt München in cooperation with Frau-Kunst-Politik and GLS Treuhand. Idea, performance: Stefan Maria Marb
Live-Saxophon: Werner Siebert Venue
Isarinsel am Flauchersteg www.butoh-marb.de Tickets
Entrance free
Supported by Kulturreferat der Landeshauptstadt München. For their successful piece “Forecasting”, which has been shown more than 60 times in Europe alone, Barbara Matijević and Giuseppe Chico searched through numerous amateur videos on YouTube. On stage, the videos, which show situations, movements and objects from daily life, are edited into the performer’s action. A laptop’s monitor becomes an extension of her body. It becomes an interface between real bodies and the two-dimensional world of images. In funny, sometimes confusing effects, Matijević and Chico succeed in posing questions about the limits of the human body in a digitalized world.
Performance: Charlotte Le May
More about TANZWERKTATT EUROPA Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
18,- / 13,- erm.
Box office: München Ticket
A production by JOINT ADVENTURES supported by Kulturreferat der LH München // Production: 1er Stratagème & De facto; Coproduction: Kaaitheater Brüssel; UOVO Mailand; Support: DRAC Île-de-France; Beaumarchais-SACD Association Paris; French Institute Zagreb; Croatian Ministry of Culture, City of Zagreb; PACT Zollverein Essen (residency program); Guest Performance Support: Institut français and the French Ministry of Culture/DGCA
„Lucinda Childs is one of post-modern dance's pre-eminent icons, and a founding member of the Judson Dance Theater. She also happens to be my aunt. We decided to work on a revival project of three solos that she choreographed and performed herself in the 1960’s at the Judson Dance Theater in New York: Pastime, Carnation and Museum Piece.“ (Ruth Childs)
„Pastime“ (1963) was Lucinda Childs’ first solo; it researches the relationship between movment and an object. With a piece of stretchable cloth, Childs plays with the typical movement vocabulary of postmodern dance. In „Carnation“ (1964), objects from daily life (sponges, hair curlers, garbage bags) are choreographed. Childs wants do develop a method here, not a story. Dance is deconstructed. „Museum Piece“ (1965) is an artistic performance and ironic conference at the same time. Inspired by Marcel Duchamp’s idea of an „objet trouvé“, Childs uses the painting „Le Cirque“ by George Seurat as her point of departure and transfers herself into the image in a humorous way to describe it.
In 2014, her niece, Ruth Childs, rehearsed these three solos with her. With the exception of “Carnation”, these works by Lucinda Childs have never been shown outside of the USA; they have lost none of their modernity today..
Support:
Guest performance support > Pro Helvetia – Schweizer Kulturstiftung; Produktion > SCARLETT’S; coproduction > ADC – Association pour la danse Contemporaine, Genf; supported by > Stadt Genf; Stanley Johnson foundation; Loterie Romande; Nestlé Foundation for Art; Louis Vuitton foundation; Corodis; Republik & Kanton Genf.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
stop Leonrodplatz
www.schwerereiter.de
festival website
Tanzwerkstatt Europa Tickets
Pre-sale 15,-/10,- EUR / box office: 18,-/13,- EUR
Pre-sale: München Ticket (Tel.: +49 89 54 81 81 81, www.muenchenticket.de)
In the depARTures series, JOINT ADVENTURES presents choreographic works in the context of ACCESS TO DANCE and with the support of the Institut Ramon Llull. They create bridges to other art forms and thus expand the possibilities of dance and performance.
The first edition of the series in 2018 was given the motto “New Choreographic Strategies in Dutch Dance”; this time, choreographers from Catalonia are placed in the focus. The performances are flanked by an homage to the Catalonia film director Núria Font Solà (1958-2017); it is curated by Àngels Margarit, the director of the Barcelona dance house Mercat de les Flors.
Artist talks after the performances round out the evenings.
More information about the next shows in the series depARTures on april 3 and 6 at HochX and april 5 at Muffathalle you may find on: www.jointadventures.net
The project APPRAISERS explores the ramification of formats, concepts and methodologies that deal with information and data in the present using different modes of producing. Through the new information era we have gained the capacity of being prosumers. Due to the existence of many emerging technologies and devices that facilitates a diverse approach towards embodying presence, “just” being here-now is becoming more complex than ever.
This project began in 2011 and is constantly evolving. So far, the work has had many different formats. Nevertheless, the formats are never repeated. The project concentrates on “the information that is already here”; precisely and responsibly focusing and mediating “what is already here” through our gaze to create an engrossment out of what is concrete.
APPRAISERS deal with data on present time through a broader perspective of movement. It’s a desire to empower a sense of observation and to give visibility to the sense of reality we have created together. It’s also the movement unfolding out of being watching. A movement that is multi-directional and happening in many different spheres.
In this sense, Quim Bigas, who has been presented to the Munich audience with the piece „MOLAR“ 2017 at the TANZWERKSTATT EUROPA, will create three site-specific new versions of „APPRAISERS“ with Munich dance professionals and artists at the Schwere Reiter.
Concept: Quim Bigas
Performers: Olivia Rivière, Max Wallmeier and the IWANSON-students Aurora Alicino, Angelic Amoruso, Kristina Bösl, Maria Charalambous, Paula-Nicla Falkenhagen, Alessia Iusco, Vivien Johne, Ana Maria Kovacevic, Jana Kutschma, Andrea Lanz, Johanna Mandl, Myra Mayers, Patricia Melberg, Sarah Neubacher, Adriana Papagni, Julia Schwender, Doris Teichmann, Jennie Thomasson
Performer/Musician/Technician: Paolo Mariangeli
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
Price: 18,- / 10,-
Pre-Sale: 089. 54 818181 oder www.muenchenticket.de
More Informations www.jointadventures.net
Organizer: JOINT ADVENTURES – Walter Heun in the context of ACCESS TO DANCE with support from Institut Ramon Llull. ACCESS TO DANCE is made possible by the
Department of Art and Culture, City of Munich and the Bavarian State Association for Contemporary Dance (BLZT) with funds from the Bavarian State Ministry for Science and Art and the district of Upper Bavaria.
Idea, Choreography und Regie: Stefan Maria Marb
Assistent: Alexander Strauß
Dance: Dancers of ther Butohatelier
Live Music: Ardhi Engl
Venue
Tanztendenz
Lindwurmstr. 88
80337 München
U-Bahn Poccistraße Tickets
Contribution voluntary
Choreography: Micha Purucker
Dance: Michal Heriban
Music: Robert Merdžo
Light: Michael Kunitsch
Videos: Batz, Purucker Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
Price: 17,- / 10,- erm.
Reservation www.schwerereiter.de
With friendly support of Kulturreferates der Landeshauptstadt München an und des BLZT, Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst as well as artblau Tanzwerkstatt. ON STAGE AT SCHWERE REITER
2. May, 8 pm Open Space 1
Programme
animi motus (Elisabeth Kindler-Abali): "moneypulation "
Mathias Schwarz: "Unseen"
Karolin Stächele: "Future Love1"
Ljuba Avvakumova: "Goodbye Bird" + Konzeptvorstellung
PAUSE
Tomer Zirkilevich: "the day I reach to you"
Lotta Sandborgh: "Das" (T: Lotta Sandborgh, Sophie Becker)
3. May, 8 pm Open Space 2 Programme
Tine Reid, Morgan Reid: "What if "
Kate Slezak: "press play"
Sharon Reshef: "Four seasons"
PAUSE
Yahsmine Macaira: "ercepcao" (T: Amer Maghmoumah, Anna Ach, Alexander Salles, Daniela Graça, Miriam, Kristine, Roland G. Krügel, Rolf-Maria Krückels, Stefanie Hanzog, Yahsmine L. Maçaira)
4. May from 3 pm on Open Space 3 – The Dance Day Programme PART I (3 to 4:10 pm)
Julia Werkmäster, Olof Petter: “Werkörperzeug“
Cecilia Bartolino: “Sillizium“
Sophie Garnier: „Solo“
Maureen Zollinger: „Gruppenstück“
Franzi Glosa: „Heed“ (T: Anabel Kröner, Andrea Winter, Anna Geiger, Daria Zakharova, Doris Superina, Laura Dietrich, Mara Dudenhöffer, Mariia Romanova, Marina Bubeck, Sabine Echensperger, Sarah Zimmermann, Sina Müller)
Stefanie Schwimmbeck: „falling into space and gestures coming out“ (Erste Bewegungsstudien für den Tanzparcour „Zu Tanzen Glauben“ mit vier Tänzerinnen im Rahmen der Andechser Miniaturen im Juli 2019)
Alina Belyagina „Pure.Image“
Programme PART II (5:30 to 6:50 pm)
Natalie Bury, Ada Ramzewes: „Hope my friend“
Katha Platz: „on the go“
Sophia Ebenebichler: „Schuhwie du“
Alaine Lambertson, Eleisse Crouch: „Support your local Girl Gang“
Sonja Christl: „ColonyCollapse“
Georgia Rowan: „Emergence“
Stella Schmidt: „Yalla Tnam“
Liana Hautz, Elena Ludwig: „Beziehung und Freundschaft“
Arianna Di Palma: „Stormo” (T: Aurora Bonetti, Thea Atladòttir, Clara Wärme Otterstrøm, Sonja Christl, Marta Mestres Casadesús)
Programme PART III (8:30 to 10:10 pm)
Francesca Merolla: „NN“
Greta Gauhe: „DISTANT“
Robert Philipps: „In Real Life“
Anna Martens, Alina Groder: „dieoderder?THISBE“
Veronika Trogemann: „Zwei Duelle“
Kathrin Knöpfle: „M(E)ANeater“
Michaela Weinhauser: „Reise nach Jerusalem“
Aron Nowak: „Just Dance“ EXTRA: Films at the Foyer
„Socken“ von Sabine Karb
„ See it say it sort it“ von Luise Lochmann
Trailer „HIER=JETZT 2018“
5. May, 6 pm Open Space 4 Programme
Emese Nagy: “Outside of the palace of me"
Gwendoline Monseur: "It’s ok to fall"
Erika D'Amico: “Second Daughter"
Eléonore Bovet, Anima Henn: "ZwEinsamkeit"
Rosalie Wanka: “Entanglements"
PAUSE
Chris-Pascal Englund Braun: "Right time – left in space"
Joao Santiago, Laura Saumweber: "The body will pay"
PAUSE
David Russo: "The Munich Playground" Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Karten
OPEN SPACE
Eintritt: frei
Eine Reservierungen ist nicht notwendig
Eine Veranstaltung von Johanna Richter und Birgitta Trommler in Kooperation mit Tanztendenz München e.V. und unterstützt vom Kulturreferat der LH München und dem Bayerischen Landesverband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst.
Strasbourg in the summer of 1518: a woman begins to dance in the street. Frau Troffea (so named in the source material) dances and dances. For hours. For several days. For months. Others join her. There were supposedly about 400 persons who danced until they collapsed from exhaustion and pain. Many of them died. This dancing excess went down in history as the "Strasbourg dancing plague of 1518." Up until the present day one still is puzzled about the causes. More recent research suspects the dancing mania was a reaction to uncertain times. Ceren Oran, who has chosen Munich as her home, is also searching for the individual, emotional reasons. Her dance marathon – 10 days, 7 hours each day at different venues – is fed by sequences of movement inspired by social, political, or personal matters and distributed among each other.
With the world premiere of Who is Frau Troffea? at DANCE 2019 this dancer, choreographer, and "sound painter," who was born in 1984 in Istanbul, presents another result of her ongoing research into the exhausted, or rather, exhausting human body. In her piece Rush Hour (2017) treadmills take the performers to their limits and beyond. How far can a body go? How long can the dancers maintain the performative quality? While the choreography over the course of eight hours accumulates, the bodies weaken gradually. Coincidental passers-by and the targeted members of the audience are confronted with dancers who are increasingly weary. They pop up during the festival at different places in Munich. (For more information, visit: www.whoisfrautroffea.com)
Their interventions in everyday social life in the city borrow political protest movement motifs that have become iconic: the young woman Jan Rose Kasmir who stood in front of the National Guard holding a flower during the anti-Vietnam war demonstrations in 1967; the "tank man" who stood in front of a column of tanks on Tiananmen Square with two shopping bags in his hands; and the "standing man," whose picture from Taksim Square in 2013 went around the globe. In addition, Ceren Oran, who finished her studies in 2006 with a master's degree in international choreographic exchange at SEAD in Salzburg, has researched why humans dance at all. The dancers in her international and multi-ethnic team let their own stories and experiences flow into the performances. The more personal their dance is, the more convincing it is, says Ceren Oran. Her core team comes from Germany, Slovakia, Turkey, Israel, and Columbia. The team will be supplemented by students from SEAD - Salzburg Experimental Academy of Dance. The music for Who is Frau Troffea? is by the composer and DJ Hüseyin Evirgen, who has vast experience with long-term live acts. A techno soundscape of electronic music instruments and via sound generators that lasts more than eight hours and functions without samplers or computers. The pre-produced material, a type of first draft, will be played in one take and recorded. The dancers and their bodies orient themselves to special sound signals, in passion and exhaustion, in dynamics and tranquility.
Teamed together in a geographic and urban space, they have completely individual experiences and memories. While in China there was the "one child" policy, Macau was still a Portuguese colony and Hong Kong belonged to Great Britain. In Yang Zhen's semi-documentary theater piece, these nine persons come together and try out a common reason for living together. Delta explores urbanity in the 21st century with artistic means – "a blend of social landscape and aesthetics."
Several metropolitan regions converge in the hot and humid Pearl River Delta. These rapidly growing, highly industrialized mega-cities with large populations of migrants are in the Chinese province of Guangdong and the special administrative regions of Hong Kong and Macau. They are very close together, but have very different political and economic histories. How do the people live there, what occupies them? Yang Zhen examines the social realities of the river region and discovers here for Delta very unique and powerful image aesthetics. This young Chinese choreographer worked in the respective cities with dancers and non-professional persons who live there. The research was documented and is part of this striking production about the hopes and desires, opportunities and crises, pressures and anxieties of the people in one of the most garish, intensive urban areas in the world.
This will be already the third time the Chinese choreographer Yang Zhen has been a guest at the DANCE festival, where he began his career in 2015. In the meantime, this artist, who studied at the Minzu University of China, is internationally sought-after. His alert social awareness and his very own aesthetics that combine dance, vocals, acting, and visuals in an exciting manner convey a young, thoroughly critical view of today's China. From the start, his first piece Just Go Forward (2014) presented the confrontation between an elderly woman and a young woman, between the individual desire for freedom and the pressure from the collective. In the Field of Hope (2015) looked back to the 1980s and told about the experiences and hopes of the young generation at that time, which acclaimed Deng Xiaoping's economic reform and opening of China. Minorities, which had its world premiere at DANCE 2017, broached the subject of the situation of ethnic groups in his homeland and featured actors and dancers from Tibet, Xinjiang, and Inner Mongolia.
The Pearl River Delta was Yang Zhen's inspiration for Delta, his latest work that will have its world premiere at DANCE 2019. One of the most densely populated, highly industrialized zones in the world is arising here. Yang Zhen is interested in the social results of this development: concentrated luxury and underdeveloped regions, migration movements, co-existence, integration, ostracism, and the effects the pace of life in the dense cities has on the inhabitants.
www.butoh-marb.de Tickets
Entrance free
Supported by Kulturreferat der Landeshauptstadt München.
The outdoor performance "1(ONE)" follows on directly from last year's "AFTER ZERO". In an exchange with a blossoming nature by a rushing river, the performer then soloistically celebrated his own fragile wildness.
This year, together with cellist Jost-H. Hecker, he will break new ground in this natural space. For this, the number 1 stands as a new beginning, a birth, and a pioneering departure into the unknown. The 1 also associates simplicity, carefreeness and purity. In keeping with these content implications, the performance takes place in the still young spring in an open landscape space of the Isar riverbed.
It is the hour of free dance in the midst of pure sounds of the cello and nature.
Dance: Stefan Maria Marb
Cello: Jost-H. Hecker
Venue
At the Isar, Flaucherinsel (below the Flaucherstegs)
Tickets: Free of charge
Participation on your own responsibility
Donations are welcome (on site or online at www.butoh-marb.de)
Ballett Frankfurt under the direction of William Forsythe – a legend. The dancer and choreographer Tony Rizzi, himself a prominent member of the company for many years, brought together former colleagues and a dancer from the younger generation for his lecture performance in order to revitalize in a retrospect the special atmosphere of working with Forsythe. It is a remembrance of the genius, the chaos, the creativity, the craziness of a special epoch, which still has an influence on dance. When Rizzi & Company interweave the live stage performance with videos from the archive of Ballett Frankfurt, a wild ride is created that constantly oscillates between back then and now. Far from kitsch and romanticization, he still awakes with a nostalgic gleam the longing for a past time. When after the Covid intermission the long-expected piece finally celebrated its world premiere, the press and audiences praised the anarchy, the alleged chaotic rehearsals, and Forsythe's creativity.
Tony Rizzi
Tony Rizzi received his training at Boston Ballet School before he came to Ballett Frankfurt in 1985, where over the next two decades he became one of William Forsythe's most important dancers and later his artistic advisor. The guest performance will be accompanied by an exhibition with black-and-white photographs by Tony Rizzi, which he took of Ballet Frankfurt in the 1980s and 90s.
DANCE 2023
The 18th International Festival of Contemporary Dance of the City of Munich under the festival director of Nina Hümpel will take place from May 11 to 21. More than 20 productions - including five world premieres - from countries ranging from Canada to Taiwan will be shown on Munich's stages, along with performances and actions in public spaces, exhibitions, films and discourse events.
More: DANCE 2023 Trailer „Why Wait?“
Cast
Direction, Film, Music: Tony Rizzi / Performers: Tony Rizzi, Richard Obersheven, Irene Klein, Alan Barnes, Yoko Tani, Alessandro Costagliogla
Venue + Tickets
schwere reiter | Dachauer Str. 114a | 80636 München
Tickets: 18,- / 10,- red.
VVK: München Ticket Förderer
„Why Wait?“ is a co-production by Künstlerhaus Mousonturm and Hessisches Staatsballett as part of Tanzplattform Rhein-Main 2021. Funded by the Cultural Office of the City of Frankfurt/Main, the Hessian Ministry for Science and Art and by the Federal Government Commissioner for Culture and Media in the program NEUSTART KULTUR, [auxiliary program tanz:digital] of the Dachverband Tanz Deutschland. Supported by NATIONALE PERFORMANCE NETZ Gastspielförderung Tanz, funded by the Representative of the federal government for culture and media as well as the culture and art ministries of the federal states. Special thanks Sylvia and Friedrich von Metzler for the financial support of the research and production
DANCE 2023 is organized by the Cultural Department of the City of Munich / Artistic director: Nina Hümpel
What is it you see? What do you think you see? What do you relate to? What evokes what? What remains. Join us in the moment art is created.
5 dancers
1 photographer
1 sketch artist
1 digital operator
1 musician
1 writer
= 60 minutes of momentum
Where do artists find inspiration? What sources nourish them? The subtexts of an artistic work are the theme of this series, which was developed by Tanztendenz and which presents choreographic thought and action in a personal format.
During his stay in Munich, the Brazilian choreographer, coach, author and social scientist Paulo E. Azevedo will work on actions in public space, which he calls “anarchic tectonics.” Poetry slammers, dancers and performers from Munich who are interested in a forceful, political and typically Brazilian approach to art in public spaces are invited as local collaborators. Paulo will be accompanied by two of his many former students and colleagues: João Carlos Silva and Filipe Itagiba. They are the protagonists of the performance “Metáfora do Confronto” (“Metaphor about Confrontation”), which Paulo will present together with the results of the workshop on Saturday. The two performers will present a piece entitled “Corpo” on Friday. Afterwards the audience is invited to talk with the guest artists about the themes of body, politics and dance.
A production of Tanztendenz München with generous support from the Cultural Office of the State Capital City of Munich. This project was made possible by the Bavarian State Association for Contemporary Dance (BLZT) with funds from the des Bavarian State Ministry for Education and Culture, Science and Art.
The performative lab "WUTESHERE" explores detailed approaches that unfold energy and intensity through the group body. Together, a choreography emerges that can transform into the euphoric or demonic and negotiates the revealing and emerging wild.
TICKETS
reservierungen@stephanie-felber.de.
SPIELORT
Halle 6 Studio 2, Dachauer Straße 112d / 80636 München
CAST
Artistic direction: Stephanie Felber in collaboration with the
performers: Ludger Lamers, Daniela Graca, Wiebke Dobers & Angela Mössner, Eléonore Bovet | Sound: Anna Illenberger | Lighting: Roland Wawoczny
FÖRDERER
Gefördert durch den Verband freie Darstellende Künste Bayern e.V. im Rahmen der Prozessförderung des „Förderpakets Freie Kunst 2023“ mit Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst.“ Stephanie Felber ist Mitglied des Tanztendenz München e.V. Excess, nudity, orgies, eroticism, ritualized pleasure, interaction with the audience and political commitment – all of these were expressions of sexual utopia in subcultures and experimental performances from the 1960s. The Danish choreographer Mette Ingvartsen leads us through an archive of sexual performances in "69 positions". She researches the understanding of sexuality in today's (artistic) practice. "69 positions" leads the audience through a space of performances, books, films, texts and images. Movement and language bring this archive to life. At the same time, the connection between intimate and public space is made tangible. The solo is the beginning of the choreographer's new work cycle in which she deals with the relationship between sexuality and the politics of the body and structures in society. Ingvartsen's previous works have been shown at renowned international festivals.
In 2010, we presented "IT'S IN THE AIR" with Jefta van Dinther at the TANZWERKSTATT EUROPA, and "evaporated landscapes" in the context of ACCESS TO DANCE. She has worked as a performer with Jan Ritsema, Xavier Le Roy and Boris Charmatz. In 2017 she will be a part of Chris Dercon's new team at Berlin's Volksbühne.
Age 18 and above
Production > Mette Ingvartsen/ Great Investment. Coproduction > apap/ szene Salzburg; Musée de la Danse/ Centre Chorégraphique National de Rennes et de Bretagne; Kaaitheater, Brussels; PACT Zollverein, Essen; Les Spectacles vivants – Centre Pompidou, Paris; Kunstencentrum BUDA Kortrijk; BIT Teatergarasjen, Bergen. Supported by > Théâtre National de Bretagne, Rennes; Festival d'Automne à Paris; DOCH – University of dance and circus, Stockholm. Funded by > Flemish Authorities; Danish Arts Council and the European Commission.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets Only via München Ticket
089 / 54 81 81 81
www.muenchenticket.de As part of DANCE 2015, Tanztendenz will establish a temporary project and workspace – art lodge munich – to present and discuss the multifaceted history of creating artistic space in the community in a programme featuring readings, activities, film presentations and discourse.
Space is understood here as the result of choreographic thinking in multiple ways – not only stage design but also the form and creation of actual work structures and spaces.
Closing remarks: further discussion with guests Jan Ritsema, Laurent van Kote and Munich artists
In the days following, art lodge munich will also be open for two and a half hours before DANCE festival performances at schwere reiter:
Sunday, May 10, 13:30 – 15:30 pm
Wednesday, May 13, 16:30 – 18:30 pm
Thursday, May 14, 16:30 – 18:30 pm
Christiane Blaise talks about her choreographic center "Le Pacifique" in Grenoble
www.pacifique-cdc.com
Interactive library: films and multimedia contributions from artists including Andrea Zittel, Catalyst Arts Gallery Belfast, Andreas Reckwitz, L’école de Stéphanie, New Ponderosa Year Zero, Thomas Hirschhorn und Marcus Steinweg, Little sparta/ Edinburgh, Chez Bushwick/ center for Performing Research (CPR) in Brooklyn.
Photo documentary by Volker Derlath:
Impressions of the site at Dachauer Straße
DANCE 2015
7 - 17 May
Munich’s 14th international festival for contemporary dance
Artistic director: Nina Hümpel
Presented by the Cultural Department of the City of Munich, in collaboration with Spielmotor. www.dance-muenchen.de Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Karten
Der Eintritt ist frei.
In this participatory performance Felix Ruckert invites the audience to perform a symbolic sexual act. "ZEN SPANKING" ventures into the grey zone between pain and pleasure and questions beliefs about intimacy, hierarchy, sexuality and gender. Berlin dancer and choreographer Felix Ruckert started to investigate sexuality as a creative impulse and introduced the sexual body into dance. He also will be teaching the workshop "Liquid Body/ Hard Stuff" during TANZWERKSTATT EUROPA.
Participation in the performance is voluntary.
Venue
Tanztendenz
Lindwurmstr. 88
80337 München
U3 / U6 Poccistraße
Tickets à 10,- EUR only at the evening box office
Situated somewhere between dance, music, live art and comedy, the work of choreographer Jonathan Burrows and composer Matteo Fargion radiates delight even as it makes the audience think. Over the past twelve years the two artists have built a body of duets which mix the formality of classical music composition with an open and often anarchic approach to performance and audiences, bringing them a worldwide following. "Both Sitting Duet" was the piece that made their reputation back in 2002, setting the tone for an original mix of humour and fierce intelligence that marks out what they do. In Munich they'll follow it with their newest performance "Body Not Fit For Purpose", a commission from the 2014 Venice Biennale which clashes politics against the empty joy of dancing, unravelling the link between meaning and action and raising questions in the midst of our laughter. Both will be teaching the choreographic laboratory "Writing Performance" during the TANZWERKSTATT EUROPA.
"Body Not Fit For Purpose" is commissioned by the Venice Biennale and supported with public funding by the National Lottery through Arts Council England.
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung Bitte über München Ticket
089 / 54 81 81 81
www.muenchenticket.de Sabine Glenz researches aloofness and intimacy, exaggeration or disharmony, and continually develops new narrative forms in them. Beginning with the contemporary phenomenon of constant access to all information and the associated potential for becoming fragmented into many presences and absences, the choreographer investigates the question of how we deal with replication. Does our relationship to things change and on what basis does interpretation occur?
“Der Abstand der Dinge” [“The Distance of Things”] is subdivided into three different motifs which derive their tension from the spatial design and the choreographic language. “Replication” is the first part of this trilogy of walk-in installations. It will be followed by “Isolation” and “Order.”
“Replication” is distinguished by the free movement of the visitors in the space, where they are confronted by ambiguous images and situations that are also communicated via projections. The actions do not follow a time track nor is there a predefined sequence in which the visitors are supposed to find their way. The visitor’s movements between the choreographed scenes and tableaux vivants are part of a choreographic axis, a spatially related story about proportionality.
Artistic Director / Choreography: Sabine Glenz
Artistic Advisor: Mia Lawrence
Performance: Joris Camelin, Sebastian Eilers, Judith Hummel, Clarissa Omiecienski, Loana Hautz, Elena Ludwig, Janes Stockhammer
Music: Klaus Janek
Installations: Manuela Müller
Videotechnique: Chris Konieczny
Costumes: Johanna Leitner
Lightdesign: Rainer Ludwig
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich and the Bavarian State Association for Contemporary Dance (BLZT) with funding from the Bavarian State Ministry for Science, Research and Art.
Sabine Glenz is member of Tanztendenz München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets Fee: 15,- / 10,- red.
Reservation: 089 / 721 10 15
reservierung@schwerereiter.de
Since the number of visitors is limited, we kindly ask you to book your tickets in advance. Thank you!
Sitting With The Body / PARADE - Installing Ourselves (workshop and intervention: no prior knowledge required!)
Lab & Lecture mit Heike Langsdorf
A first instruction for a person who practices yoga, says: go find a place where you can be undisturbed!
Does this mean to search for absolute silence or a place where nobody else can come? Does it mean to be protected from cold, heat, dirt and wind? Or is the first thing to do, finding out what disturbance does mean for us?
A two day workshop, followed by an intervention explores in which conditions one can act 'undisturbed'. Is there something like an ideal place? How can we deal with less ideal spaces instead of avoiding them?
"Sitting With The Body" is a three day undertaking (6, 7, 8 November 2015) for at least 10 people: a two day physical-mental preparation (Friday, Saturday) is leading to a an intervention on Sunday in the semi-public space.
Preparing workshop (Friday, Saturday)
introduction / body practices
- how can we apply them artistically?
Body practices / a.o. Sitting With The Body (Zazen) / Looking for places
- what do I need in order to remain concentrated during 60 minutes on one spot?
Discrete Presence
- How can we install contemplative activities as performances?
Intervention (Sunday)
On Sunday 8 November several spots in the immediate surrounding of Tanztendenz München will be physically occupied. During a couple of hours (depending on the amount of participants min. 6 hours, max. 12 hours) people are installing themselves on the selected spots. With the help of a rotating system all spots are ideally continuously occupied.
Public
People are invited to do a parcours, departing from studio A in Tanztendenz München and along the other spots, where they can watch the installed people or settle down themselves for a while.
"Sitting With The Body / PARADE" is based on the work "Sitting With The Body 24/7 - Retreat in public space".
Our lives are governed by an economy that never sleeps. What is its impact on our relationship with time, work and our body?
During "Sitting With The Body 24/7" a group of people retreated into a vacant commercial space with huge windows giving out onto the streets - executing certain actions, in full concentration, seven days in a row and around the clock. Following a strict schedule people were sitting, lying down, standing, walking, resting, making things, dancing, speaking and looking around. This single-tasking contrasted with the urban surrounding and the possible influences and disturbances, which can stem from it. People could watch all of this or enter the space and delve into action themselves. www.open-frames.net www.kaaitheater.be
WORKSHOP
november 6 to 8, 2015, 11 am to 6 pm
Participants: max. 12 artists, already working on this topic or interested in it. Please send a short cv and letter of motivation to mgomis@gmx.de until october 28, 2015.
No fee!
SHOWING
november 8, 2015, 11 am to 5 pm / at Tanztendenz (please check the starting time again)
Venue
Tanztendenz
Lindwurmstr. 88
80337 München
U3 / U6 Poccistraße
Free entrance
A dance as a temporary monument.
A moment of transience.
Stephan Herwig celebrates with his new piece "Monument" both the volatility of dance as well as the individuality of each.
The dancers create sculptural movement patterns and sequences, which sometimes appear fragile, sometimes vehement.
A manifesto of physicalness arises without leaving physical traces.
Choreography: Stephan Herwig
Choreographical Assistant: Karen Piewig
Dance: Anna Fontanet, Maxwell McCarthy, Mathias Schwarz
Lightdesign: Michael Kunitsch
Management: Mathias Schwarz
Public Relations: Beate Zeller
Kindly supported by the Cultural Department of the city of Munich.
Stephan Herwig is member of Tanztendenz München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets Euro: 15,- / 10,- red.
Reservation: 089 / 721 10 15 or come directly to the cash desk in the evening
reservierung@schwerereiter.de
GONE follows chains of associations, dynamics and rhythms which link a group of people, but then also segregates and changes them. GONE plays with the energy within this group consisting of four performers who work together, communicate and establish relationships. As a group they are defined by their movements associations; the single dancer conveys his ideas to the others, defines himself through them or establishes borders between himself and the rest of the group. He influences the others and is influenced by them as well. Coalitions develop, then dissolve or crack.
Images appear, formed before being filled with meaning. Ephemeral images which come and go like the air we inhale and exhale. They are not interested in sense and answers, for as Bob Dylan already knew: „The answer, my friend, is blowing in the wind.“
concept / choreography / artistic director: Zufit Simon
dance / creation: Eva Svaneblom, Maya Weinberg, Zufit Simon, Carlos Osatinsky
artistic advice: Inka M. Paul, Ayara Hernández, Julieta Figueroa
costume: Mirella Oestreicher
set / technique: Frieder Weiss / JOM
management: Dietrich Oberländer
public relations: Beate Zeller
A production by artblau-Tanzwerkstatt Braunschweig. Supported by the Bureau for Cultural Affairs of the State Capital City of Munich and Land Niedersachsen. With kind support by Dock 11/ Eden Berlin. In cooperation with schwere reiter tanz.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets Fee: 15,- / 10,- red.
Reservation: 089 / 721 10 15 or just come to the cash desk in the evening
reservierung@schwerereiter.de
The Chinese choreographer Yang Zhen is a genuine discovery: very young, very passionate, and very aware, he questions the history and politics of his country.
Yang Zhen presented the first part of his trilogy Revolution Game, the Piece Just Go Forward, at DANCE 2015 with a huge success. An old woman and a young woman were at the center of his confrontation with the individual desire for freedom and the imperative of the collective. The second part, In the Field of Hope, referred to a song from the early 1980s. The song praises Deng Xiaoping's initiatives of reform policies and to open the country to the West, and it relates the hopes of the young generation at that time and their energy.
Yang Zhen's latest piece, which will celebrate its world premiere at DANCE, broaches the subject of China's policies regarding minorities. Using actors, actresses, and dancers from Tibet, Xinjiang, Inner Mongolia and Europe Yang Zhen examines the situation of ethnic groups in his homeland and builds a bridge to the situation of migrants in Europe. He had already conducted research for this during his studies, as the Minzu University of China, where he received his master's degree in choreography, is called China's university of ethnic minorities. "I lived for four years in this environment," says Yang Zhen, "and studied the publicized harmonic coexistence of different ethnic groups. Later on I traveled and got to know local minorities." Dance, theater, documentary material from his travels, and his protagonists' memories form the basis of his atmospheric, interdisciplinary production.
World premiere: Friday, May 12, 7 p.m.
Another performance: Saturday, May 13, 7 p.m.
Discussion with the artist on May 13th
Choreography, music: Yang Zhen
Performers: Lou Hio Mei, Ma XiaoLin, Zhuo Lin, GengZang Cuomao, Xiakeer Gulinikaer
Singer: Huang Ping
Photographer: Qi Ray
Animations and video: Zhang Yongji
www.dance-muenchen.de Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz
Thirty Years of Tanztendenz München e.V.
Five choreographers, supported by the Cultural Office of the State Capital City of Munich, co-founded Tanztendenz München e.V. in 1987 with the goal of improving the conditions for contemporary dance and making it easier for artists to work independently and in a self-determined way. The association presently includes 25 members.
Under the leitmotif “Artists for Artists,” the objective of Tanztendenz München e.V. is to create a free space for dance: for research, experimentation and finalizing; with openness toward regional, national and international guests; and with diverse formats for sharing, networking and discussion.
A central component in the association’s self-image is to provide practical support for artistic projects produced by their creators. For this purpose, Tanztendenz München e.V. operates three studios and an organizational office in Lindwurmhof. Under the name “schwere reiter tanz” and with a concept of its own, the association is co-initiator and operating partner of the schwere reiter performance venue, which is operated together with partners PATHOS München and schwere reiter MUSIK in the future Kreativquartier.
The “Open Studios,” “Standpoint.s – welcome to my world,” “side-kicks” and “Choreographers’ Atelier” formats successfully strengthen the autonomous profile and reaffirm the association’s purpose. In creative collaboration and thanks to unpaid voluntary work by the association’s members, self-determined work is facilitated in an environment that appreciates and protects the artistic process.
Tanztendenz München e.V. is grateful for longstanding support and trusting collaboration with the Cultural Office of the State Capital City of Munich. We and also thank our partners, patrons and colleagues in Germany and abroad, as well as all the artists who have accompanied us during the past thirty years.
In Stephan Herwig’s work SCHWEIFEN (Roaming), the dancers’ bodies create a vibrant and mutable organism in an interaction with light and sound. As they wander and meander, multi-dimensional ephemeral atmospheric images are created; they resist a clear attribution. Movement sequences are formed and then dissolve, they progress like gazes or thoughts. They allow observers to follow their own associations and interpretations in the echoes of the dance.
Choreography: Stephan Herwig
Choreographical Assistance: Karen Piewig
Dance: Inês Carijó, Anna Fontanet, Àngel Duran, Maxwell McCarthy, Moritz Ostruschnjak
Lighting: Michael Kunitsch
Management: Hannah Melder
Public Relations: Beate Zeller
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich. Stephan Herwig is a member of Tanztendenz München. In cooperation with schwere reiter tanz.
venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Stop: Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- red.
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
Along a wall which is a recurring stage element in the work of choreographer Sheena McGrandles from Berlin, two figures are constantly reinventing/revising themselves – forward, backward, cut, start over, repeat. “FIGURED” is a constant interruption of moving bodies. In continuous new versions, previously performed movements generate multiple narratives and create illogical relations. The starting point is a reduced sequence of ten seconds, which is hyper-processed and demolished on stage throughout 40 minutes. McGrandles’ study on the represented body focuses on a complex composition and execution of the physical, revealing the absurdity and artificiality of everyday life. The live sound taken from various field recordings is fragmented and broken in a similar way. The result is a soundscape that creates a tension with detail, thereby dynamizing and amplifying it. Persistently, sometimes even obsessively, “FIGURED” adheres to detail and focuses on it over and over again.
Dates
Friday, 6. March / 10:15 pm – 10:50 pm
Saturday, 7. March / 3:00 – 3:35 pm
Saturday, 7. March / 10:15 pm – 10:50 pm
Sunnday, 8. March / 3:00 – 3:35 pm
Team
Concept & direction: Sheena McGrandles
Performers: Sheena McGrandles, Annegret Schalke
Sound: Stellan Veloce
Lightdesign: Annegret Schalke
Stage: Sheena McGrandles
Light: Elliott Cennetoglu
Outside eye: Zinzi Buchanan, Thomas Schaupp
Tourmanager: ehrliche arbeit - freies Kulturbüro
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
stop Leonrodplatz www.schwerereiter.de Tickets
18,- EUR / 10,- red. EUR
Pre-Sale: www.muenchenticket.de
Support: Berliner Senatsverwaltung für Kultur und Europa, Agora MOVE Berlin
Nicole Peisl's work creates a space where simple design elements generate a field of tension, which creates for the audience a diversity of ideas, perceptions, notions, and sensations. Diversity I thrives on dynamics, a method of "getting involved"; it's more a relationship than a form. Diversity II – even more opened up – allows a playful situation to evolve, where what one senses and perceives receives a name. A conversation that is very humorous and physically very intelligent brings strange things and also comforts and inconveniences to light. The dancer (she was a member of William Forsythe's ballet company in Frankfurt from 2000 - 2004), choreographer, performer, and lecturer Nicole Peisl allows an energetic field to develop that is marked by what is currently taking place, by what just took place, and by what is just about to take place. The situational choreography also illuminates the interplay between the somatic complexity of the movements and the surrounding relationship field.
World premiere: Monday, May 15, 7 p.m
Another performance: Tuesday, May 16, 7 p.m
Artist talk: May 16 Vielfalt I
Choreography: Nicole Peisl
Dancers: Elena Gianotti, Satu Herrala
Dramaturge: Johanna Milz
Vielfalt I is a Forsythe Company production for Motion Bank
Vielfalt II (world premiere)
Choreography: Nicole Peisl
Dancers: Johanna Milz und Nicole Peisl
Assistant dramaturge: Frederike Thielmann
Lighting und technical assistant: Ulf Naumann
Vielfalt II is a Pathos Munich production
www.dance-muenchen.de Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz
www.schwerereiter.de Tickets
Coasts: 16,- / 10,- erm.
Online: www.muenchenticket.de
Ticket telephone: 089 / 54 81 81 81
The independent dance scene that started to form in the 1970s left behind noticeable traces in Munich, as in other cities. It was responsible for and developed new concepts about the theater, movement, and the body. The aesthetic issues and cultural politics that were developed at that time and have been the subject of discussion since are still virulent.
How was this scene created? What did it look like? What did it stimulate? Where were its "hot spots" in the city? Who was (and is) active in Munich? What were their artistic concepts? How did they experience the developments within the scene? How did the general public perceive this scene? An exhibition and a podium discussion convey insights into the dynamic past and present of the independent dance scene in Munich.
A podium discussion on the subject of "30 Years of Dance Trends in Munich" will take place on Saturday, May 20, at 11:00 a.m.
Concept: Brygida Ochaim, Dr. Katja Schneider
www.dance-muenchen.de Venue
Gasteig, Foyer Carl-Orff-Saal
Rosenheimerstr. 5
81667 München www.gasteig.de Tickets
Free entrance
At many venues in the Gasteig Cultural Center in Munich, in particular in the areas close to the exhibition “Tanz in München – Archiv in Bewegung” (“Dance in Munich – an archive in motion”), dancers will interpret original scores by choreographers from Munich. The result will be a catalogue of movement, dances, and dance techniques created over the course of several days; the catalogue itself will be in motion and its constantly changing constellations will surprise visitors and passers-by. The protagonists are – in addition to the artists from Munich donating material – young dancers who participated in Mia Lawrence’s training labs. The direct connection to the exhibition on the Munich dance scene and the collaboration between the dancers in the contemporary scene establishes a new connection between the historic and the contemporary history of performance.
Saturday, May 13, 5:00 p.m.
Sunday, May 14, 7:00 p.m.
Monday, May 15, 7:00 p.m.
Tuesday, May 16, 5:00 p.m.
Wednesday, May 17, 5:00 p.m.
Thursday, May 18, 7:00 p.m. Concept, artistic direction: Mia Lawrence
Scores: Tobias Draeger, Stefan Dreher, Stephan Herwig, Ludger Lamers, Katja Wachter, Mia Lawrence
Dancers: Performance Lab: Katrina Bastian, Lucille Belliveau, Armando Disanto, Patscharaporn Distakul, Monika Keller, Alicia Kidman, Kathrin Knöpfe
With the support of the Department of Arts and Culture, City of Munich, the theatre HochX and the Tanztendenz Munich e.V., as well as of the TANZBÜRO MUNICH.
www.dance-muenchen.de Venue
Gasteig
Rosenheimerstr. 5
81667 München www.gasteig.de Tickets
Eintritt frei
With the performance series "STANDPUNKT.e – welcome to my world", which takes place once or twice a year, the audience is invited to discover new ways of seeing contemporary dance. Choreographers allow a personal insight into their work on both an intellectual as well as a practical level.
Guests artists are invited to set up camp for a week at schwere reiter and put on two public evening events at the end of their stay – something different every time. Prepare to be surprised and amazed!
In „mehr als genug”, the Austrian choreographer Doris Uhlich asks herself how a body can become a brand and what this mean. Uhlich, who is often called a “corpulent dancer”, critically explores currents norms of beauty and bodies. How important are the exterior shell and the subcutaneous flesh? How dominant is a body’s exterior appearance during a dance performance? Is there a perfect body for dance? And: who is beautiful, who isn’t? What does “beauty” mean? She does live interviews with people whose bodies do not comply with norms (of beauty), but have still become brands. It’s all about our society’s paradox phenomenon of wanting to be individual but still not wanting to march to a different drummer. With its yearning for abundance, the baroque era offers the point of departure for Uhlich’s physical and textual confrontation – with plenty of meat and opulence.
The Austrian has already celebrated the body at TANZWERKSTATT EUROPA with her works „more than naked“ und „boom bodies”; this year, she will be teaching an intensive workshop on her so-called fat dance technique.
AFTERWARDS: PARTY
Support
Guest performance support > Bundeskanzleramt Österreich – Sektion Kunst/Kultur; coproduction > Doris Uhlich; brut Wien; Les Subsistances, Lyon; Förderer > Kulturabteilung der Stadt Wien, bm:ukk.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
stop Leonrodplatz
www.schwerereiter.de
festival website
Tanzwerkstatt Europa Tickets
Pre-sale 15,-/10,- EUR / box office: 18,-/13,- EUR
Pre-sale: München Ticket (Tel.: +49 89 54 81 81 81, www.muenchenticket.de)
In his dance performance, Munich’s choreographer Moritz Ostruschnjak examines identities and bodies in a digital age. Digital technologies are rapidly changing our lives and society. The internet’s expanse offers all freedoms. We create new realities in playful ways and stage diverse virtual identities; social interaction is increasingly taking place online. Bent over our smartphones – as so-called “text necks” – we walk through the cities and expand ourselves into the omnipresent and multidimensional spheres. The colorful screen surface is our window to the world!
Ostruschnjak’s “Text Neck” shows hybrid forms between man and machine on the shiny playing field of infinite digital possibilities – around one another, with one another but still self-sufficient. In an interplay between the body, sound (live electronics: 48nord) and colors (lighting: Tanja Rühl), the audience is drawn in and a weightless space is created..
Idea / conzept: Moritz Ostruschnjak
Choreography: Moritz Ostruschnjak, Daniela Bendini
Performance / creation: Anna Fontanet, Isaac Spencer, Alexis Jestin
musik / live-elektronik: 48nord
light: Tanja Rühl
sound: Paolo Mariangeli
costume: Renate Ostruschnjak
produktion: Hannah Melder
Support:
Guest performance support > Kulturreferat der Landeshauptstadt München; production > Moritz Ostruschnjak; coproduktion > Schwere Reiter MUSIK in cooperation > schwere reiter tanz; Förderer > Kulturreferat der Landeshauptstadt München; Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Bildung und Kultus, Wissenschaft und Kunst.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
stop Leonrodplatz
www.schwerereiter.de
festival website: Tanzwerkstatt Europa Tickets
Pre-sale 15,-/10,- EUR / box office: 18,-/13,- EUR
Pre-sale: München Ticket (Tel.: +49 89 54 81 81 81, online www.muenchenticket.de)
The „artists for artists“-project called "HIER = JETZT“ is getting into the fourth round!
This year HIER=JETZT is determined to focus – stronger than before – on the development of dance or dance theatre pieces, which in its future ways will become strong stage works. The platform wants to support artistic ideas, starting from a concept to the realisation of new works. Providing the opportunity of showing parts of pieces and work in progress under professional circumstances (stage, light, sound).
What we offer
schwere reiter provides it‘s stage and rehearsal space for one week of rehearsals (April 22nd – 28th), every participant will be able to work for 2 – 3 hours, depending on their need. Besides, every participant will have stage rehearsals, so he or she can discuss light and sound ideas with the light and sound designer.
The following week (April 29th – May 5th) we offer 5 formats as „Open Space“, in which the different choreographers can try out their projects. There will also be the opportunity to „pitch“ their concept, before showing the project. Each project is limited to no more than 25 minutes.
One "Open Space" on May 4th, 3 – 6pm will show short or cross over projects which stand for themselves and are not planned for longer works. Here HIER=JETZT 2019 provides one theatrical light for all the projects, so we can have room and time for as many as possible new ideas.
How to apply
A short concept (1page ) and a short artistic background of the artist/s will have to be submitted until January 30th 2019.
Please contact always both artistic directors:
Johanna Richter: richter@tanztendenz.de
Birgitta Trommler: trommler@tanztendenz.de
If you are interested in the "Open Space" on May 4th, 3 – 6pm (short or cross over projects) please send a short description.
Please contact always both artistic directors:
Johanna Richter: richter@tanztendenz.de
Birgitta Trommler: trommler@tanztendenz.de
HIER=JETZT 2019 is sponsored by the Department of Arts and Culture, City of Munich and cooperates with Tanztendenz München.e.V.! In Stephan Herwig’s work SCHWEIFEN (Roaming), the dancers’ bodies create a vibrant and mutable organism in an interaction with light and sound. As they wander and meander, multi-dimensional ephemeral atmospheric images are created; they resist a clear attribution. Movement sequences are formed and then dissolve, they progress like gazes or thoughts. They allow observers to follow their own associations and interpretations in the echoes of the dance.
Choreography: Stephan Herwig
Choreographical Assistance: Karen Piewig
Dance: Inês Carijó, Anna Fontanet, Àngel Duran, Maxwell McCarthy, Moritz Ostruschnjak
Lighting: Michael Kunitsch
Management: Hannah Melder
Public Relations: Beate Zeller
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich. Stephan Herwig is a member of Tanztendenz München. In cooperation with schwere reiter tanz.
theatre
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Stop: Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- erm.
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
1 evening, 2 artists*in, 4 pieces: This is where choreographer and performer Claudia Senoner meets saxophonist, object player and electronic musician Mark Lorenz Kysela. The two are connected by a long-standing artistic collaboration, which they trace in two solos and two duos - vampires, aliens, sinus tone generator, a lot of fog and wham, hiss, boom included.
Team
Claudia Senoner, choreography, performance, guitar
Mark Lorenz Kysela, Performance, Clarinet, Electronics Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
12 EUR / 8 red. EUR
Ticket reservation: www.schwerereiter.de
Please note that due to the current situation a ticket reservation in advance is absolutely necessary.
An event of Tanztendenz München e.V. and scope - Spielraum für aktuelle Musik
Performance Experiment: Each evening is created from the started point of a quote or article from a new source printed on the day of the performance. Every evening is lead by a different artist, involving: dancers, actors and musicians in new situations and constellations. Their encounters and reactions determine the course of the performance.
On Saturday and sunday there is also a workshop-programm taking place (informationes see below)
Venue
schwere reiter + schwere reiter Probenraum
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
Prize: 12,- / 8,-
Reservation: 089 / 721 10 15 or reservierung@schwerereiter.de
An event by Katrin Schafitel & Jasmine Ellis in cooperation with Tanztendenz München e.V. Theme concept thanks to Ana Zirner.
The four evenings
Do 17. November | 8 pm For...
Choreographers: Cristina D' Alberto & Ryan Mason
Dancers: Jasmine Ellis, Daphne Horenczyg, Helmut Ott, Valerio Poleri, Katrin Schafitel
Musician: Leohnhard Kuhn
Fr 18. November | 8 pm To...
Choreographers Katrin Schafitel & Video Artist Diether Sommer
Dancers: Cristina D’Alberto, Jasmine Ellis, Daniela Graca-Schankula, Helmut Ott, Katja Wachter
Musicians: Harry Alt, Jan Kiesewetter
Sa 19. November | 8 pm Step...
Choreographer Jasmine Ellis
Dancers: Cistina D’Alberto, Bui Rouch, Helmut Ott, Katrin Schafitel
Musican: Leonhard Kuhn
So 20. November | 8 pm Next...
Open format
Dancers: Cristina D’Alberto, Jasmine Ellis, Helmut Ott, Valerio Poleri, Katrin Schafitel, Katja Wachter
Musicians: Eric Zwang-Eriksson, Jan Kiesewetter, Leonhard Kuhn
19. November | 10:00 am - 1:00 pm From Tai‐Chi to Contact Improvisation with Chiang-Mei Wang
So 20. November | 10:00 am - 1:00 pm Contemporary Dance with Cristina D' Alberto & Ryan Mason
Information about the workshops as Download-pdf The digital world has become part of our daily life - and has necessarily changed it. Not only that we walk through cities with a spellbound stare onto our smart phones and alter our physiognomy: „text neck“ has become a new symptom. How do human beings change and develop - and how are they optimized - in the context of a digital and technological society? The internet's root network offers us all freedoms; we playfully create new identities and realities, expand into the ever-present and multi-dimensional and still require our real bodies in order to operate the equipment. Acceleration and multi-tasking characterize these changings; they offer us inspiration for choreographic research. Together with the dancers, the musicians of 48nord move electroacoustically on the playground of infinite digital possibilities and transpose them into three-dimensional sensual perception.
Idea / Concept: Moritz Ostruschnjak
Choreography: Moritz Ostruschnjak, Daniela Bendini
Performance / Creation: Anna Fontanet, Isaac Spencer, Alexis Jestin
Music / Live Elektronic: 48nord
Lighting: Tanja Rühl
Sound: Paolo Mariangeli
Costume: Renate Ostruschnjak
Management: Hannah Melder
PR: Beate Zeller
A project by Moritz Ostruschnjak in coproduction with Schwere Reiter MUSIK and in cooperation with schwere reiter tanz. The produkcion is supported by the Bureau of Cultural Affairs Department of the State Capital City of Munich and by BLZT, Bavarian State Association for Contemporary Dance, with funding from the Bavarian State Ministry for education and culture, science and art. Moritz Ostruschnjak is member of Tanztendenz München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
station Leonrodplatz www.schwerereiter.de Tickets
Price: 15,- / 10- erm.
Reservation: 089 / 721 10 15 oder reservierung@schwerereiter.de
Advanced booking: www.muenchenticket.de
Here, everything turns: the bodies on stage, the skirts of the dancers and, at some point, the space and one's own head. Starting from the simple movement of turning, Léonard Engel develops a choreography that changes the audience's perception of space and body. Equipped with heavy skirts, the dancers on stage become sculptures that constantly transform and reorganize themselves in space. In the process, their bodies merge with the costumes and lose themselves in abstract forms. In the end, they disappear completely behind the hustle and bustle of colors and figures, before exertion and fatigue make them reappear. "Parotia" is a hypnotic dance piece whose movement language is inspired by the Egyptian folk dance Tanoura, the choreographic heritage of Loïe Fuller, as well as by Oskar Schlemmer and the Bauhaus movement.
Léonard Engel worked as a classical ballet dancer before deciding to become a freelance artist in 2016. Since then he has created solos, group pieces and video works. He has collaborated with artists such as Laurent Chétouane, Meg Stuart, and Paula Rosolen. His choreographic work focuses on the body and the alteration of its perception through movement, costumes and states of being, with angels working with radical settings and the means of reduction.
Spielort
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
18,- / 10,- Euro erm.
Tickets: www.muenchenticket.de
A co-production with PACT Zollverein / Funded by the Cultural Department of the City of Munich and supported by the NATIONAL PERFORMANCE NETWORK co-production support dance, funded by the Federal Government Commissioner for Culture and the Media / Made possible by the Bavarian State Association for Contemporary Dance (BLZT) with funds from the Bavarian State Ministry of Science and the Arts / Kindly supported by Tanztendenz München e.V.
The search for a score that unites all the forces of the cosmos: Tortelli + Wurm set out choreographically in search of a greater understanding of the universe - knowing that one question will raise a multitude of them.
Cristian Cucco, Tom van de Ven, David Cahier, Guido Badalamenti, Minouche van de Ven, Ève-Marie Dalcourt // Choreography: Diego Tortelli / Dramaturgy, concept: Miria Wurm / Composition: Federico Bigonzetti / Lighting design: Alexandre Saunier / Costume design: Diego Tortelli / production management: Miria Wurm / technical direction, sound engineering: Peer Quednaie / on-site production supervision: Michael Hennig / press, public relations: Simone Lutz / video production, press photos: Sebastian Lehner, lionman. photography / Graphic design: Alessandro Tortelli
Spielort
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro erm.
Reservation: www.schwerereiter.de
A production by Diego Tortelli + Miria Wurm GbR / Project supported by the Cultural Department of the City of Munich and by the Cultural Foundation of the Stadtsparkasse München / With the kind support of Tanztendenz München e.V.
The stage space shimmers in blue and white, circles stand out on the floor and walls. Then water seems to flow across the floor and fall onto it in drops. The dancer Manasvini K. Eberl moves in this quiet, yet continuously changing scenery. Amidst sounds and video projections, equipped only with beanbag and curtain, she takes the audience into the realm of water and its various aggregate states. In her movements she traces the effects of water on the body. Tasting Water creates an illusion in which the boundary between body and element is blurred from the very beginning: the body is in the water and the body is water.
Artistic direction | choreography | dance: Manasvini K. Eberl, video art: Manuela Hartel, choreography: Daniela Graca Schankula, dramaturgy: Martina Missel, sound: Marco Pflamminger, artistic production management: Rat & Tat Kulturbüro
Spielort
Einstein Kultur
Einsteinstr. 42
81675 München Tickets
18,- / 10,- Euro erm.
Tickets: www.münchenticket.de
This project is sponsored by the Cultural Department of the City of Munich. Supported by Tanztendenz München e.V.
Gerard Reyes has found pleasure in many places: In a trans bar in Montréal, at voguing balls in Manhattan, in strip clubs in Portland, at fetish parties in Berlin. Each place allowed him to escape from social norms, but at the same time he encountered restrictive house rules. In "The Principle of Pleasure" he shares his first true pleasure with the audience: dancing to the seductive songs of Janet Jackson. In the process, voguing, stripping, glorifying eccentricity and embodying glamour allow him to explore the controversial power of pleasure. The boundaries between audience and performer:s are transcended this evening to find ecstasy in and between our bodies.
More information about ACCESS TO DANCE at Joint Adventures:
www.jointadventures.net
Organized by JOINT ADVENTURES - Walter Heun // Supported by the Cultural Department of the City of Munich, Bavarian State Association for Contemporary Dance with funds from the Bavarian State Ministry of Science and Art, District of Upper Bavaria
Spielort
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
20,- / 12,- Euro (reduced)
Minimum age 16 years
Tickets: www.münchenticket.de
Co-production with the Canada Council for the Arts // Supported by Le Conseil des Arts et des Lettres du Québec, New York State Council on the Arts, Québec Government Office // Partners: Mai Montréal, Théatre La Capelle, uddies in Bad Times Theatre, The Door NYC, The Spectrum, Dancemakers, Studio Mange Mes Pieds
International Double Feature: side.kicks starts with an evening showcasing collaborations with partners Tipperary Dance Ireland and Grand Studio Brussels.
Irish dancer Lucia Kickham's trio 'SOLO-ing’ is an exercise in "powerful softness" and explores how different sensibilities can coexist, overlap, contradict or support each other.
The second production presents a solo by Benoît Nieto Duran. Equally at home in hip-hop and contemporary dance, in "Protéiforme" he deconstructs the gestures of breakdance and embarks on a search for new forms of physical expression.
About side.kicks:
Tanztendenz München e.V. celebrates its 35th anniversary in 2022 with its own formats - at the end of the year with the guest performance format side.kicks. side.kicks has existed since 2013 and presents works by choreographers from the national and international networks of Tanztendenz München e.V. in the schwere reiter. side.kicks is not understood as a pure guest performance format, but is usually the final point of a longer, joint process. Invitations are extended to productions and artists who have previously been residency guests of Tanztendenz München e.V.; for example, Jonas Frey from Mannheim, the young Nuremberg choreographer Eva Borrmann, and the Irish artist Lucia Kickham held residencies with Tanztendenz München e.V. in 2022. A carte blanche for sending a production went to the partner of Tanztendenz München e.V. the Grand Studio Brussels. The events will be accompanied by two workshops (Lucia Kickham + Jonas Frey/Karen Janker) and a panel discussion.
Venue
schwere reiter | Dachauer Str. 114a | 80636 München
Tickets
Price: 17,- / 10,- erm.
Reservation: [ schwere reiter ]
side.kicks 2022 ist eine Veranstaltung des Tanztendenz München e. V. Mit freundlicher Unterstützung des Kulturreferates der Landeshauptstadt München, des Bayerischen Landesverband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, der Kulturstiftung der Stadtsparkasse München sowie den Bezirksausschuss 4 / Schwabing West und den Bezirksausschuss 9 / Neuhausen-Nymphenburg der Landeshauptstadt München
Partner: Tanzzentrale der Region Nürnberg e.V., Tipperary Dance, Grand Studio Brüssel
The beach can also be a terminus. In TERMINAL BEACH, six dancers in the large hall of Munich's UTOPIA create a dystopian image of our unease in the morning, our speechlessness in the face of the times to come. And they cling to the familiar in an increasingly inscrutable world: they flex their muscles as nonchalant cowboys. They wave their flags as revolutionaries. They lose themselves in armored duels, grimace in frozen glee and glide through space on inline skates. And when Satan appears, they stay cool, move closer together and dance formation in the
Salon
Choreography: Moritz Ostruschnjak / Choreographic collaboration: Daniela Bendini / Dance: Guido
Badalamenti, David Cahier, Daniel Conant, Roberto Provenzano, Miyuki Shimizu, Magdalena Agata
Wójcik / dramaturgy: Armin Kerber / music mixing & editing: Jonas Friedlich / lighting design: Michael
Peisch / Costume design: Daniela Bendini, Moritz Ostruschnjak / Costume production: Renate Ostruschnjak
/ technical direction: Roland Wawoczny / production management premiere: Lara Schubert /
production management revival: Antonia Leitgeb / PR: Simone Lutz
Spielort
Utopia
Heßstraße 132
80797 München
Tickets: moritzostruschnjak.com / Tickets: 17,00, erm. 10,00
A production by Moritz Ostruschnjak in co-production with Theater Freiburg. Supported by the Cultural Department of the City of Munich, the Fonds Darstellende Künste and by the BLZT, Bayerischer
Bavarian State Association for Contemporary Dance, with funds from the Bavarian State Ministry for Science and Arts. In collaboration with Utopia UG. Moritz Ostruschnjak is a member of Tanztendenz München e. V.
4x4 meters - one box. 2 performers - one couple. "Relationshifts" negotiates in a limited space the different phases and dynamics of a relationship in a limited space. From the romantic-enthusiastic beginning, to the shared space and the feeling of being and the feeling of deep rootedness and togetherness, to phases of longing for autonomy, the desire to break out of familiar ways, to leave obligations behind. Also in the relationship package: betrayal, anger, longing, intimacy, compassion, sex, boredom, devotion and... love. "Relationshifts" takes all of these big concepts that are part of
of our everyday life together as a couple, and declines the emotional and physical aspects of a relationship in different life situations.
Artistic direction, choreography: Ceren Oran / Dance, choreography: Jin Lee, Uwe Brauns / Music:
Hüseyin Evirgen, Nihan Devecioğlu / lighting design: Dennis Dieter Kopp / stage and costumes: Sigrid
Wurzinger / Dramaturgy: Jean Baptiste Charlot / Creative Producer: Karolina Hejnova / Artistic
Production Management: Lisa Risch (Rat&Tat Kulturbüro), PR: Simone Lutz
Spielort
Tickets: 15,00 / erm. 10,00 /Beim Kauf mehrere Loops: 10,00 (pro Loop) // zzgl. Gebühren
VVK: www.eventim-light.com
Ort: Einstein Kultur, Einsteinstraße 42, München / /www.einsteinkultur.de
A production by Ceren Oran & Moving Borders. Supported by the Kulturreferat der LH München and the
BLZT, Bavarian State Association for Contemporary Dance, with funds from the Bavarian State Ministry for
Science and Art. Thanks to DiR, Dance in Residence Brandenburg) der fabrik Potsdam, TanzWERKSTATT
Cottbus, Einstein Kultur as well as Tanzbüro Munich. Ceren Oran is a member of Tanztendenz München e.V.
For the first time Stephan Herwig lets himself be inspired by given music to a new choreography. Seven preludes from the first book by Claude Debussy, as well as "Prélude, Op. 45", by Frédéric Chopin, form the musical bracket of the evening, played live by Zoran Imširović. The compositions each convey their own mood tonally, melodically and rhythmically. The ensemble of seven dancers explores the relationship
between dance and music in various constellations and searches for forms of encounter beyond pure interpretation.
Dance: Gaetano Badalamenti, Anna Fontanet, Anima Henn, Stephan Herwig, Alexandre May, Susanne Schneider, Alessandro Sollima
Choreography: Stephan Herwig
Piano: Zoran Imširović
Lighting design: Michael Kunitsch
Artistic collaboration: Karen Piewig
Dramaturgical advice: Maxwell McCarthy
Production management: Angelika Endres, Emmanuelle Rizzo
Production assistance: Jan Termin, Anna Fontanet
Press work: Beate Zeller
Spielort
schwere reiter | Dachauer Str. 114a | 80636 Munich
Tickets: 17,- / 10,- erm.
Reservation requested: www.schwerereiter.de
The project is supported by the Cultural Department of the City of Munich and the BLZT, Bavarian State Association for Contemporary Dance with funds from the Bavarian State Ministry of Science and the Arts. Stephan Herwig is a member of Tanztendenz München e.V.
Salma Salem’s piece attempts to reclaim the body as a subject of political power. It explores concepts of the political body through a ritualistic approach with specific focus on the womb as a political organ. From a ritualistic perspective, this solo adapts the mechanics of gathering energy from the earth; earthing the body it charges it with energy and force, exploring the idea of a center point, the main point of force in the body. Celebrating the nature and strength of such an organ that has the capacity to endure, host, create and grow.
„Tens“ explores the concept of the body as the energy generator. Polish choreographer and dancer Marta Wołowiec seeks organicity resulting from the flow of physical sensations, vibrations, following the voice of intuition. She gives herself time to develop, she also gives the audience time to tune their own bodies with the performer’s. This piece is about tension, attentiveness and calmness, as well as the strength that can always be found by standing firmly on one’s feet and breathing in and out deeply.
Since 1991, TANZWERKSTATT EUROPA has been establishing international and local artists in the field of contemporary dance and performance, thus creating a unique encounter space for the public. In its combination of performances, a discursive accompanying program and workshops for professional dancers and amateurs, it sets new artistic accents every year.
More: TANZWERKSTATT EUROPA
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Station: Leonrodplatz www.schwerereiter.de Tickets
20,- / red. 12,- Euro
Box Office: München Ticket
Production “Anchoring”: Salma Salem / Initiated by the Goethe-Institut and curated by Nedjma Hadj Benchelabi with the support of Anna Mülter, Anna Wagner, Mohamed Ben Fury and Malek Sebai. This guest performance is supported by the Goethe-Institut Kairo.
Production “Tens”: Krakowskie Centrum Choreograficzne – Nowohuckie Centrum Kultury
To begin, let's solve the riddle of 100.80.40. The year 2022 marks the 100th birthday of Pier Paolo Pasolini
and the 80th birthday of Derek Jarman, and Rainer Werner Fassbinder died 40 years ago.
After grappling with Giacometti, Bacon, Lassnig, Bowie and Genet, the choreographer Micha Purucker
now explores the work and world of these three film directors and writers.
One searches in vain for specific parallels to the works of art or biographies of the abovementioned artists. Instead, the evening is about a certain sensibility, a special aesthetic,
the interaction with one another - as to be seen in their films and theatre pieces, close to melodrama.
Author Christoph Klimke has written three new poems in which he contributes his view of the three protagonists.
Different narratives, time levels and places are reflected in an arena that extends into the depths of three spaces:
dynamic sequences coagulate into tableaux vivants; group actions end as solos; and the hall opens at the rear wall to reveal the backstage area.
A piece by Micha Purucker
with Aurora Bonetti, Michal Heriban, Linus Jansner, Marcos Nacar, Anise Smith, Polina Sonis, Lina Wailzer
Sound: Robert Merdžo
Lighting Design: Michael Kunitsch
Texts: Christoph Klimke
PR: Beate Zeller
world premiere: January THUR 12, 2023, 8.30 pm, schwere reiter
further performances: January FRI 13 + SUN 15, 2023, 8.30 pm (no performance on January 14!)
**In July 2022, Micha Purucker conceived at ZIRKA, Center for Interdisciplinary Spatial and Cultural Work, parallel to the production of Eos Schopohl,
the installation "outside the palace" on Pier Paolo Pasolini, some of which will be incorporated into the foyer design of schwere reiter ...
The project is funded by the Cultural Department of the City of Munich.
Micha Purucker is a member of Tanztendenz München e.V.
The experimental 360 degree dance film "Is a planet an enormous mountain?" creates a virtual event space that questions perception and reality. The camera is part of the choreography and is integrated into the sequence of movements of the performers, but is also played as a counterpart. This unusual camera work undermines the set physical framework and creates new perspectives: a space of projections, light installations, spherical soundscapes and choreographic time sculptures that defines its own laws and pulls the bodies into a maelstrom, sending them reeling. A game with illusion that takes hold of the whole body.
Artistic direction:
Stephanie Felber in collaboration with the
performers: Nikos Konstantakis, Ludger Lamers, Photini Meletiadis
VideoArt: Patrik Thomas
Sound: ANNAGEMINA (Anna Illenberger and Michael Fiedler)
Lighting: Lennart Rabe
Set: Guida Miranda
Technical direction: Roland Wawoczny
PR: Beate Zeller
Venue
Halle 6 / Studio 2 (ehem. Labor Ateliers)
Dachauer Str. 112d
80636 München
Tickets Registration with desired slot requested: reservierungen@stephanie-felber.de
Tickets: 8,- / 5,- Euro reduced
Admission always on the hour, last admission: 10 p.m.
One slot of 45 minutes for just 3 persons // Sighting with VR glasses / tablet (provided)
With the kind support of Neo-Eventservice, Munich Maker Lab e.V., schwere reiter, treibgut. Many thanks to: Lara Schubert. Supported by the NATIONAL PERFORMANCE NETWORK - STEPPING OUT, funded by the Federal Government Commissioner for Culture and the Media as part of the initiative NEUSTART KULTUR. Dance Assistance Program. Stephanie Felber is a member of Tanztendenz München e.V. In the most recent, major conflicts within capitalist democracies, dance has taken a firm place as a form of demonstration.
Be it the "Standing Man" in Gezi Park, yoga sessions during Occupy or the dancers of the Egyptian National Ballet,
dance expression has always proven to be an effective means of peaceful protest.
"Embodied protest" and "protest choreographies" have therefore long been part of a new self-image of contemporary dance practitioners.
"Radical cheerleading" is one of these forms of expression, used in a wide variety of contexts, developed by queer-feminist activists in the 1990s.
Codes of "cheerleading", known from athletic competitions, are used and subverted in this production to convey its own messages.
Glamour, glitter and a mix of various slogans are elements of this joyful, ironic alternative to militant forms of protest.
Artistic Direction / Choreography: Zufit Simon
Creation + Dance:
Dorota Michalak, Erika Leo, Sunayana Shetty, Cary Shiu, Zufit Simon
Sound: Fredrik Olofsson
Lighting Design: JOM
Costume Design: Mirella Oestreicher
Outside Eye: Clarissa Rêgo
Management: Dietrich Oberländer
PR: Beate Zeller
Photography: Oliver Look
world premiere, LOT-Theater Braunschweig: NOV 18, 2022
Berlin Uferstudios: January 2023, 27 + 28 www.uferstudios.com
Venue
schwere reiter | Dachauer Str. 114a | 80636 München
Tickets: 17,- / 10,- red.
Reservation requested: www.schwerereiter.de
The production is supported by the Cultural Department of the City of Munich and the Foundation of Lower Saxony.
The research phase of this production was supported by the NATIONAL PERFORMANCE NETWORK - STEPPING OUT,
funded by the Federal Government Commissioner for Culture and the Media as part of the initiative NEUSTART KULTUR.
Hilfsprogramm Tanz. Supported as well from the Fonds Darstellende Künste with funds from the Federal Government
Commissioner for Culture and the Media as part of NEUSTART KULTUR. With the kind support of Ufer Studios and dock 11, Berlin.
Zufit Simon is a member of Tanztendenz München e.V. In the Showing, the artists present their exciting cross-disciplinary work process on the theme of time. Together they questioned different ways of thinking about time from a dance and musicological perspective, as well as its everyday and artistic use. In practical and theoretical research work, they investigated new communication possibilities as well as common forms of expression of temporal qualities such as stress and boredom, as well as a mathematical approach to time and its artistic implementation.
In togetherness and counter-togetherness, characterized by mutual hearing and seeing, leading and following, and in joint play, the protagonists enter into different qualities of time and movement.
With this common language between dance and percussion, they sensitize the audience with the goal of making rhythm visible and movement audible.
The project is funded by the Verband Freie Darstellende Künste Bayern e.V.
Beate Höhn from Nuremberg and Micha Purucker from Munich have been present in Bavaria, nationally and internationally with their choreographic works since the 1980s. Again and again their very different artistic paths have crossed - be it in joint projects, at symposia or in connection with other artistic formats.
In a joint research project by the two choreographers, which culminates in an interactive exhibition format in the setting of a workroom, the project on the theme "Upheaval - Turn of the times - Déjà-vus" is now being presented to an audience in Nuremberg (Künstlerhaus) and Munich (artists' choice, Glockenbach).
The outstanding feature of this collaboration lies in the common contemporaneity of the artists, while at the same time having very different artistic signatures: Höhn / Purucker work methodically, stylistically, aesthetically, dramaturgically very differently. The project is not intended to blur these differences at all, but to intensify them by showing how a common research enterprise can lead to diverging scenic designs, ideas, artistic strategies, sketches and solutions.
Both approaches have always positioned themselves politically, socially and culturally in relation to the present. Because of this attention of the two choreographers to the present and the associated social environment, as well as on the basis of their personal memories and experiences, both increasingly have the impression of various revenants and déjà vu in view of the upcoming turn of time and its possible consequences.
So the two ask the following questions together:
Will one again freeze in a block formation (East-West, North-South), with all the border demarcations and the potential for confrontation, as it was known before and thought to have been overcome (NATO Doppelbeschluss)? What self-deceptions did they succumb to, what lies did they believe, and why?
Are we experiencing a creeping counter-secularization that goes hand in hand with the strengthening of religious conflicts? Is the integrity of the body and the disposal of one's own body again under discussion (§218, LGBT+, transhumanism, health dictatorship). Is the 'Western' model as a blueprint for globalization a repackaged colonialism? The limits to growth - and thus the finite nature of our economic system - were first discussed fifty years ago. Where do we stand today with the effects of climate change?
The result is a collection of material with film and audio contributions, photos and texts on an expanded concept of the turning point in time. Experts will also be consulted with their opinions and will have their say in lectures.
So what are the dominant 'images' that move us and which of them have we had before?
"We define ourselves by what we remember and forget together."
(Ernst Renan in "Erinnerungsräume" by Aleida Assmann)
Nürnberg: Künstlerhaus Glasbau, Königstr. 93 // Opening February 4, 2023, at 6 pm
Exhibition: February 4 to March 2, 2023, 10 am to 6 pm
München: artists’ choice , Ickstattstr. 22 // Opening March, 23, 2023, at 6 pm
Exhibition: March 24 to 26, 2023 and March 30 to April 2023, 4 to 9 pm
The entrance is free.
TRAILER
A project sponsored by the Bavarian State Association for Contemporary Dance (BLZT)
with funds from the Bavarian State Ministry for Science and Art in cooperation with the Künstlerhaus in the KunstKulturQuartier Nuremberg and support of the City of Nuremberg and the Cultural Department of the City of Munich.
Every year in January/February, Tanztendenz München e.V. offers its studios to young choreographers for free rehearsals over a period of two weeks. The "Open Studios" were initialized in 2013 and, due to their continued success, expanded into a fixed annual series. The series is organized and supervised by members of the Tanztendenz München e.V..
The intention of the "Open Studios" is to promote young choreographers. Free - both from financial and production pressure - newcomers are provided with professional working space to experiment, rehearse and research. In addition, choreographers from the association are available as mentors on request to accompany the rehearsal process.
In 2023, the "Open Studios" will take place from February 2 - 15 under the guidance of choreographer and Tanztendenz member Stephan Herwig. Five artists or groups were selected from the applications:
Ben Meerwein, Alex Röser Vatiché, Illaira Bagarolo and Giorgio Lombardo will travel from Berlin to continue working on their project "Oh, Nero!". The project deals with the ambivalence of historical lore and its parallels to contemporary media landscapes, working movement-wise with gestures of ancient statues.
Dalma Wéninger comes from Hungary. She experiments with guided contact improvisation, aiming to build a structure between two bodies while maintaining a constant connection.
Elisabet Morera from Munich, together with a videographer, researches the absence of the body in movement involving a chromakey full body suit.
Regensburg-based Melanie Elysse Old works with a dancer on her solo "Lolita's Labyrinth," which revolves around questions such as: How does the body remember? How can I express inner turmoil in the body?
From Munich and Berlin comes Geosmin / Minjeong Yang , working on the multidisciplinary art project "Fika", which tries to connect taste, sense of smell and perception.
This year's mentors for the participants are the choreographers Caroline Finn, Sabine Hass-Zimmermann, Brigitta Trommler and Micha Purucker.
A studio showing in two parts: First, in "ZwischenZweiZeit" dance and music meet as equal improvisational partners. Then follows "stream" and invites you to search for an endless space of movement.
Part 1: ZwischenZweiZeit
How far to go, when to turn, which was the place for the turning maneuver - to stop, to break the rhythm of the steps, to turn around, to see what was behind you and whether someone had not been following you the whole time, to realize that the world had changed without a sound, everything had changed places...
(Anke Velmeke "Luftfische")
The project "ZwischenZweiZeit" ("BetweenTwoTime") wants to make possible a space of action in which dance and music meet as equal partners to bring improvisation to performance under professional conditions.
"Two" stands for two people, two divisions, two moments, two impulses, two walls.
"Between" names the creation of a space, a moment, there is a start and an end, similar to a white sheet and a first stroke.
"Time" gives us the playful framework for the process on stage.
Dance: Bettina Theil- Marinkovic, Karen Janker
Music:´Sunk Pöschl, Georg Janker
Part 2: stream
How to unlearn time
What can my body see
What space maintains
We invite you to join us in our search for an endless space of movement; let us follow the flow and dwell in the movement of space.
Concept: Alexandra Paal
Performance: Aurora Bonetti, Alexandra Paal
Dramaturgy: Sophie Gigou
Costum: Charlotte Schmidt
Music/Soundscape komposed by Jack Chown/ kiskadee
A small, intimate format:
The dynamics of contradictory inner worlds unfold in a limited space. All dynamics break in, on, around the body, the space remains quiet - elements for contextualization situate the dancer situationally, provisionally in a special moment of time, the memory of films, images, situations...
by Micha Purucker with Michal Heriban, Robert Merdžo, Michael Kunitsch
PR: Beate Zeller
[...] It is a solo about emotional worlds, but with a lyrical impetus that skilfully avoids anything shallow or ingratiating. Coded and playful Michal Heriban takes over this template and fills it expressively without ever becoming really clear. The play around inwardness succeeds. So much so that one could actually leave it at this delicate, in a sense new romanticism. But Purucker does not only choreograph. He creates spaces. [...]
Rita Argauer / Münchner Feuilleton, February 2022
Interview about the piece on:
TTmag Venue
schwere reiter | Dachauer Str. 114a | 80636 München
Tickets: 17,- / 10,- red.
Reservation requested: www.schwerereiter.de
The premiere was supported by the Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media as part of NEUSTART KULTUR. The revival is supported by the Cultural Department of the City of Munich. Micha Purucker is a member of Tanztendenz München e.V.
A dance mashup, a bastard pop collage stolen from 1000 different sources: In AUTOPLAY, the copy & paste button becomes the leitmotif. Every movement, every sound, every image is an objet trouvé taken from the World Wide Web. From contemporary choreography to the Harlem Shake, from the video game Fortnite to shampoo commercials, from the selfie style on Instagram to the globally marketed pose of Michelangelo's David – everything is recombined, reorganized and intermixed. In AUTOPLAY, Moritz Ostruschnjak sends the audience off into a space of hyperlinks that amalgamate into an image of (digital) existence in the 21st century – utopia and consumer terror, subculture and populism are always just one click away from each other.
Team
Choreography: Moritz Ostruschnjak
Choreographic assistence: Daniela Bendini
Dance: Annamaria Ajmone, Daniel Conant, Cristian Cucco, Antoine Roux-Briffaud Video: Moritz Stumm
Music mixing & editing: Jonas Friedlich
Dramatic adviser: Armin Kerber
Light design: Andreas Harder
Costume: Daniela Bendini, Renate Ostruschnjak
Audio engineering: Paolo Mariangeli
Production management: Hannah Melder
Venue
schwere reiter
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets THINK BIG #9
Eine Produktion von Moritz Ostruschnjak. Gefördert durch das Kulturreferat der Landeshauptstadt München und durch den BLZT, Bayerischer Landesverband für zeitgenössischen Tanz, aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. Realisiert durch eine Residenz des Theater Freiburg. Der Künstler wird unterstützt vom Netzwerk Grand Luxe 2019/20 und ist Mitglied des Tanztendenz München e.V.
Think Big! #8 wird gefördert durch das Kulturreferat der Landeshauptstadt München und die ART MENTOR FOUNDATION LUCERNE. THINK BIG! Reach out wird unterstützt durch DIEHL+RITTER/TANZPAKT RECONNECT, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen der Initiative NEUSTART KULTUR Hilfsprogramm Tanz. Mit freundlicher Unterstützung der Kulturstiftung der Stadtsparkasse München und DUTCH PERFORMING ARTS.
The subtle interaction of dance, space and light defines Stephan Herwig’s choreographic work - expanded and enriched in this work by an object in the middle of the stage. This allows an extra layer to develop that changes perception, smudges contours and shifts relationships. The dance transforms in a rich, iridescent weave of different zones and atmospheres: between real and surreal, defined and blurred, distinct and indistinct, prim and sensual. In “In Feldern” (Within Fields/Zones), Stephan Herwig’s interest in formal composition manifests itself. Its specific beauty develops out of the individuality of the dancers.
Cast
Choreography: Stephan Herwig / Dance: Gaetano Badalamenti, Anna Fontanet, Anima Henn,
Giovanni Zazzera / Artistic collaboration: Karen Piewig / Lightingdesign: Michael Kunitsch / Composition: Daniel Door / Stagedesign: Mirella Oestreicher / Production management: Angelika Endres / PR: Beate Zeller
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
17,- / red. 10,- Euro
Reservation necessary: www.schwerereiter.de
Gefördert vom Kulturreferat der LH München und dem BLZT, Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. Stephan Herwig ist Mitglied von Tanztendenz München e.V. Dank an das TROIS C-L Centre de Création Chorégraphique in Luxemburg für eine Probenresidenz.
Current choreographies danced by young professionals at the beginning of their careers - full of dynamism, expressiveness and freshness. In six performances, Iwanson students give an insight into the diversity of their training - from ballet to modern to contemporary.There will be a special on Sunday at 17:00 with the "Open Campus Jazz Edition".
Since 2009, the Festival Junger Tanz has been an integral part of Munich's dance year and, as a highly successful format, has now reached over 20,000 spectators. The dancers enjoy the professional performance as much as the audience. In 2022, the format will take place for the first time as an Open Campus over three days.
Team
Students from Iwanson International / Choreographies Open Campus 1–5: Guido Badalamenti, David Cahier, Pia Fossdal, Minka-Marie Heiß, Marta Rak / Choreographies Open Campus Jazz Edition: Antonia Čop, Dolores Dujak, Stefanie Erb
Venue
schwere reiter
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
22 € / red 16 €
Reservation absolutely necessairy: www.schwerereiter.de
Produziert von Iwanson International / Gefördert vom Kulturreferat der LH München / In Kooperation mit Tanztendenz München e.V. und schwere reiter tanz
A perfect opportunity to get to know the diversity of the contemporary dance scene: Hier = JETZT presents short choreographies, production excerpts and work in progress by 15 freelance artists on four different evenings.
The platform for contemporary dance Hier=Jetzt was founded in 2016 by Tanztendenz members Johanna Richter and Birgitta Trommler and realised in co-production with Tanztendenz München e.V. In 2022, the platform will take place from 18 April to 1 May and will offer participating artists free studios at the schwere reiter, the Tanztendenz and, through a first-time cooperation, also at the Iwanson International. The focus of HERE=NOW is on the laboratory situation and exchange; choreographers are offered a platform to try out piece approaches in parts or as work in progress under professional conditions and to put them up for discussion in the four concluding public "Open Spaces".
Team
By and with Lara Kapeloto, Kollektiv Maria Neustadt (Tasha Hess-Neustadt, Fabian Maria Riess), Monster Art Collective (Silvia Remigio + Veronica Lillo), Elisabeth Kindler Abali, Erica D’Amico, Hoyoung Im, Matteo Sacco, Lotta Sandborgh, Emmanuelle Rizzo + Moe Gotoda, Búi Rouch, Alfonso Fernández Sánchez, Simone Lindner + Robert Phillips + Nina Moog, Marcelina Liebner, Natalia Koźbiał , Veronica Vagnoni + Mirto Krasaki / Concept, direction: Johanna Richter, Birgitta Trommler / Technical direction, Light design: Rainer Ludwig / Sound: Andi Kern / Organisation: Búi Rouch / Video: Tim Bergmann, Thomas Göbl / PR: Kathrin Schäfer KulturPR / Photo: Mehmet Vanli / Graphic: Martina Baldauf
ON STAGE IM SCHWERE REITER
Thursday, April 28st, 8 p.m. Open Space 1
Programm
Matteo Sacco - Sanpapié Dance Company: "Three Little Rooms"
Natalia Koźbiał: "(in)justice"
Simone Lindner: "Three Little Rooms"
Sofia Pomeroy: "Stuck/Unstuck"
Friday, April 29st, 8 p.m. Open Space 2 Programm
Hoyoung Im: "Intus the Black hole "
Alfonso Fernández Sánchez: "Track 54"
Emmanuelle Rizzo & Moe Gotoda: "Ewig"
Elisabeth Kindler-Abali: "another body"
Saturday, April 30st, 8 p.m. Open Space 3 Programm
Marcelina Liebner: "Glass Doors"
Kollketiv Maria Neustadt: Tasha Hess-Neustadt und Fabian Riess: "X"
Erica D'Amico: "Talking Wolves"
Veronica Vagnoni: "Leonia"
Sunday, May 1st, 6 p.m. Open Space 4 Programm
Lotta Sandborgh: “Aileen Wuornos"
Búi Rouch: "Graphics of unreality"
Lara Kapeloto: “(ir)relevant"
Venue
schwere reiter
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
Free admission
No advance booking, free tickets only available at the box office from 30 minutes before the performance starts
Gefördert vom Kulturreferat der LH München. In Kooperation mit Tanztendenz München e.V., schwere reiter tanz und Iwanson International
Where does who feel comfortable, who meets whom, where are the "young"/"rich"/"poor" places of the city
and where are the "others"?
Which place excludes whom, and what does accessibility actually mean?
How do I experience the city as a newly arrived person/refugee?
Andrea Marton and Stephanie Felber develop a performative audio walk in public space with people regardless of their dance experience, physical possibilities and cultural background. Publikc space will thus be explored, dissected, audio and choreographically staged with a mixed-age and diverse group and thereby experienced anew.
The audience, which is guided through the urban space during the public performances, accompanies the performers with a "silent-disco-system" and encounters new performative situations again and again. Through music, text and invitations to become "part of the intervention", a common perception of togetherness in public space is created.
Team
Concept, Idea: Andera Marton, Stephanie Felber / Choreography together with the participants
Venue tob e announced www. andrea-marton.de
Gefördert vom Kulturreferat der LH München.
Last year, Stefan Maria Marb explored the theme of "ZERO" in two performances; an existential zero state, the void, was explored and danced. The production took place as an experimental lecture performance, meditation and installation in the art space of the KloHäuschen.
AFTER ZERO will now directly follow on from this production, with the question of what can come after the void of zero? Thus the butoh dancer enters into a psychophysical confrontation and is thrown back on his own fragile wildness, on his inner unknown animal, for which the open landscape space of the riverbed seems ideal. In exchange with this nature, a magical-shy dance emerges.
Venue
Isar, island below the Flauchersteg
(see map below)
Eintritt
Participation is free of charge and at your own responsibility!
Donations are welcome, on site or online at www.butoh-marb.de/
The face is an unmistakable signature of our personality, along with our motor skills. In addition, the respective facial mimic shows an important expression of our self, which is why we also speak of the face of the soul. From birth we like faces, our perception in this respect therefore develops rapidly and becomes particularly fine and pronounced in the course of our further development. Small children show their feelings openly and vividly; however, in the course of our socialization we unlearn this ability and as adults we often hide emotional expression behind the mask of an expressionless persona.
In Butoh, we question the veil of persona thus learned in order to finally get in touch with our hidden face and multiple emotions. A manifest split of face and body can thus be gradually lifted and allow a creative integration, which has a liberating effect.
The dance performance “Liquid Face” will feature a group of dancers from the Butohatelier (an experimental dance forum since 2014), an actor, and live music, immersing and playing in the nature of the Mohr Villa's spacious park.
Team
Concept, Choreography: Stefan Maria Marb
Assistenz: Alexander Strauß
Word, Dance Gerd Lohmeyer
Live-Cello: Jost-H. Hecker
Dance: Beate Brömse, Frauke Gerbig ,Sieglinde Maerzke, Günther Maier, Eugenie Nietmann, Andrea Stapfer, Angelika Thomas, Maria Thomaser, Rosemarie Weichel, Hanne Wölfle,
Ort
Mohr-Villa, Park
Situlistr. 75
München Freimann www.mohr-villa.de Tickets
Tickets at the box office, the contribution to expenses is voluntary .
Contact: treffpunkt@mohr-villa.de, Tel. 089 324 32 64
Infos: www.mohr-villa.de
Stefan Maria Marb is a member of Tanztendenz München e.V.
“16 BIT” is a new contemporary dance production exploring the unique circumstances that allowed techno to become an artform and social phenomenon.
Emerging from a decades-deep transatlantic cultural exchange, techno has given voice and purpose to marginalised communities, incubated scientific experimentation and courted the avant-garde through technological and cultural revolutions. It’s an Afrofuturist expression for the Black community in Detroit, and it embodied liberation and reunification as the Berlin wall fell.
“16 BIT” absorbs these ideas and examines the evolution of techno from the ill-defined, DIY landscape of 1980s electronic music through to the globally recognised genre that heralded the early 90s. As a performance, 16 BIT expresses the inherent energy of techno’s progressive arc in movement, embodying the music’s physicality and the resulting motion of the collective as a committed, hypnotic body – a body weighted with meaning and charged with the power to change the world beyond the confines of the dancefloor.
Team
Idea, Choreography: Paula Rosolen, Concept: Paula Rosolen, J.M. Fiebelkorn, Created with and danced by Capucine Schattleitner, Daniel Conant, Felipe Faria, Kyle Patrick, Steph Quinci, Steven Fast / Music: Nicolas Fehr / Costumes: Anika Alishewski, J.M. Fiebelkorn / Lights: Tanja Rühl / Choreographic Assistance: Christopher Matthews / Research: Oli Warwick / Production Management: Dominga Ortuzar Bullemore / Graphic Design, Visuals: Yuka Sano, J.M. Fiebelkorn / Production: Paula Rosolen/Haptic Hide
Venue
schwere reiter
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
17 / red. 10,- Euro
Reservation essential: www.schwerereiter.de
A production by Paula Rosolen/Haptic Hide in co-production with Künstlerhaus Mousonturm in the context of Tanzplattform Rhein-Main and CCN-Ballet National de Marseille as part of accueil studio / French Ministry of Culture. Supported by the Cultural Department of the City of Munich and the Hessian Ministry of Science and the Arts. With the kind support of the Tanzbüro Munich, Tanztendenz München e.V. and schwere reiter tanz. Haptic Hide receives a multi-year support from the cultural office of Frankfurt am Main and is supported by DIEHL+RITTER / TANZPAKT RECONNECT, funded by the German Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR initiative. With the kind support of the Tanzbüro Munich
Resident guest of the schwere reiter Lena Grossmann presents in this Open Studio the current state of work of her interdisciplinary project, which deals with our body language, our everyday use of bodily gestures, readings of other bodies and their relationships to each other.
A space-specific performance will subsequently be created in the Lothringer 13 Halle with performances on 28 / 29 / 30. July and subsequent exhibition. (28.07. - 21.08.2022).
Team
Choreography: Lena Grossmann
With: Yurika Yamatoto, Estefanía Álvarez Ramírez, Annabell Lachner
Venue
schwere reiter, Studio
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
Entrance free
Unterstützt durch das NATIONALE PERFORMANCE NETZ – STEPPING OUT / gefördert von der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen der Initiative NEUSTART KULTUR. Hilfsprogramm Tanz
Iwanson International's dance education graduates have absorbed a great deal of expertise in their profound training and are now mastering a wide range of teaching techniques. And of course they have danced a lot. With four current pieces they say goodbye to their education institution.
Since 2009, the Festival Junger Tanz has been an integral part of Munich's dance year and, as a highly successful format, has now reached over 20,000 spectators. The dancers enjoy the professional performance as much as the audience. In 2022, the format will take place in several parts for the first time.
Team
Choreography: Pedro Dias, Chris-Pascal Englund Braun, Minka-Marie Heiß und Marta Rak
Dance: Iwanson International's dance education graduates
Venue
schwere reiter, Studio
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
22,- / erm.16,- Euro
Reservation: www.schwerereiter.de Credits
Eine Veranstaltung von Iwanson International. Unterstützt durch das Kulturreferat der LH München und die Plattform HIER = JETZT. »She was a knife cutting through everything.« Ann Snitow
In 1970, at the age of 25, Shulamith Firestone published "The Dialectic of Sex: The Case for Feminist Revolution," which is still considered a fundamental feminist work today. Her radical theses on the connection between women's liberation and sexual revolution had been presented frequently up to that point, and with them she now became a best-selling author. In her second and last book, "Airless Spaces" (1998), Firestone describes what she herself calls a whole cabinet of "losers," lonely representatives of the state of "social failure."
Inspired by Firestone's biography and these portraits written with "grim laconicity," choreographer and dancer Zufit Simon's solo traces the effects that political and private conflicts can have on female physicality. Economic and psychological-private oppression are questioned and translated into the movement language of dance.
Choreography, dance: Zufit Simon
Sound and Visuals: Fredrik Olofsson
Costume: Valentina Primavera
Setdesign: Dietrich Oberländer
Lighting design: JOM
Outside Eye: Clarissa Rêgo
Management: Dietrich Oberländer
PR: Beate Zeller
After the performance on Wednesday, April 5, we invite to an audience discussion with the dancer and choreographer Zufit Simon and the dramaturge Sarah Israel.
Excerpts from "Airless Spaces" will be presented.
Venue
schwere reiter | Dachauer Str. 114a | 80636 München
Tickets: 17,- / 10,- red.
Reservation requested: www.schwerereiter.de
The production is supported by funds from the State of Lower Saxony, Ministry of Science and Culture and the Foundation of Lower Saxony. The revival is supported by the Cultural Department of the City of Munich. Zufit Simon is a member of Tanztendenz München e.V.
MÄRML
shimmers in all possible shades of red from pale pink to bright red to deep purple. Through the openings of its expansive fabric texture, it encourages voyages of discovery into its interior.... Composed of used coats sewn together, it is ready for new adventures.
MÄRML is the name Katrin Schafitel has given to the new costume-object by textile artist Robert Kis, with which and through which she moves in public space and explores its peculiarities. The performer creates unimagined and very fleeting fabric-human combinations in dance - quasi second sculptures - which form a different shape again from every perspective. An invitation to the passers-by to let themselves be surprised and captivated by this multiform living being...
Katrin Schafitel was last on the road in 2021 with the object-costume ZWINK in public space: see the gallery @ZWINK2022
Idea, dance and performance: Katrin Schafitel
Costume Object: Robert Kis
Production management: Elisabeth Pilhofer
PR: Beate Zeller
Social Media: Lutz Hofer
Graphik Design: Stephanie Roderer
Photography: Franz Kimmel
Venues / Dates
MÄRML will visit different places in Munich in August / September 2022, including the Container Galerie at Dachauer Str. 114 and Das KloHäuschen, Thalkirchner Str. / corner of Oberländerstraße.
Current dates and locations can be found at www.freieszenemuc.de/akteure/katrin-schafitel
The project is supported by the NATIONALE PERFORMANCE NETZ - STEPPING OUT funded by the Federal Government Commissioner for Culture and the Media as part of the initiative NEUSTART KULTUR. Support Program Dance. Katrin Schafitel is guest of Tanztendenz München e.V.
In 1970, at the age of 25, Shulamith Firestone published the book "The Dialectic of Sex: The Case for Feminist Revolution," which is still considered a fundamental feminist work today.
She had often presented her radical theses on the connection between women's liberation and sexual revolution, and became a best-selling author.
Her second and last book, Airless Spaces (1998), is a "sequence of trenchant vignettes about the lives of the poor inside and outside state mental institutions,
a document of the isolation suffered by women who continue to follow their convictions even after they have lost their popularity." (Chris Kraus)
Inspired by Firestone's biography and these portraits written with "grim laconicity," choreographer and dancer Zufit Simon's solo follows
the effects that political and private conflicts can have on female corporeality.
Economic and psychological-private oppression are questioned and translated into the language of dance.
Choreography, Dance: Zufit Simon
Sound: Fredrik Olofsson
Costume Design: Valentina Primavera
Set Design: Dietrich Oberländer
Lighting Design: JOM
Outside Eye: Inka Paul, Clarissa Rêgo
Production Management: Dietrich Oberländer
PR: Beate Zeller
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red.
Reservation: www.schwerereiter.de
Die Produktion wird gefördert durch Mittel des Landes Niedersachsen, Ministerium für Wissenschaft und Kultur und der Stiftung Niedersachsen,
die München-Premiere wird gefördert vom Kulturreferat der Landeshauptstadt München. Zufit Simon ist Mitglied von Tanztendenz München e.V.
In LOT, Fabian Riess and Tasha Hess-Neustadt deal with construction and decay. A flow of affect and resonance accelerates the volume of silence. For two years, the collective has been dealing with the extremes of restriction and freedom and, in its somatic research, is concerned with their effects on the body. Starting from a dystopian landscape, they interact with the space, follow impulses, create closeness and intimacy. Two performers in a trio with their surroundings.
Imagine a desert arena, a suspended and liminal space. Somewhere after the decaying remnants of capitalist realism have lost their meaning, before the formation of the next future fantasy. A somatic kind of science fiction. Decay and regrowth morph into one another. Movement becomes the measure of temporality. Cycles open and close steadily, almost imperceptibly, until the previous order reveals itself in a new form. After the sun has bleached out all artifacts of our late anthropocene, and the lava has solidified back into cracking stone, we dream to ride the thing which breaks us. To reappropriate the constancy of our systems.
The dancer/choreographer collective Riess Neustadt has been creating and dancing at the interface of somatics and installation since 2020. They work with material installations with which they interact through movement and through sound and silence. In their dance practice they work with physical states and somatic movement qualities. The subject matter of their work centers around cultural and subcultural references from queer perspectives. Their productions have already been shown at the Schwere Reiter Munich, Gallus Theater Frankfurt, Delphi Space Freiburg and the Tanzzentrale Nuremberg. In addition to their shared choreographic practice, they each work individually as dancers with choreographers such as Johannes Wieland and Simone Mousset.
TEASER
First insights in LOT via VIMEO.
WHEN
15th November / 8:00 pm
16th November / 8:00 pm
CONCEPT
Concept, Choreografy, Performance: Fabian Riess, Tasha Hess-Neustadt | Stage, Costume: Louis Caspar Schmitt | Light: Rainer Ludwig | Outside Eye: Stephan Herwig
WHERE
schwere reiter | Dachauerstraße 114a | 80636 München
TICKETS
Please by tickets online: HERE FUNDING
Funded by the Kulturreferat der Landeshauptstadt München. With support from the Tanzzentrale der Region Nürnberg e.V. and the Tanztendenz München e.V.
Improvisations in dance and music: "ZwischenZweiZeit" is a project of the two dancers Karen Janker and Bettina Theil and the two musicians Sunk Pöschl and Georg Janker. The project wants to make possible a space for action in which dance and music meet as equal partners in order to bring improvisation to performance under professional conditions.
Team
By and with Bettina Theil-Marinkovic, Karen Janker (Tanz), Sunk Pöschel, Georg Janker (Musik)
Venue
schwere reiter, Studio
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
Tickets ONLY at the box office, ticket price: 10 € / erm. 5 €
Förderer
In cooperation with Tanztendenz München e.V.
When does something become an icon - an image that is exaggerated in its meaning and thus immediately provokes its destruction? In the performative installation, the theater is staged as a temple, iconic processes of form are questioned and their symbolism is played with. Performative actions condense into rituals, sculptural body images appear. Spherical soundscapes, which intensify the movement and posture of the bodies, create a seemingly choral tapestry of sound. A live camera as an image machine involves all those present and becomes part of the choreography: ICONSCLASH, an event between ecstasy of images and iconoclasm.
Artistic Direction: Stephanie Felber in collaboration with the
Performer: Eléonore Bovet, Wiebke Dobers, Daniela Graça, Judith Hummel, Nikos Konstantakis, Ludger Lamers, Angela Wörgartner
Sound: Anna Illenberger
Live-Camera: Guida Miranda
Video-Installation: Patrik Thomas
Set-Installation: Guida Miranda / Jan Dominik Kudla
Lighting-Design: Pit Schultheiß / Lennart Rabe
Dramaturgy: Peter Sampel
Vocal-Coach: Roger Hefele
Projectmanagement: Lara Schubert
PR: Beate Zeller
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red.
Reservation: www.schwerereiter.de
This project is supported by the Cultural Department of the City of Munich and the BLZT, Bavarian State Association for Contemporary Dance with funds from the Bavarian State Ministry for Science and Art. Stephanie Felber is a member of Tanztendenz München e.V.
The Mmmooz format is back! Cinematic experiments, performative exaggerations, musical excesses, spatiotemporal irritations and choreographic escapades await the audience - quirky, dadaistic, but always with reference to current events. Acoustically, a disparate mixture of upcycled plastic waste sound mountains and electronic scrap soundscapes, which meet music borrowed from high culture and spontaneous improvisation moments. Dance and movement language oscillate between extremely physical actions and the minimalist gesture. Senseless actionism and hysteria correlate with trance states.
The well-rehearsed duo: dancer, performer and choreographer Claudia Senoner and musician and composer Mark Lorenz Kysela unleash a revue of numbers ranging from abysmal emptiness to hysterical euphoria. This is their contribution to times in which everything can be told and believed. At this party, however, it is also allowed to think and reflect further...
Welcome to the club!
Project direction, choreography, performance, dance: Claudia Senoner
Music, composition, performance: Mark Lorenz Kysela
Video/camera/cut: Alexander Schmidt
PR: Beate Zeller
"Mmmooz" starts immediately following "Is there a world beyond the image?" by Stephanie Felber, which takes place in the hall of the schwere reiter.
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
12,- / 8,- Euro erm.
Having a ticket for Stephanie Felber you just pay 5 Euro for the second ticket.
Reservation requested: www.schwerereiter.de
Eine Kooperation mit Tanztendenz München / schwere reiter tanz und dem Produktionszentrum Tanz und Performance Stuttgart, sowie FTTS Freie Tanz- und Theaterszene Stuttgart. Mit freundlicher Unterstützung des Kulturreferats der LH München und scope-Spielraum für aktuelle Musik / schwere reiter musik.
The pieces „FUR“, „Rotations“ and „Turning Solo 2“ are part of an ongoing series by the Berlin choreographer Isabelle Schad, in which she turns rhythms and energies into choreographed experiences. „FUR“ is an encounter with the Japanese dancer Aya Toraiwa and her stunningly long hair. „Turning Solo 2“ brings together the portraits of the dancers Naïma Ferré and Jasmin İhraç to form a double that can be experienced simultaneously. In „Rotations“, the movements of Claudia Tomasi rotate and accumulate into a flow that creates the illusion that the dancer‘s body is moving by itself.
Since 1991, TANZWERKSTATT EUROPA has been establishing international and local artists in the field of contemporary dance and performance, thus creating a unique encounter space for the public. In its combination of performances, a discursive accompanying program and workshops for professional dancers and amateurs, it sets new artistic accents every year.
More: TANZWERKSTATT EUROPA
Aya Toraiwa (FUR), Naïma Ferre + Jasmin İhraç (Turning Solo 2), Claudia Tomasi (Rotations) // Choreography: Isabelle Schad
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Station: Leonrodplatz www.schwerereiter.de Tickets
20,- / 12,- Euro red.
Box Office: München Ticket
Production: Isabelle Schad
Coproduction: SOPHIENSÆLE, Berlin; Transart Festival, Bozen
Guest performance: NATIONALES PERFORMANCE NETZ – Guest Performance Fund for Dance, funded by the Federal Commissioner for Culture and the Media, and by the Federal Ministries for Arts and Culture. Jonathan Burrows and Matteo Fargion have collaborated for over 30 years. Their two most recent duets are the outcome of a three year process of collecting and sifting through unfinished ideas and materials stored up over decades of collaboration. „Rewriting“ is a long and increasingly complex rhythmic choreography of 108 cards, each of which carries a written thought that fuels a simultaneous spoken stream of consciousness, all of it set to music for a Casio keyboard. „Science Fiction“ is a loud and looping piece of music for synthesizers, percussion and voice.
Since 1991, TANZWERKSTATT EUROPA has been establishing international and local artists in the field of contemporary dance and performance, thus creating a unique encounter space for the public. In its combination of performances, a discursive accompanying program and workshops for professional dancers and amateurs, it sets new artistic accents every year.< br>
More: TANZWERKSTATT EUROPA
By and with: Jonathan Burrows, Matteo
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Station: Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red.
Box Office: München Ticket
Coprodukcion: PACT Zollverein Essen; Sadler‘s Wells Theatre, London
For one evening, we will open the stage of Schwere Reiter for selected artistic contributions by highly promising newcomers. In this Open Stage, they are given the opportunity to show their pieces or choreographic material to Munich’s audience and local dance experts. The format is a unique possibility for the audience to open up to new things, let themselves be inspired and, in addition to the already established artists, discover new artistic works. Who’s next?
Since 1991, TANZWERKSTATT EUROPA has been establishing international and local artists in the field of contemporary dance and performance, thus creating a unique encounter space for the public. In its combination of performances, a discursive accompanying program and workshops for professional dancers and amateurs, it sets new artistic accents every year.
More: TANZWERKSTATT EUROPA
Elina Brams Ritzau, Islam Elnebishy, Sara Koluchova, Elia Pangaro, Josefine Simonsen, Lukáš Zahy
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Station: Leonrodplatz www.schwerereiter.de Tickets
10,- Euro
Box Office: München Ticket
. Veranstaltet von JOINT ADVENTURES – Walter Heun, Förderer: Kulturreferat der Landeshauptstadt München, Bayerischer Landesverband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, Bezirk Oberbayern
Death is a dancer: Towards the end of last year, the author's mother passed away after a long life. A deep pain, the grief over the loss of such an important person, but also great gratitude have shaped the author's emotional state ever since. The Lazarus project takes up this deep personal break artistically and tries to find a body-poetic way of dealing with the subject of death. In the process, the protagonist embarks on a body-archaeological journey of memory that dares to attempt a staged resurrection of a loved one.
WHEN
Fr NOV 24th – So NOV 26th
Starts at 7:00 pm
More information on Marb's website.
WHERE
Einstein Kultur | Einsteinstraße 42 | 81675 München
Box office from 6:30 pm
CONCEPT
Concept and choreography: Stefan Maria Marb | Assistent: Alexander Strauß | Butoh Performance: Stefan Maria Marb | Derwisch: Boris Kammin | Piano: Masako Ohta | Stone harp: Christoph Nicolaus | Violoncello: Jost-H.Hecker | Lightdesign: Michael Kunitsch | PR: die kulturbananen
In winter 2016, Stefan Maria Marb presented his dance production "Welten.Tänzer" at the Schweren Reiter in Munich as a performative body anthology in which his artistic "worlds" were presented to the audience like a parcours. Inspired by the piece described above, Marb decided three years later to undertake an actual trip around the world. The journey took him to the East, to the five countries Russia, Japan, Taiwan, Australia and finally to New Zealand and gave him unforgettable impressions.
The evening would like to present some impressions of the journey visually (photo, video) and share them with the audience. Afterwards, Marb will dance a Butoh performance that embodies the world dancer on his world tour.
WHERE
Lachdach Pling | Steinerstraße 5-9 RG 2. Stock | 81379 München
The network between the two artist-run organisations Tanztendenz München e.V. and Tipperary Dance/Ireland, which offers reciprocal residencies to choreographers, has existed since 2022. This year, Munich-based Alexandra Paal and Aurora Bonetti were guests in Tipperary and explored the question of when an action can become a ritual and how the experience of body, space and time is changed in the process. Robyn Byrne, in her Munich residency, is further developing her work Queen of the Meadows, which seeks to explore our modern world through historical examples of social exclusion. At "shared evening_sharing experience", the two residencies present themselves in a mix of lecture, showing and talk.
WHEN
Do, NOV 23th | 7:00 pm
Tanztendenz im Lindwurmhof | Lindwurmstraße 88 | 80337 München
FREE ENTRY
"It Takes Four to Tango" is a dance evening that brings together four choreographers to present four short works. Inspired by the culture and origins of tango, the evening consists of four chapters of dance: 'Ceremony', 'Unbind', 'Cabaceo' and 'Freedom'. The four choreographers Simone Elliott (Regensburg), Sade Mamedova (Mannheim), Emese Nagy (Munich) and Pablo Sansalvador (Ulm) have joined forces to create a powerful and varied evening of dance. Each choreographer has the freedom to interpret the motto of the evening individually: It takes not just two to tango, but four. The different ideas implemented by four dancers testify to the creativity and potential of contemporary dance. At the same time, with the help of empathy and curiosity, social cohesion is strengthened during the creative process. The four dancers of the team "It Takes Four to Tango" were invited by the four choreographers from all over Germany and Europe.
Artistic directors Simone Elliott and Pablo Sansalvador have created ChoreoLab-TanzSüd, a platform that brings together artists from two southern regions of Germany. The original ChoreoLab platform was launched in Ulm in 2019, offering young choreographers the opportunity to consolidate their craft and test their limits. In order to reach a larger pool of artists and to deepen the collaboration, ChoreoLab-TanzSüd was founded.
TICKETS
20€ / 12€ (reduced). Please reserve / buy (+ reservation fee) online via rausgegangen.de
WHERE
schwere reiter | Dachauer Str. 114 a | 80636 München
CONCEPT
Dancers: Fabio Calvisi, Vittoria Franchina, Julian Lazzaro, Katharina Ludwig | Artistic direction: Simone Elliott, Pablo Sansalvador | Choreographers: Simone Elliott, Sade Mamedova, Emese Nagy, Pablo Sansalvador | Rehersal direction: Chiara Dal Borgo | Light: Daniel Stiller | Management: Stephanie Bichweiler
FUNDING
Landesverband Freie Tanz- und Theaterschaffende Baden-Württemberg e.V. (LaFT), Bayerischer Landesverband für zeitgenössischen Tanz (BLZT), Stadt Ulm, Stadt Regensburg | Koproduzenten: ROXY Ulm GmbH, TanzLabor Ulm, Moving Rhizomes e.V. , Elliot Dance Collective | Kooperationspartner: Regensburger Tanztage, Alte Mälzerei, Tanztendenz München, schwere reiter
Biographically, ethnographically, aesthetically – in “Creature”, the choreographers József Trefeli and Gábor Varga approached the traditional Hungarian folk dance of their childhood from different perspectives and reinvented it. Props such as sticks, whips, masks and costumes made from recycled materials helped them. They were first deconstructed, then transferred to another purpose and brought to life anew. Folklore became ‘faux-klore’. Rhythmic, energetic and funny dialogues confront traditional with contemporary dance on a verbal level, revealing continuities and breaks. An energetic, gripping, self-ironic piece that was awarded the Swiss Dance Prize 2017 for contemporary dance creation in 2017.
József Trefeli and Gyula Cserepes perform at depARTures. József Trefeli is Australian with Hungarian roots. After his dance training at the University of Melbourne, he danced first in Geneva with Guilherme Botelho's company Alias, then with Cie Greffe, Drift, Utilité Publique, Philippe Saire and Da Motus! He founded his own ensemble in 2005. Gábor Varga was born in Ukraine to Hungarian parents and began his career as a folk dancer. He studied with P. A. R. T. S in Brussels and collaborated with renowned choreographers such as Anne Teresa de Keersmaeker, David Zambrano, Michèle Anne De Mey, Mette Ingvartsen, Thomas Hauert, Gilles Jobin and Guilherme Botelho. The first joint work by József Trefeli and Gábor Varga entitled “Jinx 103” was created in 2011.
TICKETS
Pay what you want. Please reserve until 15th November via g.doerr@jointadventures.net, cancellation up to 12 hours before the performance.
WHERE
schwere reiter, Studio | Dachauer Str. 114 a | 80636 München
CONCEPT
Idea and Choreography: József Trefeli, Gábor Varga | Performance: József Trefeli, Gyula Cserepes | Music: Frédérique Jarabo | Make-up Artist: Christophe Kiss | Costume: Kata Tóth | Specialist for traditional hungarian dance: Kristóf Fundák | Administration: Laure Chapel, Paquis Production
FUNDING
Coproduktion & Residency: Pavillon - Association pour la Danse Contemporaine Genf; Centre National de la Danse, Pantin; Arsenic - Centre d'art scénique contemporain, Lausanne; Kaserne Basel; Le CCN – Ballet de Lorraine, Nancy; Migrations, Wales; la Briqueterie CDC du Val-de-Marne; Tanzhaus Zürich.
Funding: Departement für Kultur der Stadt Genf; Pro Helvetia, Schweizer Kulturstiftung; Loterie Romande; Schweizerische Interpretengenossenschaft SIG; Gemeinde Lancy; Reso – Tanznetzwerk Schweiz; Ernst Göhner Stiftung
Performance as part of "depARTures – Unique Dance and Performance from Switzerland". From November 7 to 25, 2023, the performance series of ACCESS TO DANCE will focus on exceptional artistic positions from Switzerland. The guest performances in Muffathalle, Fat Cat, schwere reiter and Einstein Kultur are complemented by various discursive formats and workshops to bring the participating artists together with the local scene and the public.
The term "Uncanny Valley" comes from robotics and describes the fascination and simultaneous rejection we can feel in the presence of androids. The more similar an artificial body is to a human one, the more monstrous its imperfections appear to us. In a physical experiment, "Farewell Body" rethinks the body as a wonderful, efficient machine, creating the uncanny - beings that are obviously human but whose movements seem admirably perfect. But what happens when physical exhaustion sets in and the performance begins to orchestrate? Despite self-control and energetic will, more and more inaccuracies creep in. In "Farewell Body", La PP not only create a disturbingly fantastic body utopia on the edge of reality, but also expose what are probably our most human behaviours.
TICKETS
20€ / 12€ (reduced). Please reserve / buy online (reservation fee) via München Ticket.
WHERE
schwere reiter | Dachauer Str. 114 a | 80636 München
FUNDING
Coproduction: Arsenic – Centre d’art scénique contemporain, Lausanne; L’Abri Genf | Funding: Loterie Romande; Fondation Nestlé pour l’Art; Ernst Göhner Stiftung; Schweizerische Interpretenstiftung SIS; Pro Helvetia, Schweizer Kulturstiftung | Residencies: L’Abri Geneva / Arsenic – Centre d’art scénique contemporain, Lausanne
Performance as part of "depARTures – Unique Dance and Performance from Switzerland". From November 7 to 25, 2023, the performance series of ACCESS TO DANCE will focus on exceptional artistic positions from Switzerland. The guest performances in Muffathalle, Fat Cat, schwere reiter and Einstein Kultur are complemented by various discursive formats and workshops to bring the participating artists together with the local scene and the public.
"EROS" is a solo piece in which Matteo Carvone takes on the double role of author and performer. Following his previous work "[FAUN]", this new piece again revolves around a mythological figure: the Greek god Eros. This archetypal figure, which one could easily think of as a cheesy cliché – the winged, mischievous child known to the Romans as Cupid, who shoots arrows to ignite the flames of love – goes far beyond this stereotypical and romantic image.
Eros symbolizes the intersection of pain and pure pleasure, revealing himself as a powerful and often disturbing being capable of manipulating and controlling the thoughts and wills of mortal and divine beings over their hearts. Eros embodies radical vitality, the power of life itself, the intense and penetrating desire that brings forth new life. Eros is love, violent and passionate, reciprocated and unrequited, composed of pure pleasure and pure pain - a dualistic force that is desired and feared at the same time. Has Eros vanished, like any other god? But if that were indeed the case, how could we continue to create without being pierced by his fiery arrows?
WHERE
schwere reiter | Dachauer Str. 114 a | 80636 München
CONZEPT
Choreography, direction, performance: Matteo Carvone | Dramaturge and Stage: Francesco Cocco | Dramaturgie und Bühne: Francesco Cocco | Light: Jakob Bogensperger | Sound: Daniel Door
SUPPORT
Mit freundlicher Unterstützung durch das Kulturreferat der Landeshauptstadt München und den Bezirksausschuss 9 Neuhausen-
Nymphenburg. Dank an die Tanztendenz, an das Schwere Reiter und an das Rat & Tat Kulturbüro
In cooperation with DOK.fest the schwere reiter presents cinema! The film "OPEN SCORE by Rauschenberg" recalls a legendary art event: the "9 Evenings: Theatre & Engineering" that took place in New York City in 1966. 10 artists, Robert Rauschenberg, John Cage, David Tudor, Yvonne Rainer, Robert Whitman, Steve Paxton, Alex Hay, Deborah Hay, Lucinda Childs, Öyvind Fahlström and thirty engineers from Bell Telephone Laboratories worked on a series of performances that combined dance, art and music with new technologies.
OPEN SCORE by Rauschenberg portrays one of those evenings: "My piece begins with an authentic tennis game with rackets wired for transmission of sound. The sound of the game will control the lights. (…) Tennis is movement. Put in the context of theatre it is a formal dance improvisation. The unlikely use of the game to control the lights and to perform as an orchestra interests me." (Robert Rauschenberg)
WHERE
schwere reiter | Dachauer Str. 114 a | 80636 München
From January 22 to February 4, 2024, we invite for the 12th time young choreographers to use the studios of Tanztendenz München.
We offer choreographers who are at the beginning of their creative career an experimental space in which they can try things out and exchange ideas without the pressure of production. The aim of the Open Studios is not to develop a finished piece, but rather to test out ideas and approaches. Depending on capacity, there are approx. 4 hours of rehearsal time per day and participant. Choreographers from Tanztendenz München e.V. can provide mentoring on request.
Stephan Herwig, freelance choreographer and member of Tanztendenz München, coordinates the Open Studios and answers the applications received: Please send the completed application form as a PDF to herwig@tanztendenz.de by November 30, 2023.
An expense allowance of €500 per group will be paid. Unfortunately, Tanztendenz München e.V. cannot cover any further expenses for travel, accommodation and meals. However, we are happy to assist in arranging accommodation.
Application deadline: November 30, 2023
Application form:: Formular
Send application to: herwig@tanztendenz.de
An project by Tanztendenz München e.V. Supported by the Cultural Department of the City of Munich
Choreographers invite you into their world: The Tanztendenz series STANDPUNKT.e focuses on the subtexts of artistic work and seduces the audience into other perspectives on contemporary dance. Here, choreographers give insight into their artistic backgrounds and sources of inspiration, illuminating those objects, people, thoughts that are central to their work. In 2023, the Berlin-based choreographer Christoph Winkler, one of the most productive and profiled choreographers on the independent scene, will be our guest. He is always looking for new "choreographic-intellectual friction surfaces in a social context" (Jury Deutscher Tanzpreis 2022).
The choreographer will set up a walk-through course with various stations - photo exhibition, video station, billboards, stage elements and a soundscape throughout the house - that reflects, explains and comments on the focal points of his artistic career, his oeuvre. His long-time companions Oluwafemi Israel Adebajo from Ogun State (Ijebu North), born and raised in Bariga, Lagos Nigeria, and Ridwan Rasheed, from the Nigerian state of Oyo, will enliven this course with performative interventions.
One of these is a part of the three-part work "Radical Minimal" (2022) by the company Christoph Winkler; "Come out", based on a composition by Steve Reich, whose sound material originates from the Harlem Riots of 1964, is based both on the reception history of the piece in music and dance and on its connection to the American civil rights movement.
TICKETS
Tickets: 12,00 / 20,00 HERE VENUE
schwere reiter | Dachauer Straße 114a | 80636 München
CAST
By and with Christoph Winkler, Ridwan Rasheed, Oluwafemi Adebajo
FUNDING
A production by Tanztendenz München e.V. (Concept: Micha Purucker). Supported by the Cultural Department of the City of Munich and by the BLZT. Bayerischer Landesverband für zeitgenössischen Tanz, with funds from the Bavarian State Ministry for Science and the Arts.
On the one hand, "episodes of glam + gutter" is a scenic epitaph, a dynamic monolith for six performers and dancers. In terms of memory and creative processes, however, it is a celebration of formative, even contradictory influences: Some sounds, scenes, styles, found images, objects and experienced atmospheres prove to be powerful revenants in feelings and actions. They develop a life of their own. Here they are embraced to driving music.
WHEN
FR 12th JAN | 8:00 pm
SA 13th JAN | 8:00 pm
SUN 14th JAN | 8:00 pm
TICKETS
Please reserve or buy online via rausgegangen.de WHERE
schwere reiter | Dachauer Str. 114 | 80636 München
CAST
Idea, Concept, Choreografy: Micha Purucker | Dancers: Aurora Bonetti, Michal Heriban, Marcos Nacar, Hikaru Osakabe, Anise Smith, Polina Sonis | Sound: Robert Merdzo | Lightdesign: Michale Kunitsch | Werkstatt: Manuela Müller | PR: Beate Zeller
FUNDING
The project is supported by the Cultural Department of the City of Munich. Thanks to Lenka Vagnerová Company, Studio 8. Micha Purucker is a member of Tanztendenz München e.V.
In "Orchids", a group of three dancers explore ways to reinvent their masculinity beyond patriarchal expectations. They create space for their own doubts, embark on a search for the beauty of movement and develop a language of gentleness and compassion. A new form of intimacy emerges between them, in which their bodies become a catalyst for desire and dreams.
DATES
FR 19. JAN | 20:00
SA 20. JAN | 20:00
SO 21. JAN | 18:00
TICKETS
are sold here: rausgegangen.de VENUE
schwere reiter | Dachauer Str. 114 | 80636 München
CAST
Artistic director, choreography, stage: Léonard Engel | by and with: Tian Rotteveel, Rupert Enticknap, Mikael Marklund | Costume: Magdalena Emmerig | light design: Raquel Rosildete | outsideeye: Olympia Bukkakis | music: Mary Lattimore | production manager: Elsa Büsing | PR: Simone Lutz
SUPPORTERS
Gefördert durch das Kulturreferat der Landeshauptstadt München, ermöglicht durch den Bayerischen Landesverband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. Special Thanks to fluidsyndicate.com “Determination, will, strength!” After the Arab Spring and the downfall of Gaddafi, a women’s football team’s struggle for recognition and equality in Libya really begins. An impressive portrait of a changing society.
WHEN
MO February, 26th | 7:00 pm
At the studio of schwere reiter.
TICKETS
Please reserve or preorder via rausgegangen.de.
WHERE
schwere reiter | Dachauer Str. 114 | 80636 München
CAST
Regie: Naziha Arebi | Ton: Giovanni Buccumino | Schnitt: Ling Lee, Alice Powell, Maya Hawke | Musik: Katya Mihailova | Produktion: SDI PRODUCTIONS LTD | Produzent*in: Flore Cosquer | Länge: 97 min | Vertrieb: Wide House.
In recent major conflicts within capitalist democracies, dance as a form of demonstration has taken a firm place. Be it the "Standing Man" in Gezi Park, yoga sessions during Occupy or the dancers of the Egyptian National Ballet, dance expression has always proven to be an effective means of peaceful protest. "Embodied protest" and "protest choreographies" have therefore long been part of a new self-image of contemporary dance practitioners. "Radical Cheerleading" is one of these forms of expression, used in a wide variety of contexts. It was developed by queer-feminist activists in the 1990s. Codes of "cheerleading", known from athletic competitions, are used and subverted in this production to convey its own messages. Glamour, glitter and a mix of various slogans are elements of this joyful, ironic alternative to militant forms of protest.
WHEN
THUR 22nd FEB | 8:00 pm - followed by artist talk
FRI 23rd FEB | 8:00 pm
SAT 24th FEB | 8:00 pm
Trailer TICKETS
Please reserve or buy your ticket online via rausgegangen.de WHERE
schwere reiter | Dachauer Str. 114a | 80636 München
CAST
Künstlerische Leitung, Choreografie: Zufit Simon | Kreation, Tanz: Dorota Michalak, Erika Leo, Sunayana Shetty, Cary Shiu, Zufit Simon | Sound: Fredrik Olofsson | Lichtdesign: JOM | Kostüm: Mirella Oestreicher | Outside Eye: Clarissa Rêgo, Moritz Gagern | Produktionsleitung: Dietrich Oberländer | Pressearbeit: Beate Zeller | Aufführungsfotos: Dieter Hartwig
NOMINATION
Radical Cheerleading was part of the 2023 Der FAUST German Theater Award nominees in the category Production Dance.
The production is selected as opening for the
tanzmainz festival UPDATE #4 March 14, 2024
and the Festival Best OFF Niedersachsen / Pavillon Hannover, April 25, 2024
FUNDING
The production is funded by the Cultural Department of the City of Munich and the Lower Saxony Foundation, and supported by the BLZT, Bavarian State Association for Contemporary Dance with funds from the Bavarian State Ministry of Science and the Arts. The research phase is supported by the NATIONAL PERFORMANCE NETWORK - STEPPING OUT, funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR. Dance Aid Program. The research is also supported by the Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media as part of NEUSTART KULTUR. Zufit Simon is member of Tanztendenz München e.V.
HIER = JETZT presents excerpts and works in progress by 10 choreographers on two different "open space" evenings. A perfect opportunity to get to know the diversity of the contemporary dance scene and to exchange ideas with the artists in the audience discussions. After OPEN SPACE 2, the Audience Award will be presented, which is linked to a work scholarship sponsored by the Norbert Janssen Foundation.
On the opening evening, we will honor Birgitta Trommler, director of HIER=JETZT, with a special evening that focuses on her artistic work. Afterwards, the choreography "Euphoria" by Hoyoung Im, which was developed during HIER=JETZT 2021, will be shown.
The platform for contemporary dance "HERE = NOW" was launched in 2016 by Tanztendenz members Johanna Richter and Birgitta Trommler as an artist-to-artist initiative to create an open meeting and working space. In 2024, the platform will take place from 30 March to 14 April and offers participating artists free rehearsal space at schwere reiter, Tanztendenz and Iwanson International. The focus of HERE = NOW is the promotion of piece developments; it is a platform, a laboratory for professional choreographers to work on new productions. In the two concluding public and free "Open Space" evenings, the developed piece approaches will be presented in parts or as work in progress.
HIER=JETZT 2024 will continue to be led by the initiators Johanna Richter and Birgitta Trommler, but will be presented for the first time in 2024 as a format of Tanztendenz München e.V.
PARTICIPANTS
Alonso Núnez Quirós | Sofia Pomeroy | Gali Matis | Michelle Sara Munoz & Luiz Pereira | Samuel Planas | Kim Gaeun | Chris Englund-Braun | Jihun Choi | Rosalie Wanka | Esmeralda Libertad
WHERE
schwere reiter | Dachauer Str. 114a | 80636 München
TICKETS
Free entry! Please reserve your ticket online via rausgegangen.de PROGRAM
OPENING NIGHT APRIL 12th
6:00 - 7:00 pm: 4 Shortfilms about Birgitta Trommler (schwere reiter Studio)
7:30 - 8:15 pm: Opening and talk with artists Birgitta Trommler und Angela Dauber (schwere reiter Halle)
8:30 - 9:30 pm: EUPHORIA by Hoyoung Im
OPEN SPACE I: APRIL 13th
6:00 - 8:00 pm: exhibition about Birgitta Trommlers artistic works (schwere reiter Foyer)
from 8:00 pm: showing HIER=JETZT followed by an audience discussion (schwere reiter Halle)
OPEN SPACE II: 14. April
5:00 - 6:00 pm: exhibition about Birgitta Trommlers artistic works (schwere reiter Foyer)
from 6:00 pm: showing HIER=JETZT followed by an audience discussion and presentation of the audience award (schwere reiter Halle)
TEAM
Concept, direction: Johanna Richter, Birgitta Trommler | technical direction, light: Rainer Ludwig | sound: Philipp Kolb | assistent: Laura Manz | production menagement: Elsa Büsing | PR: Kathrin Schäfer | Video: Tim Bergmann, Thomas Göbl | Photography: Mehmet Vanli | graphic design: Martina Baldauf
FUNDING
A format of Tanztendenz München e.V., funded by the Cultural Department of the City of Munich, the BLZT - Bavarian State Association for Contemporary Dance with funds from the Bavarian State Ministry of Science and the Arts and supported by private donors and schwere reiter tanz. In co-operation with a residency at Iwanson International. With technical support from the Macromedia University of Applied Sciences, Munich. The audience award of HIER = JETZT 2024 is made possible by a private donor, the work grant is provided by the Norbert Janssen Foundation.
PHANTASMAGORIA explores the field of phantoms, hallucinatory apparitions, and auditory and visual illusions
that convey a phantasmatic presence and play with perception. Deceptive occurrences open up the space for one’s own imagination.
The performers’ movements generate a 360° soundscape that leads the audience into a kind of intermediate world and transforms
the theatre into a mystical place, shrouded in fog and suffused with seductive sounds that create an audible choreography.
Bodily figures appear and disappear. The real and the fictional merge. The audience in the centre of the action is led into a labyrinth of sensory illusions.
PHANTASMAGORIA oscillates between the audible and the inaudible, the visible and the invisible, and is simultaneously factual and illusory.
TICKETS
20€ / 12€
Please reserve or buy online via rausgegangen.de WHERE
schwere reiter | Dachauer Str. 114a | 80636 München
CAST
Artistic direction: Stephanie Felber in collaboration with performers Daniela Graça Schankula, Ludger Lamers, João Santiago, Irfan Taufik | Composition & Sound installation: Stratos Bichakis | Lighting design: Lennart Rabe | Projectmanagement/dramaturgy: Julia Opitz | Mentoring: Michael Akstaller | PR: Beate Zeller
FUNDING
Supported by the Cultural Department of the City of Munich, the Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media and the Cultural Foundation of the Free State of Saxony.
In cooperation with schwere reiter tanz, München / Z-Bau, Center for Contemporary Culture, Nürnberg / ZiMMT, Leipzig.
Stephanie Felber is a member of Tanztendenz München e.V.
"2xGETANZT" - the arcis_collective's new experimental concert format enters the next round. Two choreographers work independently with two dancers to create a 20-minute choreography to the music of the Arcis Saxophone Quartet. The music remains the same in both cases and everyone must adhere to these rules:
1. The choreographers have only 5 days to create.
2. In both cases the music remains the same.
3. Nobody involved knows the music piece until 5 days pre rehearsals.
4. Musicians must be involved in stage setting.
5. Costume and props must be improvised.
Both choreographies are performed one after the other so that the audience can experience how differently the creative brains of the choreographers tick. In the discussion, the audience gains insight into the motivations behind the respective artistic decisions.
TICKETS
26€ / 12€ reduced
Please reserve or buy online via rausgegangen.de WHERE
schwere reiter | Dachauer Str. 114a | 80636 München
CAST
Music: Arcis Saxophon Quartett | Choreografers: Roberta Pisu, Anna Konjetzky | Dancers: Guido Badalamenti, David Cahier | Artistic Direction: Roberta Pisu
A production by arcis_collective in cooperation scope – Spielraum für aktuelle Musik and Tanztendenz München e.V.
FUNDING
Funded by Deutsche Orchester-Stiftung.
Tanztendenz München e.V.'s guest in residence in April is the young US choreographer Chloe Crenshaw, who was already a participant in Tanztendenz's "Open Studios" at the beginning of the year. Chloe Crenshaw will continue the work process she began there with dancer Ethan Ribeiro, a member of the Staatstheater am Gärtnerplatz ballet ensemble, at the residency from 14 - 26 April. Together, they will present a free showing of a new duet, which investigates how postures can reveal a mercurial portrait of the self.
TICKETS
Free entry! Please registrate via termine@tanztendenz.de
WHERE
Tanztendenz im Lindwurmhof (5. OG) | Lindwurmstraße 88 | 80333 München
O explores the relationship between two bodies walking along an imaginary drawn circle. Over time, this walk becomes a dance in which the two performers* gradually relate to each other more and more, attracting, repelling or pursuing each other. It seems as if they are physical forces acting on their bodies through space, evoking certain sequences of movements and nourishing and charging themselves with each circle they complete. In the process, the performers' use of voice and breathing ultimately leads to another circuit, between the inner and outer worlds. Thus, their vocal cords become sonic seismographs of their bodily actions, which gradually, to the point of complete exhaustion, break down the static formal structure. Another main element of our work is the examination of the role of sound and music as dramaturgical and form-building elements. Therefore we investigate, among other things, the effect of spatial extensions through live recordings and their influence on the movements of the dancers and the perception of the spectators. Our goal is to make the energetic and symbolic potential of O tangible and to open up an abstract space in which predictable events and unexpected transformations inspire existential reflection and contemplation.
Where?
Tanztendenz | Lindwurm-Str. 88 | 80337 München
Free entry
Please reserve a ticket via: termine@tanztendenz.de
„Every Minute Motherland is the work of the year.”
(Melanie Suchy on Tanzweb.org, Dec. 3, 2022)
A touching dance piece and a political statement: the Polish choreographer Maciej Kuzminski dedicates his work Every Minute Motherland to the refugee movement that resulted from Russia's war aggression against Ukraine. Collaborating with Polish and refugee Ukrainian dancers, Kuzminski employs dance as a common language to express the unspeakable and demonstrate resistance and solidarity. The choreography unlocks the images and experiences of war inscribed on the dancers' bodies on stage.
The performance invites the audience to partake in an existential experience where they can sense the weight and severity of the conflict, including moments of loss, mourning, despair, and helplessness. However, the piece also offers a glimpse of hope, attentiveness, and even beauty. Sometimes it only requires a small gesture, a glance, or the movement of a hand in which the whole magnitude of the tragedy can be found. The deeply touching moments throughout the piece make it a special witness of our times. Despite the disturbing background of the production, the fundamental tone is not furious, but it rather has a remarkable resilience and inner strength.
The Russian war of aggression in Ukraine is one of the most significant events in Maciej Kuzminski's life. In Every Minute Motherland, he interprets the war as a massive force that repeatedly sets the world in motion both physically and existentially. It challenges our values, identities, and concepts of security and homeland.
Maciej Kuźmiński
As a choreographer, Kuzminski is recognized for his works developed with his original movement and composition method, known as "Dynamic Phrasing," which cultivates versatility and a 'soft power' in a dancer. Besides working with his own company, he has also created commissioned pieces for Scapino Ballet Rotterdam, Theater Regensburg, Šeiko Dance Company in Lithuania, and Polish Dance Theater.
Film screening Fragments of Resilience on Thursday, May 18, 7.30 p.m.
DANCE 2023
The 18th International Festival of Contemporary Dance of the City of Munich under the festival director of Nina Hümpel will take place from May 11 to 21. More than 20 productions - including five world premieres - from countries ranging from Canada to Taiwan will be shown on Munich's stages, along with performances and actions in public spaces, exhibitions, films and discourse events.
More: DANCE 2023 Trailer „Every Minute Motherland“
Cast
Choreographer: Maciej Kuźmiński / Assistant Choreographer: Monika Witkowska / Dramaturge: Paul Bargetto / Performers: Daria Koval, Anna Myloslavska, Monika Witkowska, Vitaliia Vaskiv, Szymon Tur, Anastasia Ivanova, Maciej Kuźmiński / Production Management: Maciej Kuźmiński, Polina Bulat
Venue + Tickets
schwere reiter | Dachauer Str. 114a | 80636 München
Tickets: 18,- / 10,- erm.
VVK: München Ticket
he work was created as part of the project residency / Premiere 2022 Klub Żak in Gdansk in partnership with Materia Łódź (Przestrzenie Sztuki program), Creators for Ukraine foundation (founded by CIAS and ZAIKS) and the Ukrainian Institute.
DANCE 2023 is organized by the Cultural Department of the City of Munich / Artistic director: Nina Hümpel
The ecological crisis is the largest challenge of our time. In particular the younger generation, however, displays over and over again courage, poise, and the will to change in order to hold back the destruction of the environment by humans and their economic systems. One also senses this type of urgency in the arts – and seldom does one see it as impressively poetically transcribed as in Věra Ondrašíková's Witness. It has to do with trees, but naturally it has to do with much, much more. Two performers and two large, naked networks of branches form the starting point for the relationship between humans and trees, humans and nature, one person and another person. We hear creaking, breaking, cracking and crackling noises. Affection, but also rage can be sensed; the tree as a weapon, its lashing sound. An aesthetic firework unfolds, which literally engulfs the audience in its forest of clouds. Powerful images of trees in a sea of lights from lasers, but also the quiet magic of a rustling, luminescent forest at night, or the hand that reaches for the branch as if it were searching for a last way out. At the end, we witness a small miracle: A new life develops from the person who gives something from himself or herself.
Věra Ondrašíková
Originally from the Czech Republic, Věra Ondrašíková has received a series of awards for her achievements as a dancer as well as for her choreographic works. Her pieces have been performed at, among other venues, the Tanec Praha Festival, the Biennale de la Danse in Lyon, Aerodance in Amsterdam, and as part of the Aerowaves dance festival. Witness received the Public's Choice Award at the Czech Dance Platform 2022.
DANCE 2023
The 18th International Festival of Contemporary Dance of the City of Munich under the festival director of Nina Hümpel will take place from May 11 to 21. More than 20 productions - including five world premieres - from countries ranging from Canada to Taiwan will be shown on Munich's stages, along with performances and actions in public spaces, exhibitions, films and discourse events.
More: DANCE 2023 Trailer „ Witness“
Cast
Concept und Choreography: Věra Ondrašíková / With: Jaro Ondruš, David Králík, Jakub Kohout / Dramaturgy: Marta Ljubková / Live Music: Filip Míšek / Lighting Design: Pavel Kotlík / Live Programming: Michal Rydlo / Costume Design: Hana Frišonsová / Project Management: Veronika Hladká / Production Assistance: Tomáš Grúz, Daniela Řeháková
Venue + Tickets
schwere reiter | Dachauer Str. 114a | 80636 München
Tickets: 18,- / 10,- red.
VVK: München Ticket
Co-production: Tanec Praha / PONEC - dance venue / Supported by: Ministry of Culture of the Czech Republic, City of Prague, State Cultural Fund of the Czech Republic, AV MEDIA
DANCE 2023 is organized by the Cultural Department of the City of Munich / Artistic director: Nina Hümpel
In Wonderland: Moritz Ostruschnjak's Rabbit Hole leads us down into the dark depths of the fantastic and the digital, through tunnels, ramifications, aberrations, final fantasies, no end in sight. Seduced by algorithms, we stumble, like Lewis Carrol's Alice, into ever more bizarre worlds, following the maelstrom of links, references, clicks and pics into a marvelous and crazy alternate reality. We lose ourselves in the shallows of the Internet, the wonderland where the impossible becomes possible. The white rabbit of the 21st century consists of those bits and bytes that propose endless chains of content - everything belongs together, nothing fits together, there is no beginning and no end. It's beautiful here. And terrible.
Based on his genuine interest in the complex interactions between humans and digitality, Ostruschnjak's works question who we are in this second, putting his finger in the wounds and the wonders. Have we arrived at a time when all rules can be turned upside down and simply overwritten, beguiled by bittersweet media strategies and ideological echo chambers? Yet it is precisely the very fleshy movements that seem strangely different and at the same time so familiar to us, mutating from grotesquely deconstructed scenes into dance-like whirlpools and sweeping away everything that was. A language that unfolds its own beauty from second one.
Moritz Ostruschnjak
Originally from the sprayer and breakdance scene, Moritz Ostruschnjak received his dance training in Munich and in Lausanne under Maurice Béjart. He has been living and working as a choreographer in Munich since 2013, and he traveled with works such as AUTOPLAY, TANZANWEISUNGEN, YESTER:NOW, and TERMINAL BEACH to numerous international festivals and hewas awarded the sponsorship prize the City of Munich in 2020. In 2022 he opened the German Dance Platform festival in Berlin with TANZANWEISUNGEN.
DANCE 2023
The 18th International Festival of Contemporary Dance of the City of Munich under the festival director of Nina Hümpel will take place from May 11 to 21. More than 20 productions - including five world premieres - from countries ranging from Canada to Taiwan will be shown on Munich's stages, along with performances and actions in public spaces, exhibitions, films and discourse events.
More: DANCE 2023 Cast
Choreography: Moritz Ostruschnjak / Choreographic co-operation: Daniela Bendini / Dancers: Guido Badalamenti, David Cahier, Daniel Conant, Roberto Provenzano, Miyuki Shimizu, Magdalena Agata Wójcik / Video: Mikko Gaestel / Set design: Mikko Gaestel, Moritz Ostruschnjak / Lighting design: Sascha Zauner / Music: Jonas Friedlich / Costume design: Daniela Bendini, Moritz Ostruschnjak / Dramaturgy: Carmen Kovacs / Outside Eye: Armin Kerber / Production management: Susanne Ogan / Management: Alexandra Schmidt / Touring: Pascal Jung / PR: Simone Lutz
Venue+ Tickets
Muffathalle| Zellstrasse 4 | München
Tickets: 25,- / 12,- erm.
VVK: München Ticket
A production by Moritz Ostruschnjak in co-production with the festival DANCE 2023 as well as Theater Freiburg. Sponsored by the Cultural Department of the City of Munich, Fonds Darstellende Künste with funds from the Federal Government Commissioner for Culture and the Media as part of NEUSTART KULTUR as well as BLZT, Bayerischer Landesverband für zeitgenössischen Tanz, with funds from the Bavarian State Ministry for Science and Art. In Co-operation with Muffathalle Betriebs GmbH. Realized by a residency at O Espaço do Tempo. Moritz Ostruschnjak is a member of Tanztendenz München e.V.
DANCE 2023 is organized by the Cultural Department of the City of Munich / Artistic director: Nina Hümpel
There are things we cannot see with the naked eye, but we know they are there. For example, energetic processes that one can sense at best. What would it look like if one could suddenly make one of these invisible levels surrounding us visible? With Tracing the Negative Space, the artist and choreographer Angelika Meindl, the visual artist Tobias Gremmler and Thomas Mahnecke (who is responsible for the technical design) created an artistic translation of this idea and developed for this a hybrid format consisting of RealTime Motion Capture and live dance performance. While the dancer follows the choreography, her movements will be translated into a visual composition that will appear on the surrounding walls in the space. The dancer's movement dynamics are extended into real / virtual space – a body that spreads beyond physical boundaries as a form of readable time into space. The movements appear frozen in a timeline. Visualizations appear that are reminiscent of a landscape or architecture and are engraved in the movement dynamics of the dance like a musical score.
In the accompanying installation the memory of the movements in the live performance will be made visible. Surrounded by a 270-degree, 3D projection of the traces of movements, the audience can view dance as manifested energy.
Dates + Tickets Live-Performance (Dauer: 25 Minuten)
Wednesday, May 17, 6 pm + 7 pm
Thursday, May 18, 6 pm + 7 pm
Saturday, May 20, 6 pm + 7 pm Tickets Live Performance
Tickets: 8,-
VVK: München Ticket
Installation
Tuesday, May 16, 6 – 8 p.m. / 10 – 11 p.m.
Friday, May 19, 6 – 8 p.m.
Saturday, May 20, 10.30 – 11.30 p.m.
Sunday, May 21, 6 – 8 p.m. Tickets Installation
Karten: Eintritt frei
Meindl + Gremmler + Mahnecke
The Munich choreographer Angelika Meindl and the media scenographer Tobias Gremmler share a common interest in making the invisible visible, thus allowing personal worlds to come into existence. The results of Meindl’s previous collaborations with Thomas Mahnecke were for the most part interactive spatial installations for dance performances.
DANCE 2023
The 18th International Festival of Contemporary Dance of the City of Munich under the festival director of Nina Hümpel will take place from May 11 to 21. More than 20 productions - including five world premieres - from countries ranging from Canada to Taiwan will be shown on Munich's stages, along with performances and actions in public spaces, exhibitions, films and discourse events.
More: DANCE 2023 Trailer „ Tracing the Negative Space“
Cast
Artistic Direction, Choreography: Angelika Meindl / Visual Artwork: Tobias Gremmler / Dancer: Aya Sone / Technical management, Technical design: Thomas Mahnecke / Lighting Design: Jonathan Emilius / Costume design: Katharina Brehm / Production management: Bashira Cabbara / SYNAESTHETICA
Venue
Muffatwerk| Zellstrasse 4 | München
The dance piece-prototype was funded by the FFF Bavaria and supported by the Deutsches Museum / VRlab, Munich.
The project was presented at the VRlab in the Deutsches Museum with a presentation of the technical prototype.
DANCE 2023 is organized by the Cultural Department of the City of Munich / Artistic director: Nina Hümpel „Perhaps a paradisiacal primal state of physical connection and touch, as people wish deep inside themselves.“
Stephanie Metzger/BR Kulturwelt
Stephan Herwig's lovers are in fluid exchange. They are interwoven with each other, completely immersed in the physical. Arms, legs, and torsos entwine and breathe like a single organism. Their bodies expand the boundaries of the self without losing their individuality. Social roles leave them untouched. Nothing disturbs them from the outside; as if in a cocoon, they create a utopia of lived harmony.
On June 16, at 18:30, accompanying THE LOVERS, the reading Şeyda Kurt "Radical Tenderness - Why Love is Political" will take place.
Info: www.schwerereiter.de Trailer „THE LOVERS“
Cast
Choreography: Stephan Herwig / Dance: Anima Henn, Alexandre May, Alessandro Sollima / Music: Ben Meerwein / Light design: Michael Kunitsch / Costum: Lorand Lajos / Artistiv collaboration: Karen Piewig / Dramaturgical advice: Maxwell McCarthy / Produktion management: Angelika Endres, Jan Termin / PR: Beate Zeller
Venue
schwere reiter | Dachauer Str. 114a | 80636 München
Tickets: 17,- / 10,- red.
Reservation: www.schwerereiter.de
Die Uraufführung und Wiederaufnahme wird gefördert durch das Kulturreferat der Landeshauptstadt München.
Die UA wurde ermöglicht durch den Bayerischen Landes¬verband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. Stephan Herwig ist Mitglied von Tanztendenz München e.V.
In her bestseller published in 2021, author Şeyda Kurt takes apart normative concepts and narratives of love and questions the conditions of questions the conditions of tenderness that she wants to live in her relationships.
Şeyda Kurt is a freelance journalist, book author and moderator. She writes and speaks about culture, philosophy, politics and left-wing feminism. After the non-fiction book and bestseller "Radical Tenderness - Why Love is Political" (HarperCollins), she will publish "HATE - On the Power of a Resistant Emotion", an experimental essay, in spring 2023.
More: Şeyda Kurt
Venue
schwere reiter | Dachauer Str. 114a | 80636 München
Tickets: Admission free
Reservation: www.schwerereiter.de
Die Uraufführung und Wiederaufnahme von THE LOVERS wird gefördert durch das Kulturreferat der Landeshauptstadt München. Die UA wurde ermöglicht durch den Bayerischen Landesverband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. Stephan Herwig ist Mitglied von Tanztendenz München e.V.
Longing is a recurring dream of a paradisiacal state, a utopia. It springs from the realization that something is sorely missing from our everyday lives. For almost three years, our society has been in a permanent crisis mode that touches each and every one of us and virtually conjures up fantasies of longing. The bittersweet feeling of longing feeds on the imperfection of the present, on the unattainable, and is the desire for another life, perhaps for another place not yet imagined - a utopia. In this respect, it touches our identity and can prove to be a considerable force for change.
Venue
Tanztendenz im Lindwurmhof| Lindwurmstrasse 88 | München
Tickets: Admission free
Micha Purucker
BABOU – slices of space + time
In the fictional bar BABOU, a wide variety of characters meet; a familiar situation from many films and popular novels. A tense web of relationships quickly develops between the guests - readable in looks, gestures, and attitudes - a scenery full of the usual roles and clichés and a corresponding artificiality. "BABOU - slices of space + time" takes up the traditional narrative form of the photographic series in a new, digitalized form: in this new photo-novel presented as a slideshow, individual images connected in sequence develop into a narrative that combines three elements into a sequential whole: the performers, the framing, and the subsequent image. Unlike in dance, the attraction for a choreographer here lies not in the connection of the movement, but precisely in the omission, in the jump between images - in the open in-between, which is left to be completed. For the viewer, the attraction of the format - unlike in film and dance - lies not in the flow of movement but in the empty space that exists between the individual images, as well as the suggestive power of the sequence.
Cast
Concept, Set, Photography: Micha Purucker
Soundscape: Robert Merdžo
Lighting Design: Michael Kunitsch
With the kind collaboration of Aurora Bonetti, Michal Heriban, Linus Jansner, Marcos Nacar, Anise Smith, Polina Sonis, Lina Wailzer and artists' choice
PR: Beate Zeller
Supported by the NATIONAL PERFORMANCE NETWORK - STEPPING OUT, funded by the Federal Government Commissioner for Culture and the Media as part of the NEUSTART KULTUR. Support Program Dance. Micha Purucker is a member of Tanztendenz München e.V.
Where?
Artists‘ choice | Store and Producer Gallery for Performative Art| Ickstattstr. 22 | 80469 München
This tap-danced, hip-hopped, street-danced “YESTER:NOW” also touches on the topics of propaganda and violence and sustains general statements – held up on cardboard signs marked with contradicting, polyphonic slogans – in protest against nothing specific but everything in general. Ostruschnjak stages a collection of excessive offenders by conviction, equipped with elements of a ubiquitous pop culture in the prefabricated templates of traditional as well as contemporary ideologies – YESTER:NOW.
(Eva-Elisabeth Fischer, Süddeutsche Zeitung, March 29th 2021)
In YESTER:NOW, Nazis and hippies, peace signs and Bluetooth symbols, demonstrations and state authority, religion, pop culture and politics, punk and musicals meet on the same terms in the same space to experience their “15 minutes of fame”. Signs with slogans from protest culture, pop, nonsense, politics and high-tech tag the present; the revolt becomes a lifestyle, the content turns into a catchphrase. Six dancers create a swarm, a cluster of sampled movements, from which individual bodies continuously manage to escape. The attempt to cope with the vast complexity of world affairs produces a mixture of simplifications and showbiz attitudes: subtlety is a thing of the past – it's showtime, baby!
Trailer „YESTER.NOW“ VIMEO Cast
Choreogrphy: Moritz Ostruschnjak
Choreographic collaborator: Daniela Bendini
Dance: Dhélé Agbetou, Guido Badalamenti, Daniel Conant, Miyuki Shimizu, Roberto Provenzano, Magdalena Agata Wójcik
Video & Set design: Moritz Stumm
Light design: Tanja Rühl
Licht operator: Michael Peischl
Dramaturgy: Armin Kerber
Music mixing & editing: Jonas Friedlich
Costum: Daniela Bendini, Moritz Ostruschnjak
Production management: Susanne Ogan (Premiere: Hannah Melder)
Touring: Pascal Jung
PR: Simone Lutz
Venue
Isarphilharmonie, Gasteig HP8 | Hans-Preißinger-Straße 8| 81379 München
Tickets
€ 21,70 / red. € 12,70
Box Office: München Ticket Supporters
Eine Produktion von Moritz Ostruschnjak in Zusammenarbeit mit der Gasteig München GmbH. Wiederaufnahme gefördert vom Fonds Darstellende Künste aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen von NEUSTART KULTUR. Produktion gefördert durch das Kulturreferat der Landeshauptstadt München und durch den BLZT, Bayerischer Landesverband für zeitgenössischen Tanz, aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. Streaming-Premiere 2021 realisiert in Kooperation mit dem Theater Freiburg. Realisiert durch eine Residency am TROIS C-L - Centre de Création Chorégraphique Luxembourgeois und POLE - SUD / CDCN - Strasbourg im Rahmen des Netzwerks Grand Luxe. Moritz Ostruschnjak ist Mitglied des Tanztendenz München e. V.
A dance piece as film about having an idea of a better you and the process of trying to move towards it. The project highlights the destructive nature of the concept of an ideal self to our relationship with the world. It examines whether division with one's own self can be a basis of loneliness.
Cast
Director / Choreographer : Jasmine Ellis / Performers: Jin Lee, Lukas Malkowski, Winston Reynolds, Breeanne Saxton, Lukas Bamesreiter, Maximilian Hirning / Musikalische Leitung: Maximilian Hirning / Dramaturge: Martina Missel / Cinematography: Ray Demski / Costume Designer: Sarah Kaldewey / Artistic Production Management: Rat & Tat Kulturbüro / Film Production: Bad Posture Productions / Press and public relations: Mandana Mansouri / Music recording and mix: Manfred Mildenberger / Edit consulting: Tobias Beul / Film sound mix: Markus Kaiser
Venue
schwere reiter
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
5,- Euro
Reservation absolutely necessary: www.schwerereiter.de
Gefördert vom Kulturreferat der LH München, dem Bezirksausschuss Au-Haidhausen und der Kulturstiftung der Stadtsparkasse München.
The filmed and the real merge in CARNAL SCREEN. The choreographer and videographer Stephanie Felber
sets herself and her team the task of interweaving film and theater on an equal footing in this production:both media coexistent on stage as live performance and images interact. Through perceptible changes of muscle tone and rhythms of breath, the bodies of the performers negotiate their situation between holding and letting go, uncertainty and relaxation, as a state of tension prevails. The audience is invited to share in the suspense of this tension.
Dates
Friday, 28th June – Sunday, 30th June / 08:30 pm
Cast
Choreography: Stephanie Felber
Performer: Eléonore Bovet, Nikos Konstantakis, Ludger Lamers, Angela Mössner
Music: Christoph Reiserer
Video: Patrik Thomas
Light: Lennart Rabe
Technical Advisor: Roland Wawoczny
Dramaturg: Enya Belak / Julia Opitz
PR: Beate Zeller
The project is supported by the Cultural Department of the City of Munich. Stephanie Felber is a member of Tanztendenz München e.V. The research phase was supported by the Finnish association TaikaBox.
The party pop-up performance 'Intellectual Striptease' was conceived specifically for clubs and brings together art and nightlife, established dance aesthetics and subculture. The dance floor becomes a place of queer-feminist empowerment, of freedom and euphoria. Together we embark on a search for the lost eroticism and mystery of otherness. On July 12, there will be a workshop, a jam and a showing at Tanztendenz. Workshop and showing belong together, but it is also possible to visit both separately.
The showing is embedded in a movement workshop, also free of charge, by the two resident guests - dancer and choreographer Miriam Markl and musician* Ophelia Sullivan. The workshop for all interested - no previous experience required - is based on improvisation, with movement tasks and an instant composition (July 12 at 6:00 pm). Following the workshop - from 7 pm to 7:20 pm - there will be an opportunity for free dancing for all participants in the jam. which will lead into the showing.
More about the workshop: Workshop “side.kicks – encounters”
The residency takes place within the framework of the residency network "see and be seen", to which the Tanzzentrale der Region Nürnberg e.V., the Tanztendenz München e.V. and the Schwindelfrei Festival Mannheim have joined forces to promote contemporary dance from Southern Germany.
Trailer "Intellectual Striptease"
Dates
Wednesday, 12. July: Workshop at 18:00 // Showing + Jam at 19:00
(Workshop and Showing belong together, but it is also possible to visit both separately.)
Venue
Tanztendenz im Lindwurmhof
Lindwurmstrasse 88 / 5. Stock
80337 München
Tickets
Entrance free
Das Projekt wird gefördert durch das Kulturreferat der Landeshauptstadt München und ermöglicht durch den Bayerischen Landesverband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. Eine Kooperation von Tanzzentrale der Region Nürnberg e.V., der Tanztendenz München e.V. und dem Schwindelfrei Festival Mannheim
For one evening, the stage of the Schwere Reiter is open for selected contributions by promising newcomers. With the Open Stage they get the opportunity to show their pieces or choreographic material to the Munich audience and the professionals on site. The format offers a unique opportunity to get involved with something new, to be inspired and to discover new artistic personalities and their work alongside already established artists. Who's next?
Performers
Flóra Boros, Cochon de Cauchemar, Stéphanie Evrard, Juliana Garaycochea, Luca Seixas, Emma Stacey
Details and tickets: HIER
In search for her origins, Judith Hummel follows the path of her grandmother, who fled from the Romanian Banat to Germany in 1944. "Where do I come from?" is the title of this journey. In walking the path, in going back, Judith Hummel researches her own origins and lays a cinematic-performative track around the fields of memory and body.
WHEN
Friday, 8th September – Thursday, 9th November
opening hours: thu - fri, 12 pm - 6 pm
WHERE
DG Kunstraum | Finkenstraße 4 | 80333 München
Supported and funded by the Federal Government Commissioner for Culture and the Media in the program NEUSTART KULTUR, Hilfsprogramm DIS-TANZEN of the Dachverband Tanz Deutschland, by a working grant from the Cultural Department of the City of Munich, and the DG Kunstraum. Judith Hummel is a member of Tanztendenz München e.V.
Markéta Stránska and Charlie Morrissey met in a workshop in 2019. After an instant and intense connection moving with each other, they were compelled to continue digging into the detailed physical conversation. The resulting piece is „SCÁLING“. The performance is a little akin to rock climbing: a constant process of negotiation and calculation - engaging with and navigating the landscape and structure of each other through a complex and committed focus towards every shift of attention and movement. „SCÁLING“ is a functional exploration of structures in motion and veers between delicate precision and visceral physicality.
Details
Production: Candoco Dance Company; Sadlers Wells, London friendly supported by Wainsgate Dances.
Further Information and tickets: HERE
4x4 meters – a box
2 performers – one couple
“Relationshifts” explores the different phases and dynamics of a relationship in a limited space through dance. From the romantic-enthusiastic beginning to the shared space and the feeling of deep grounding and connectedness, to phases of longing for autonomy, the desire to break out of familiar paths, to leave obligations behind. The starting point are very personal stories of the artistic team, which the performance translates into global images, using choreography and music as a language in which the audience can discover everyday moments.
In the same space, with the same choreographic structure but changing roles and parameters, the protagonists start the whole relationship all over again and again and again. But are they really the same? Do they follow the same paths? Do they carry their personal history to the next time? Or do they change, age, loose control, get tired, give up and yet start again?
“Relationshifts” takes place as an exact one-hour piece and loops several times each evening in a chained structure. The loops can be booked individually or together.
Cooperation: fabrik Potsdam – Dance in Residence Brandenburg (DiR); TanzWERKSTATT Cottbus; Einstein Kultur; Tanzbüro München
Further information and tickets: HERE
Sneak preview of the dance theater piece for ages 13 and up: The fashion industry, in the excessive change of collections, leaves behind catastrophes for employees and the environment. On the other hand, there is the joy of re-styling and the fast change of styles, especially for young adults.
The dance theater "Fast Fashion" plays in this area of tension and focuses on the thoughts and feelings of teenagers and young adults on the subject. Sabine Karb questions the ecological and social effects of the fast fashion industry both critically and humorously with 4 young people and 2 dance students.
TIMELINE
10:30 am School Performance
19:00 pm Regular Performance and clothing swap party afterwards.
(Please don't bring more than 8 pieces per person, no underwear/socks).
WHERE
schwere reiter | Dachauer Straße 114, 80797 München
TICKETS
Tickets: 10,00
VVK:HIER CAST
Choreography and organisation: Sabine Karb | Dancers: Reka Baumgärtner, Sofia Bondarenko, Clara Lipp, Emilie Karb, Natalia Koźbiał, Mariana da Silva Guilherme, Johanna Ziegler | Costume and stage: Melina Poppe | Music: Daniel Lipp und Oliver Spagna | Press: Pfau PR
FUNDING
Sponsored by the Cultural Department of the City of Munich, District Committee 04 for Schwabing-West, District Committee 12 Schwabing-Freimann and the Petra Kelly Foundation.
"There's no business like show business..." and what becomes evident when looking behind the glittering facade? Outdated working conditions and partly questionable, clichéd content. Based on interviews with musical performers, their experiences of everyday work life are palpable, which consists of a lot of external control. It allows a glimpse into a new generation that hopes for a renewal within their field: 'Let's open up new spaces. There is so much creative potential, but it's not being demanded.'
The performance 'The Show Must Not Go On' is conceived as a refusal to conform to the usual show format, deconstructing common (role) images and aesthetic effects of musicals. Through song, dance, and text, the personal experiences are interpreted in a sober-minimalistic or even satirical manner, contrasting with the typical musical aesthetics.
By combining contemporary dance and performance with musical elements, it creates a crossover that consistently undermines the familiar.
TICKETS
Tickets: 12 / 20
VVK: HERE VENUE
schwere reiter | Dachauer Straße 114a | 80636 München
CAST
Concept, Choreography: Katja Wachter | Performance, Creation: Anna Angelini, Wolfram Föppl, Danai Simantiri | Music, Composition: Hardy Punzel | Dramaturge: Alina Tammaro | Costume: Lara Hohmann | Light: Corey D. Cascio | Project: Merle Kondschak / Clara Hanae Tollle | PR: Beate Zeller
FUNDING
Sponsored by the Cultural Department of the City of Munich and made possible by the Bavarian State Association for Contemporary Dance (BLZT) with funds from the Bavarian State Ministery for Science and the Arts. Katja Wachter is a member of Tanztendenz München e.V.
DATES
Fri, 29th Sept: 10 am (for Kindergarten only)
Sat, 30th Sept: 4 pm
Sun, 1st Oct: 11 am
Mon, 2nd Oct: 10 am (for Kindergarten only)
When children play, anything is possible: the floor is made of lava, objects fly through the air, and everyday objects take on a whole new meaning. The stool is a raft, a bridge, a house, a tower. It stands on its head, lies on its side, stands on its feet... From an almost infinite selection of possibilities, new worlds with their own sets of rules emerge playfully, which are repeatedly changed, expanded, discarded.
But how does one game lead to the next? Who decides what happens next? Who makes the rules and how do you make the best decision? And what happens if someone doesn't want to participate?
Three dancers get involved in the "game within the game". And also to tear down the world they have just built and to follow new impulses. What was just a hat becomes a life-saving island in a stormy sea, where just the ground was untouchable, now a big worm crawls across the stage. Who was small a moment ago becomes huge and flexes his muscles. Who just argued, now dances in unison. "Spiel im Spiel" is a dance exploration of the possibility space of children's play and an invitation to shape it.
CAST
Conzept, Artistic Direction, Choreography: Ceren Oran | Dance. Choreography: Jin Lee, Jihun Choi, Máté Asbóth | Music: Gudrun Plaichinger | Stage Design: Sigrid Wurzinger | Choreographic Assistence: Roni Sagi | Dramaturg: Anna Stegherr, Roni Sagi | Light Design: Joannis Murböck | Artistic Production: Karolína Hejnová | Production Direction: Michael Hennig | PR: Simone Lutz
FUNDING
A co-production of Ceren Oran & Moving Borders with COMEDIA Theater Cologne and HochX Theater and Live Art Munich. Kindly supported by the Cultural Department of the City of Munich and the Bavarian State Association for Contemporary Dance (BLZT) with funds from the Bavarian State Ministry for Science and Art. Thanks to Fokus Tanz and Tanzbüro München. Ceren Oran is a member of Tanztendenz München e.V.
WHERE
HochX Theater und Live Art, Entenbachstraße 37, 81541 München
TICKETS
Tickets: from 6,00 HERE After the performance, there will be an artistic talk over Zoom for the interested audience members, moderated by Simone Schulte- Aladag. In YESTER:NOW, Nazis and hippies, peace signs and Bluetooth symbols, protest and state authority, religion, pop culture and politics, punk and musicals meet on the same terms in the same space to experience their “15 minutes of fame”. Signs with slogans from politics, nonsense and high-tech tag the present; the revolt becomes a lifestyle, the content turns into a catchphrase. Six dancers create a swarm, a cluster of sampled movements, from which individual bodies continuously manage to escape. The attempt to cope with the vast complexity of world affairs produces a mixture of simplifications and showbiz attitudes: subtlety is a thing of the past – it's showtime, baby!
Under the title "Mmmooz" (used for the first time in July 2020) Claudia Senoner and Mark Lorenz Kysela present a project that approaches current events in a performative, musical, and choreographic way. The two artists
who have been working together for many years, have added a video man to their team for the current edition of "Mmmooz reloaded" and present an interaction of pre-produced material and live film for their live stream.
Themes on the environment, politics and media form the basis of "Mmmooz". Senoner and Kysela do not reproduce the motifs one-to-one, but transform them through musical and performative structures. Images emerge that sometimes depict the absurdity of our daily live. The topics that the duo deals with combine the current situation with their own sensitivities, fears and observations, let partly grotesque but also "ice-cold" scenes arise. A piece that catapults the spectator into an artificial social research laboratory.
Dance, Performance, Guitare: Claudia Senoner
Performance, Saxophon, Electronics: Mark Lorenz Kysela
Video: Alexander Schmidt
Venue
schwere reiter
Dachauer Straße 116a
80636 München
See the live stream here www.schwerereiter.de
Gefördert durch das Kulturreferat der LH München / Claudia Senoner ist Fördermitglied des Tanztendenz München e.V.
The videos of the artists can be found below - just click on the title of the piece!
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
An artists-for-artists initiative of theTanztendenz-Miembers Johanna Richter and Birgitta Trommler in Coproduktion with Tanztendenz München e.V.
schwere reiter
Dachauer Straße 116a
80636 München www.schwerereiter.de
Gefördert durch das Kulturreferat der LH München, dem BLZT, dem Bezirksausschuss Neuhausen/Nymphenburg BA09 und privaten Spendern.
Moves between the bed and wardrobe, a classical variation in front of the kitchen counter, a release technique on the balcony: Home videos from the lockdown in spring 2020. As a soloist. Pandemically. Posted on social media. They are all testimonies of the urge of dancers and choreographers to dance and remain visible. Ceren Oran uses these found objects for her performance THE URGE and brings them to the street. The way each individual deals with societal crises is scrutinized and transformed into choreographic images. Premiering simultaneously in three cities, Munich, Berlin, Cologne, THE URGE then moves through Munich until August.
DATES
Saturday, 08 May 2021, 15 & 18 clock - live stream on www.dance-muenchen.de/
Sunday, May 16, 2021, time tba - video stream on www.dance-muenchen.de
Both dates as part of the DANCE 2021
festival.
Other performances
June 6 / July 11 / August 1 (times and locations tba).
Cast + Crew
Concept, artistic direction, choreography: Ceren Oran // Choreographic collaboration: Maayan Reiter, Rotem Weismann // Dance: Jin Lee, Uwe Brauns, Laura Manz, Jihun Choi, Lena Klink (Munich); Maayan Reiter, Margherita Dello Sbarba, Paula Niehoff, Lucas Lopes Pereira, Hayato Yamaguchi (Cologne); Rotem Weismann, Lukas Malkowski, Woo-Sang Jeon, Susanna Ylikoski, Ariel Hayoun (Berlin) // Music: Hüseyin Evirgen (electronics) Jeannot Salvatori (saxophone), Jean Baptiste Charlot (flute), Simon Couratier (saxophone) // Dramaturgical supervision: Karolina Hejnova // Artistic production management: Rat & Tat Kulturbüro // Production assistance: Caroline Skibinski, Florian Greß // Technical direction: Peer Quednau // PR: Simone Lutz
The unison parts of the choreography are based on the Lockdown videos by Phil Hulford, Sofia Pouchtou, Clementine Herveux, Elisa Ruffato, Kamola Rashidova, Renan Martins Oliveira, Anina Labanidze, Rose Ellen Lewis, Jin Lee.
A production of Ceren Oran. Sponsored by the Cultural Department of the City of Munich and the Festival DANCE Munich. Supported by the NATIONAL PERFORMANCE NETWORK - STEPPING OUT, funded by the Federal Government Commissioner for Culture and the Media as part of the initiative NEUSTART KULTUR. Aid Program Dance. In cooperation with HochX Theater and Live Art. With the kind support of the partial residency program of Tanzfabrik Berlin. Many thanks to Urbane Mitte Am Gleisdreieck - the urban quarter of tomorrow. Ceren Oran is a member of Tanztendenz München e.V.
The second part of the Choreographers’ Atelier of Tanztendenz München is conceived as a thematic space. In coronavirus-compatible format, this exhibition and its accompanying lecture program medially and simultaneously bring together diverse aspects of the theme of BOUNDARY that would ordinarily happen live and be spread across several days. Life itself can be understood as a border phenomenon: we cannot live without breathing, eating, going beyond our borders and connecting with others....
With lectures by Sabine Hess (anthropology), Sven Rücker (philosophy) and Irene Schütze (art studies), the current contributions of the atelier (part 2) complement the contributions from part 1 by Michaela Ott, Thomas Fuchs, Thomas Dörfler, Günter Lempa, Spyridon Koutroufinis / René Pikarski. The presenters invite viewers to explore diverse aspects of a concept and its boundaries.
The theme of borders as both object and metaphor in politics, territorial and regional development, philosophy, cultural studies, sociology, biology, psychology, art theory, etc find their expression in crucial societal questions about identity, territory, gender, class, nation, culture, health or religion. On the one hand, borders seem to be blurring more and more, yet there is at the same time an obvious yearning for clarity and belonging that expresses itself in themes of differentiation and exclusion.
Opening on Thursday, May 20, 2021, probably live with philosopher Marcus Steinweg
Trailer as a short tour through the exhibition
The philosopher Marcus Steinweg lives in Berlin and is professor of Art and Theory at the Kunstakademie Karlsruhe. He has worked with the artists Thomas Hirschhorn and Rosemarie Trockel since the 1990s and he creates independent philosophical conceptual diagrams. Many of his texts and lectures explore the interface between art and philosophy. Steinweg is co-editor of the journal “Inaesthetics,” which is published by Merve Verlag.
Thursday, May 20, 2021, 8:30 p.m., live stream on YouTube. Sabine Hess: Racial B/order: The EU-European External Border as a Violent Relationship
Against the background of many years of research on external borders, this lecture discusses recent developments of an increasingly systematic use of extra-legal violence in border spaces and shows how brutalization goes hand in hand with notions of Europe as a “white superior project."
Sabine Hess is a professor of Cultural Anthropology / European Ethnology and has directed the Center for Global Migration Studies at the University of Göttingen since 2018.
Friday, May 21, 2021, 8:30 p.m., live stream on YouTube. Sven Rücker: Borderless modernity? Self-birth and self-transcendence.
Just as modernity sees itself in its self-descriptions as an age of dissolution of boundaries and transgression, so too do its subjects. The individual is expected to face ever-new challenges, to be flexible and to understand the whole of life as an ongoing movement of self-transcendence. I would like to retell the genesis of this new and supposedly boundless subjectivity, which begins in the history of ideas with German Idealism and in political history with the French Revolution, yet simultaneously refers back to much older mythemes, above all Hesiod’s “Theogony.” The perspectival vanishing point of this narrative is a different understanding of modernity that contradicts modernity’s central self-descriptions: rather than leading toward a dissolution of all boundaries, it moves toward the emergence of new type of a boundary that allows for a much more massive enclosedness.
Sven Rücker is a lecturer at the Free University of Berlin. His most recent publication was a book about masses (with Gunter Gebauer). Among other projects, he has contributed to “Lange Nacht” (Deutschlandradio) and “Spoken Essay" (SWR) and to the theater piece “Die Terroristen” in Luxembourg and Vienna.
Saturday, May 22, 2021, 8:30 p.m., live stream on YouTube Irene Schütze: Missing references, rudimentary “markings”: dissolving boundaries in art
Borderlines between art and everyday life were negotiated many times in the visual arts of the 20th century: they were repeatedly shifted, transgressed or readjusted. Nowadays, these boundaries seem obsolete in some instances: the cross-reference to the other sphere as an “alien” field is omitted or often only indicated by incomplete “markings.” A lecture on demarcations in the visual arts.
Irene Schütze has been a research associate in Art-Related Theory at Mainz University of the Arts since 2015.
Concept: Micha Purucker
Technology: Roland Wawoczny / Michael Kunitsch / Goran Budimir
Video: Ikenna Okegwo
Workshop: Manuela Müller, Christian Bühler
PR: Beate Zeller
Our thanks go to Dunja Bialas
The opening event in November 2020 gathered various aspects of the theme of borders:
Four lectures and a discussion in the fields of biophilosophy, phenomenology and psychiatry, aesthetics, psychology and human geography were streamed live at schwere reiter – you may still watch them on the YouTube-Channel of Tanztendenz.
Venue
schwere reiter
Dachauer Straße 116a
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
To visit the exhibition, please register with your contact details and name, including the desired time in the timeslot from 5 to 8 p.m., at termine@tanztendenz.de
The streaming links to the lectures can be found at www.schwerereiter.de
If you log in via YouTube, you can activate the chat function and post questions or comments. Participation is free of charge.
The Choreographers’ Atelier, presented by Tanztendenz München e.V., is supported by the Department of Arts and Culture of the Bavarian capital of Munich, the Culture Foundation of the Stadtsparkasse München, the District Council 4 Schwabing-West and the District Council 9 / Neuhausen-Nymphenburg of the Bavarian capital of Munich.
Tanztendenz München e.V. is a nonprofit association. Donations to support contemporary dance and its protagonists are always welcome
Bank details:
Tanztendenz München e.V. // HypoVereinsbank
IBAN DE61 7002 0270 0042 9352 20
Subject: Donation for dance artists
If you would like a receipt for your donation, please include your full name and address. For tax deductibility, a copy of the corresponding bank statement is usually sufficient for the tax office. (A certificate is only required for contributions of 200 euros or more.) Thank you for your generosity!
Grind words between teeth and tongue, produce red powder from bricks, follow memories, use the body, do tangible actions, and leave new traces behind while searching for traces ...
At Altes Betonwerk Sendling, the performer from Munich Judith Hummel and the musician Evi Keglmaier set out on a physical journey searching for fragments of a past life. Searching for her origins, a granddaughter follows the traces of her grandmother. Her grandmother fled from the Banat region in Romania during the last years of the war and came to Germany. Her route also went through Hungary, but the memories of this remain a "black spot." In an anecdote the grandmother tells about how as a child she ground bricks to make red bell pepper powder for her make-believe grocery store. This stage of the performative research "where do I come from?" emanates from these themes.
What thoughts and associations on the subject of "origins" move you?
We invite you to write this down on a postcard, which we will be happy to send to you.
Please send us your postal address by email to: kontakt@beatezeller.de,
with this subject heading: Re: Black Spot
Your personal data will be used exclusively for sending the postcard
and will be deleted immediately afterwards.
The answers will be used to provide Judith Hummel with impulses for material for Stage 3 of this project.
Thank you for your participation!
Artistic Direction, Performance: Judith Hummel Performance, Voice, Accordion, Viola: Evi Keglmaier
Camera, Editing: Laura Kansy
Collaboration, Choreography: Heidi Schnirch Collaboration, Scenic Design, Speaker: Ruth Geiersberger Dramaturgy: Ulrike Wörner von Faßmann
Lighting Design: Charlotte Marr
Set Design: Katrin Schmid
Costume Design: Theresa Scheitzenhammer
Sound engineer: Nicolas Sierig
Production Management: Veronika Heinrich / Rat & Tat Kulturbüro
Graphic Design: Stephanie Roderer
Public Relations: Beate Zeller
Venue
Altes Betonwerk Sendling / Sugar Mountain
Helfenriederstraße 12
81379 München
Sugar Mountain Tickets
For the video-stream go to:
DANCE
After the matinee the audience is invited to participate in the artistic talk.
Digital world premiere on May 15th as part of DANCE 2021 international festival of contemporary dance of the City of Munich. The project is supported by NATIONALES PERFORMANCE NETZ - STEPPING OUT, and sponsored by the Federal Commissioner for Culture and the Media, as part of the initiative NEUSTART KULTUR; the Dance Support Program; and the Cultural Foundation of Stadtsparkasse München. It is also made possible by the Bavarian National Association for Contemporary Dance (BLZT) with funds from the Bavarian State Ministry for Science and Art. Judith Hummel is a member of Tanztendenz München e.V.
In the recent past I’ve been often soaked in a state of absence, as if in a constant training for cohabiting with lack, always existing in real time here and now, knowing that nothing can be taken for granted and that everything could change.
I miss being a child and feeling like I can find everything essential in a secret world that no one can touch.
I carry myself on my own shoulders, following unusual paths, looking for the essential that has no name. Confused, lost, happy, in my little wooden house, looking for something I had back then, when I didn’t need to search or change to feel complete.
“Why be scared of a hat?" My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant. - Antoine de Saint-Exupéry, The Little Prince
Choreografie: Andrea Scarfi
Tanz: Emanuelle Rizzo, Andrea Scarfi
Dramaturg: Francesco Cocco
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
The “schwere reiter” theater is transformed into a waiting hall in which the audience is invited to take their own expectations into account. What is real? What is (a) projection?
In times of the omnipresent shift of the live event to the digital, with “APON PARON” Stephanie Felber and the team deal with the interaction of the two- and three-dimensional in performance. In an Image the absent is present, but it is “only” an image, whereby for the interconnection of information in our brain it is probably irrelevant. Holographs or simulations of the performers show deceptively real bodies in motion. Ascent and descent, appearing and disappearing, the movement before and after what is actually expected all form their own choreography. Sensory impressions set impulses to allow the presence and movement of the performers to be experienced. In this experimental arrangement, an oscillation arises between too much and too little visibility, authenticity and simulation, between presence and absence.
Artistic Direction: Stephanie Felber in collaboration with the performers: Angela Wörgartner, Nikos Konstantakis, Ludger Lamers
Sound: Michael Fiedler
Video-Installation: Patrik Thomas
Set-Installation: Guida Miranda
Light: Pit Schultheiss / Nik Boden
Project Management: Lara Schubert
Public Relations: Beate Zeller
Watch the TRAILER Venue
schwere reiter
Dachauer Straße 116a
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red.
Registration is necessary: www.schwerereiter.de
The project is funded by the cultural City department of Munich. The research phase “The live and the simulated”, an examination of the re/presentation of liveliness in participatory productions, was made possible by the aid program DIS-TANZEN of the Dachverband Tanz Deutschland, funded by the initiative NEUSTART KULTUR of the Federal Government Commissioner for Culture and Media. Technical support: Christian Schweig / Münchner Kammerspiele. Stephanie Felber is a member of Tanztendenz München e.V.
“Sunrise” is an invitation to rebirth, a song for two bodies, one manipulating the other.
It is the awareness of the infinite orbiting around us, it is an obsessive repetition of the nature awakening under the long-awaited sunshine. Round and directional, “Sunrise” is an unstoppable stream of rational and oneiric thoughts.
Am I still asleep?
Life merges with roses in a golden river of pleasure… Eos, Goddess of magnificent beauty, help me to arise from the edge of the ocean.
We all need to wake up from this deep sleep. It’s time for a new dawn, it's time to live again, to love again, to dance again.
... I decided to accept what death means, because accepting death means only that I am accepting life.
Dedicated with immense gratitude to Ismael Ivo, who recently passed away from Covid-19.
Matteo Carvone
Text in the beginning:
„Time is passing at a sped I can’t describe
My skin, my thoughts, everything it’s ageing ... but you are still there holding my hand before I fall
My dreams, or maybe my hopes
Someone said it’s just life stolen from a deep sleep
I will hug you then, I will protect you then
Why now everything looks so hazy ? … I find it so crazy „
Idea, choreography, text and music-collage: Matteo Carvone
Performers: David Cahier, Matteo Carvone
Music: Ryoji Ikeda, Isham Jones
Special thanks: Alessio Attanasio, Jakob Bogensperger, Rita Soares and Christophe
Gefördert durch die Beauftragte der Bundesregierung für Kultur und Medien im Programm NEUSTART KULTUR, Hilfsprogramm DIS-TANZEN des Dachverband Tanz Deutschland.„
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
I've never felt committed to being XX just because I am XX.
Socio? Cultural? Gender? Identity?
Borders and concepts dissolve the more we keep on changing our perspective.
What is there, behind our socially requested avatar that bears our name? Who is actually willing to have a look? To all that pathetic, funny, absurd, random and useless human states?
Rosalie Wanka plays with elements of socio-cultural provenience and gender identity, with irony and humor creating a dance that doesn't care to define itself.
Idea, concept, choreography, performance: Rosalie Wanka
Music: A Don Alfredo Gobbi/Eduardo Rovira - BangBang/Nancy Sinatra
Pink Pants: Fabian Kipp
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
Now the time, we are struggling to find a moment of happiness in restricted environment as our hearts become empty. To find Euphoria, my own ritual purifies myself and space. Through the ritual, my body and mind become empty and reach the state of Anattā. There, the dance can be pure expression of happiness, powerful enough to share this irony of life, the full emptiness. The ritual ends in the order of farewell, leaving the climax. The moment disappears, and life goes on.
Choreography: Hoyoung Im
Dancer/performing artist: Hoyoung Im
Text, Dramaturgy: So Young Kim
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
I call it espoir is the latest research of Tomer Zirkilevich Company towards an interdisciplinary physical-theater solo. The work is brought together through a process where all of the artistic elements co-evolve and have equal importance in the making of the piece. Such a method results in this peculiar thing that happens in the space between what is being shared on the stage and the audience, this particular human exchange.
Its narrative evolves through the struggles of pursuing one's dreams, dealing with issues of transformation, violence, fear, failure, and evolution. No matter what life gives you, being yourself, following your path, you can fulfill yourself, your dreams, and you can overcome it. Nothing is ever done, everything is always becoming. This ending is a beginning, this beginning an ending — all making room for the next step in an unending process of becoming and being whole.
Concept, choreography: Tomer Zirkilevich
Dancer: Lou Thabart
Music editor: Juan Enrique Villarreal
Assistant director: Edegar Starke
Artistic advisor: Sharon Reshef Armony
Music: Samuel Barber “Adagio for Strings” / London Philharmonic Orchestra and David Parry // Samuel Barber “Agnus Dei” / The Dale Warland Singers
Special thanks to: Johanna Richter, Birgitta Trommler
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
Many times I have had to move away, driven by a sense of reflection and blockage, from my dearest ones and the love and harmony with which they surrounded me. I felt a sense of emptiness, of non-identity; in that moment I lost the ability to make any choice, to recognize myself and express my person, even though the opposite desire was burning within me. The strength of two opposing emotions, love and rejection, made me feel a strong sense of suspension. By the creation of different images and rhythms, I am pushing this idea to the point where kindness becomes overwhelming and restriction for the dancers. Each of them will be the „spokesperson“ of this personal experience of mine, absorbing every sensation that ties me to these episodes.
Concept, choreography: Erica D´Amico
Dance: Eléonore Barbara Bovet, Aurora Bonetti, Anima Henn, Erica D´Amico
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
Zwink is an improvised Dance performance, designed for public spaces.
Working spontaneously and directly with the inspiration of the moment and Robert Kis’s beautifully realised Object Costume. The renowned performer Katrin Schafitel draws in passers by and offers the chance to engage with public spaces in a whole new way.
Each performance is an experimental journey of exploration and surprising encounters created afresh. The performer draws on all her environment, utilising the open space, ground, steps, benches and the park itself.
Zwink invites all those present to become aware of the shared space and their place in it. It shows how the beauty and poetry of being alive can be experienced in the charm of a fleeting moment, in a smile, in the blink of an eye.
Concept, dance and performance: Katrin Schafitel
Costume Object created by: Robert Kis
Project management: Elisabeth Pilhofer
PR: Beate Zeller
en route: June 17, 2021, 5 pm at Petuelpark Munich, and subsequently at various locations in Munich, at different times
watch the packaging choreography: TRANSIT - ZWINK : MUC - BERLIN Boxenstopp Berlin #ZWINK2021 Venues
public space
Start at Petuelpark
Klopstockstraße 10
80804 München
U3 Petuelring, Tram 27, Bus 177/173 www.freieszenemuc.de/akteure/katrin-schafitel The project is supported by the NATIONALE PERFORMANCE NETZ - STEPPING OUT, funded by the Federal Government Commissioner for Culture and Media as part of the NEUSTART KULTUR initiative.Hilfsprogramm Tanz.
Katrin Schafitel is a guest of Tanztendenz München.
Due to the worldwide Covid-19 pandemic millions of people are facing strict restrictions to their everyday lives. Meet Me aims at exploring the impact of such drastic changes on the way our social interactions are shaped and how we still can act with one another. During a 15 minutes improvisation performance, Francois Heun (Saxophonist) and Marion Plantey (Dancer) are evolving together through the confusion of intimate and distanced moments, expressing their encountered emotions in sincerest honesty, mirroring the social changes we are all experiencing.
Choreography: Marion Plantey + Francois Heun
Performing artists: Francois Heun (Saxophone), Marion Plantey (Dance)
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender. “58 Indices on the Body” by the French philosopher Jean-Luc Nancy is a list of sometimes contradictory, short remarks on the human body. His text is the inspiration for this choreography.
„Why indices rather than characters, signs, distinctive markings? Because the body escapes, is never sure, lets its presence be suspected but not identified. [...] We only have references, traces, imprints, footprints.“
„A body is a difference. Since it is a difference from every other body [...] it’s never done with differing. It also differs from itself.“
Concept, artistic director: Zufit Simon
Dance, choreography: Zufit Simon, Lois Alexander, Clarissa Rêgo
Music: Fredrik Olofsson
Lighting Design: Jochen Haker
Costume: Mirella Oestreicher
Management: Dietrich Oberländer
Public Relations: Beate Zeller
Photo: Oliver Look
Venue
schwere reiter
Dachauer Straße 116a
80636 München
Tram 12, 20, 21 or Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
17,- EUR / 10,- EUR reduced
Reservation is necessary! www.schwerereiter.de
The production is supported by the Bureau for Cultural Affairs of the State Capital City of Munich and by the state Lower Saxony; and dock 11 – Berlin.
Zufit Simon is a member of Tanztendenz München e.V.
world premiere: June 20, 2019, schwere reiter, Munich
ADDITIONAL PERFORMANCES 2020:
Braunschweig, LOT-Theater, October 1 to 3, 8 pm
Berlin, Uferstudios/Studio 1, December 10 to 13, 7 pm
Choreographer and Tanztendenz-member Anna Holter shows us her version of international cooperation in times of Corona - a diary with dancers from Vienna, via Stockholm to Warsaw and San Francisco.
Moving Isolation is a digital dance project, with dancers from all over the world. It is an attempt to document and describe what we, individually and together, are facing right now. In early April, isolated and quarantined, we decided instantly to meet. Our first meeting resulted in a video clip, released shortly after on social media. Now, we would like to share with you our second one!
Dancing is movement, meeting is movement, solidarity is movement - living is movement. But how can one move in a time of isolation?
With Covid-19 we are facing challenges never experienced before.
Here, in our artistic diary, movement, together with thoughts and reflexions about the lock-down are presented. Each of these meetings are proposing a dialogue and an exchange about the unwished-for situation. We meet “separately” – but we move “together”. Because this is not limited to ONE country, ONE dance company, ONE culture institution, we are all in this together!
Realized through Anna Holter + Company
In collaboration with Goethe-Institut Schweden
Artistic team
Initiator and project leader: Anna Holter
Choreographer: Adrián Castelló, Bernadette Leitner, Bernardo San Rafael, Carolina Czechowska, Chiharu Mamiya, Darwin Diaz, Elena Kofiná, Elisa Marschall, Francesca Perrucci, Hayato Yamaguchi, Iza Szostak, Karen Bößer, Paula Helander, Phaedra Pisimisi, Ruth Rebekka Hansen, Yuta Hamaguchi, Anna Holter
Music: Toni M. Dobrzanski
Film editing: Anna Holter
Dramaturge: Johannes Schmid
In 2012/13, the choreographers Daniele Ninarello (I), Yuko Kominami (L) and Tanztendenz member Stephan Herwig (D) worked together in three residencies within the framework of TROIS C-L. At the end of the process, which lasted several months, there was a presentation of the collaboration. This performance from June 3, 2013 will be shown again on Sunday, May 3 at 7:00 pm on the TROIS C-L website with exclusive current interviews with the choreographers. The recording is available 24 hours.
A project by Tanztendenz München (D), Mosaico Danza, Turin (I) in collaboration with Torinodanza/Fondazione del Teatro Stabile di Torino (I) and TROIS C-L Centre de Création Chorégraphique Luxembourgeois (L).
Give us today our daily post... Self-expression, inspiration, ritual and the search for confirmation – social media hold users firmly in their clutches. Every evening, short video clips freshly fished from the ocean of the internet on a variety of topics; a mixture of different performers, diverse in age, background and art form, react and improvise. The participants take up acoustic, visual and content elements and develop them further. Each evening has a different cast and acts with the necessary distance... but with inspiring energy...
Dates
25. – 27. June 8:30 pm
28. June, 7:30 pm
Team
Dance: Thea Atladóttir, Ludger Lamers, Helmut Ott, Hardy Punzel, Daniela Graça Schankula, Luiza Monteiro, Leonard L.M. Burkhardt, Katja Wachter
Music: Lukas Bamesreiter, Antonia Dering, Leonhard Kuhn, Matthias Lindermayr, Sebastian Wolfgruber Venue
schwere reiter
Dachauer Straße 116a
80636 München
Tram 12, 20, 21 oder Bus 53
station Leonrodplatz www.schwerereiter.de Karten
Tickets: 17 EUR / 10 erm. EUR
Reservation: www.schwerereiter.de Please note that due to the current situation a ticket reservation is absolutely necessary.
Ein Kooperationsprojekt zwischen Katja Wachter, Tanztendenz München e.V. und scope-Spielraum für aktuelle Musik. Gefördert durch das Kulturreferat der Landeshauptstadt München.
In almost complete silence, Stephan Herwig's choreography focuses on the pure physicality of the dancers and explores rhythm as an inner and visual phenomenon. "And when in the end eight arms circle like a fine set of wheels in the semi-darkness, it simply hears and feels overwhelming. (Vesna Mlakar, Abendzeitung Munich)
Team
Choreography: Stephan Herwig Dance: Gaetano Badalamenti, Susanne Schneider, Anna Fontanet, Maxwell McCarthy Artistic Assistence: Karen Piewig Light design Michael Kunitsch Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
Tickets for TANZWERSTATT EUROPA please see www.jointadventures.net
Eine Veranstaltung von JOINT ADVENTURES – Walter Heun / Förderer: Kulturreferat der LH München, Bayerischer Landesverband für zeitgenössischen Tanz, Bezirk Oberbayern. Wiederaufnahme gefördert durch das Kulturreferat der LH München. Stephan Herwig ist Mitglied des Tanztendenz München e.V.
TROIS C-L presents creations by artists associated with the institution, including Moritz Ostruschnjaks UNSTERN, which was last shown at the TANZPLATTFORM DEUTSCHLAND.
In kaleidoscopic scenes, "Unstern" illuminates the moment before the catastrophe; that melange of readiness to use violence, nationalistic propaganda, the beginning of the howling of war, machismo and uncertainty.
In addition to UNSTERN, WARRIOR by Anne-Mareike Hess, who presented Tanztendenz München e.V. in the context of side.kicks 2019 at schweren reiter, as well as Lost in Ballets russes by Lara Barsacq and HVNGRY by Valerie Reding will be shown.
To be seen on 4 July at 7pm on the TROIS C-L website with exclusive current interviews with the choreographers. The recording is available 24 hours a day.
View here: 3 DU TROIS ONLINE #4
After his two-week residency, the choreographer Johannes Blattner from Stuttgart will give an insight into his work process on 15 July. Under the headline "Alone in the studio with 2 feet, 4 hands, 8 bodies and no head", his presentation mixes the analogue and virtual world.
Required for participation:
Smartphone or tablet with QR Code scanner
WLAN is available
ATTENTION: A registration at termine@tanztendenz.de is absolutely necessary.
Due to corona regulations, please provide your address, telephone number and e-mail when making your reservation. Your data will be stored for 14 days and then deleted.
The event takes place in time slots of about 30 minutes. We will inform you of your time slot when we confirm your reservation.
Venue
Tanztendenz München e.V.
Lindwurmstraße 88 / 5th floor
80337 Munich
U 3 and U 6 and city bus 62 and N 40
Stop Poccistraße Tickets
Admission free
Please note that due to the current situation a ticket reservation is absolutely necessary.
An event of Tanztendenz München e.V.
All stories are worth telling. Sara, Robert, Lotta, Hillel are the names of the protagonists in Cristina D'Alberto's dance performance, but also the names of Munich residents who were interviewed for this project. It is their life stories that come on stage here and ask about the significance of the individual in our society.
Choreography, artistic director: Cristina D'Alberto
Performance, collaboration: Sara Campinoti, Robert Hemming, Hillel Perlman, Lotta Sandborgh Dramaturgy: Martina Missel Set and costume design: Michele Lorenzini Composition: Leonhard Kuhn Video design: Ikenna Okegwo Light design: Michael Bischoff Scientific advice: Stefano Piemontese
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
17,- EUR / 10,- EUR reduced
Reservation: www.schwerereiter.de
Gefördert durch das Kulturreferat der Landeshauptstadt München und den Bayerischen Landesverband für Zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst.
The subtle interaction of dance, space and light defines Stephan Herwig’s choreographic work - expanded and enriched in his new work by an object in the middle of the stage.
This allows an extra layer to develop that changes perception, smudges contours and shifts relationships.
The dance transforms in a rich, iridescent weave of different zones and atmospheres: between real and surreal, defined and blurred, distinct and indistinct, prim and sensual.
In “In Feldern” (Within Fields/Zones), Stephan Herwig’s interest in formal composition manifests itself. Its specific beauty develops out of the individuality of the dancers.
Choreography: Stephan Herwig
Dance: Gaetano Badalamenti, Anna Fontanet, Susanne Schneider, Giovanni Zazzera
Artistic collaboration: Karen Piewig
Lightdesign: Michael Kunitsch
Composition: Daniel Door
Stagedesign: Mirella Oestreicher
Production management: Angelika Endres
PR: Beate Zeller
rehearsal teaser by Laura Kansy: https://vimeo.com/470935576 Venue
schwere reiter
Dachauer Straße 116a
80636 München
Tram 12, 20, 21 or Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
17,- EUR / 10,- EUR reduced
Reservation is necessary! www.schwerereiter.de
Gefördert durch das Kulturreferat der Landeshauptstadt München und den Bayerischen Landesverband für Zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. Stephan Herwig ist Mitglied des Tanztendenz München e.V. Dank an das TROIS C-L Centre de Création Chorégraphique in Luxemburg für eine Probenresidenz.
Caught in the patterns of a restless mind, the harmonious relationship I had with my being started to shift towards a discrepant feeling. Thoughts and images which normally would have led me into a positive or negative state of mind, depending on the pattern, started to feel unpleasant and overwhelming in both positive and negative ways.
I wasn't feeling a whole anymore, but many at the same time and, at the round table with those housemates who remained silent for so long, a conversation started to happen.
Tha research takes over from this inner conversation between many voices of a singular person, amplified and echoed by the body, which is one but reflects many, with the aim of creating an environment where harmony is strongly present and of easy access , but always accompanied by a slight sense of discomfort and restlessness of the mind.
Choreography: Aurora Bonetti
Dance: Aurora Bonetti
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
With "le vide dans l'espace" Stephanie Felber and her team activate an event space that questions perception and reality. A space of projections, light installations, spherical soundscapes and choreographic time sculptures, which defines its own laws and pulls the bodies into a maelstrom, makes them tumble. A play with illusion that not only visually appeals to the senses of the audience and the performers, but also seizes the whole body.
"le vide dans l'espace" is a continuous action that is accessible to the audience in two different slots (7 pm and 8 pm).
Artistic direction: Stephanie Felber
Performer: Alan Fuentes-Guerra, Nikos Konstantakis
Ludger Lamers, Marion Sparber
Video: Patrik Thomas
Sound: ANNAGEMINA (Anna Illenberger und Michael Fiedler)
Lighting Design: Weronika Patan, Pit Schultheiß
Installation: Guida Miranda
Project-Management: Lara Schubert
PR: Beate Zeller
Teaser "le vide dans l'espace" https://vimeo.com/467495612 Venue
Labor Ateliers, Studio 2
Dachauer Straße 112d
München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz Tickets
Price 17,- EUR / 10,- red. EUR
Reservation: reservierungen@stephanie-felber.de or Stephanie Felber Please note that a reservation based on the Corona conditions
is absolutely necessary!
Gefördert durch das Kulturreferat der LH München und den Bayerischen Landesverband für Zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. Partner: AKC ATTACK! Zagreb. Unterstützt von Münchner Kammerspiele und Treibgut.
An everyday scene. People walk through a shopping center, take the escalator, meet each other, pass each other carelessly. Countless times these things happen again and again, all over the world. The performance starts with the movements of everyday life. Formations arise from individual bodies. Again and again a group becomes a social figure, which finds itself and a few moments later is again absorbed in the flow of people.
Choreography, concept: Micha Purucker
Performer: Lisa König, Verena Rendtorff, Anise Smith, Andrea Werner Venue
MIRA Einkaufszentrum
Schleißheimer Str. 504
80993 München More about the festival RODEO 2020
Gefördert durch das Kulturreferat der LH München.
Judith Hummel's live installation planned for March 2020 at Köşk will now be shown as a film at the dance and theater festival RODEO 2020.
Film and talk about stage 1: Săcălaz - Szeged. In walking, in going back, Judith Hummel explores her own origins and lays a trail around the fields of memory and body. On several stages, accompanied by her mother Margret and the camerawoman Laura Kansy, she follows the route of her grandmother, who fled from Romania to Germany in 1944. In June 2019 they will walk the first part of the route from Săcălaz, the home village of their grandparents, to Szeged in Hungary. An installation with video, sound, memorabilia and live moments will be created from material recorded along the way. Due to Corona, the work has experienced a turn: A film has been created - a documentation of the scenic moments, the images and sounds in the room - and yet a new, independent work.
Artistic direction, protagonist: Judith Hummel
Protagonist: Margret Hummel
Video, photo, cut: Laura Kansy
Sound: Tim Neuhaus
Artistic assistance: Stephanie Roderer
Dramaturgy: Ulrike Wörner von Faßmann
Choreographic assistance: Heidi Schnirch
Light design: Charlotte Marr
Decor: Katrin Schmid
Artistic advisor: Ruth Geiersberger
Route: Juliane Huth
Video technician: Jens Baßfeld
Venue
MIRA Einkaufszentrum
Schleißheimer Str. 504
80993 München More about the festival RODEO 2020
Gefördert durch das Kulturreferat der LH München sowie von der Kulturstiftung der Stadtsparkasse München. Judith Hummel ist Mitglied des Tanztendenz München e.V. Wir danken der Firma JOSTRA für die Unterstützung!
"double bill" shows three solos by two choreographers. An opportunity to experience two strong choreographic positions, which in their differences contour each other.
With "Fleischlos" the Israeli choreographer Zufit Simon resumes one of her first solo works: Starting from unspectacular conscious or spontaneous movements, she develops the dynamics of a complex sequence of movements.
One of her most recent works with sound and video designer Fredrik Olofsson is "SCHÄUME". The project uses the ephemeral fluid as a metaphor for the constitution of modern societies and undertakes a research of the unstable.
Hair is at the center of the solo "Persian Hair" by Raha Nejad, Berlin urban dance/vogue dancer with Iranian roots, in which she explores cultural differences and divergent images of women. For her herself, her hair and the way she dances with it is the "Persian" about her. In the choreography of Christoph Winkler she combines filigree hand and step combinations with powerful moves.
Venue
MIRA Einkaufszentrum
Schleißheimer Str. 504
80993 München Mehr Infos zum Festival RODEO 2020
Gefördert durch das Kulturreferat der LH München.
Water on the skin can be an intense body experience. It is inevitable. When body and water meet, there is an immediate reaction depending on the state of the water: warm, cold, icy, liquid, solid, droplet, rushing, flowing.
The installative solo video performance "Tasting Water" invites the audience to experience the element of water in a new way (and to stay dry at the same time): Water is constantly changing, is the symbol for cycles and for life. "Tasting Water" is a dialogue of dance and video, in water, under water, on water, on the water. Together with the video artist Manuela Hartel and in choreographic accompaniment of the dancer and choreographer Daniela Graca Schankula, Manasvini K. Eberl deals with the effects that water has on the body. The boundaries between water-video and dance-body become blurred.
Artistic direction, Choreography, Tanz: Manasvini K. Eberl
Video: Manuela Hartel
Choreography: Daniela Graca Schankula
Dramaturgy: Martina M
Sound: Marco Pflamminger
Costum: Sarah Silbermann
PR: Pfau PR Venue
Einstein Kultur / Halle 4
Einsteinstr. 42 www.einsteinkultur.de Tickets www.eventim.de
Gefördert durch das Kulturreferat der Landeshauptstadt München und mit freundlicher Unterstützung von Tanztendenz München e.V.
From 25th of January until 7th of February 2021 the Tanztendenz Munich e.V. will offer their studios once more to young emerging choreographers.
We offer a lab situation for research and exchange without any pressure of producing to choreographers, who are at the beginning of their artistic career.
The overall aim of OPEN STUDIOS is not to create finished pieces, but rather giving ideas and approaches a first try.
According to capacity every participant will be given four hours per day for rehearsal. Optional is a mentor from the choreographers of Tanztendenz Munich e.V. At the end of the two weeks there is the opportunity of an open exchange at Tanztendenz. Due to the current situation we're considering mainly projects up to three persons at the application. In that way we can react flexible to short dated changes.
Unfortunately expenses for overnight accommodation or travel are not defrayed, but we can help to find an unexpensive accommodation, as far as this is possible regarding the current situation.
Please send the filled application form in PDF to Stephan Herwig at herwig(at)tanztendenz.de till 18th of December 2020.
Zufit Simon and Fredrik Olofsson decided to produce a short film instead of the Munich-Premiere cancelled in January this year. Just have a look:
film link
This project posits FOAM as a metaphor for the nature of modern societies. With the “unstable stability” that characterises foam, it serves as an image of today’s living human reality, which one could also call spaces multiplicity. The individual cell is a bubble, isolated and fragile; only in a multitude does it become foam – in that way it enables examination of the tension between the individual and the masses. Foam can also be defined as “air in an unexpected place”, something that, although it takes form, is nevertheless very transient. The emerging images conceive of the body in its fragility as an unstable fluid. It’s worth taking a closer look at this apparently so familiar, everyday phenomenon...
Artistic director/choreographer/dancer: Zufit Simon
Sound/video technician: Fredrik Olofsson
Dramaturg: Inka M. Paul
Outside eye: Lisa Rykena
Lighting designer: Jochen Haker
Costume designer: Valentina Primavera
Artistic adviser: Christoph Winkler
Production manager: Dietrich Oberländer
PR: Beate Zeller
world premiere: February 28, 2019, LOT-Theater, Braunschweig
link to the full-length piece:
SCHÄUME on VIMEO
Venue
schwere reiter
Dachauer Straße 116a
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de
The return of this production is supported by the Department of Arts and Culture of the Bavarian capital Munich. Zufit Simon is a member of Tanztendenz München e.V.
A choreographic-sculptural relief, a triptych
flat rooms - flat dances / tracing action: the dancers actions are traced, filmed and streamed live
Three scenes for a dancer in an emptied schwere reiter
Three differently formed wall segments each set the stage for a discrete scene – seen together, a triptych in the form of a relief.
Each scene, each of the three wall segments focuses on a different theme and is handled individually – contextually, formally, methodically and acoustically.
The segments can be read as different moments in the life of one and the same person, or as an atmospheric sense of recent times that threatens to escalate, or to disintegrate, at any moment – fluctuating between accusation, contented forsakenness and aggression.
“interrogation – night watch – drift” – a combination of three small formats into a grand whole.
Concept, choreography, stage: Micha Purucker
Dance: Michal Heriban
Sound: Robert Merdžo
Lighting design: Michael Kunitsch
Camera: Micha Purucker, Michael Kunitsch
Technical support: Roland Wawoczny
Featured extra: Marius Visean
Studio: Manuela Müller
PR: Beate Zeller
This production is supported by the Department of Arts and Culture of the Bavarian capital Munich.
Micha Purucker is a member of Tanztendenz München e.V.
Venue
schwere reiter
Dachauer Straße 116a
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
Access to the Live-Stream YouTube
The Live-Stream is accessible without payment.
But if you would like to support the artists' work, any kind of donation is always welcome!
Please use this bank account:
Tanztendenz München e.V.
HypoVereinsbank
IBAN DE61 7002 0270 0042 9352 20
Donation for dance professionals
If you wish a receipt, please add your full name and address. For the financial department a copy of your bank account is sufficient to reduce taxes.
(only if the amount goes beyond 200 Euro you need a confirmation).
Thank You!
The first and most natural but also most complicated social relationship in the life of every human being are the parents. Whether classic father and mother, single parent, two mothers or two fathers or any form of patchwork - here we learn to live together, here we first experience basic feelings such as love, fear, anger, security, jealousy, compassion. "Stories in blue" draws pictures of the emotional map family from the child's perspective through music, dance and scenery. The choreographer and her team make use of their own memories, but also and above all they have conversations with the real experts - the children!
For two weeks, Ceren Oran and the performers worked together with students of the elementary school at Schererplatz in workshops on the topic of family. In addition to experiencing music and movement, the children were also interviewed about their families and got to see rehearsal excerpts that were discussed. "As adults, we only have memories of our childhood relationship with our parents. It was important to me for the production to capture an unadulterated child's view of family. So for me, the children are really artistic partners in the creation process." (Ceren Oran).
Impressions of the process and rehearsals here:
Stories in blue.
Team
Artistic direction, choreography: Ceren Oran
Dance: Jovana Zelenović, Roni Sagi (Máté Asbót: substitute dance during parts of the rehearsals)
Live music, composition: Benjamin Omerzell, Milly Groz
Stage and costume: Sigrid Wurzinger
Lighting design: Dennis Kopp
Dramaturgical support: Moos van den Broek
Artistic production management: Rat & Tat Kulturbüro
PR: Simone Lutz
Performance venue
HochX
Entenbachstrasse 37
Munich HochX Tickets
9 € / 6 € erm. + VVK fee
VVK: Munich Ticket
Supported by the Cultural Department of the City of Munich, the Performing Arts Fund as part of NEUSTART KULTUR #TakeAction and the Cultural Foundation of Stadtsparkasse München. This project is made possible by the Bavarian State Association for Contemporary Dance (BLZT) with funding from the Bavarian State Ministry of Science and the Arts. Ceren Oran is a member of Tanztendenz München e.V. With the kind support of Tanzbüro München and Fokus Tanz.
This project posits FOAM as a metaphor for the nature of modern societies. With the “unstable stability” that characterises foam, it serves as an image of today’s living human reality, which one could also call spaces multiplicity. The individual cell is a bubble, isolated and fragile; only in a multitude does it become foam – in that way it enables examination of the tension between the individual and the masses. Foam can also be defined as “air in an unexpected place”, something that, although it takes form, is nevertheless very transient. The emerging images conceive of the body in its fragility as an unstable fluid. It’s worth taking a closer look at this apparently so familiar, everyday phenomenon...
Artistic director/choreographer/dancer: Zufit Simon
Sound/video technician: Fredrik Olofsson
Dramaturg: Inka M. Paul
Outside eye: Lisa Rykena
Lighting designer: Jochen Haker
Costume designer: Valentina Primavera
Artistic adviser: Christoph Winkler
Production manager: Dietrich Oberländer
PR: Beate Zeller
Venue
schwere reiter, alte Halle
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red.
Reservation is obligatory: www.schwerereiter.de
The return of this production is supported by the Department of Arts and Culture of the Bavarian capital Munich.
“YESTER:NOW” places itself in the midst of the hullabaloo of the state of crisis and creates a vortex of movement, images, slogans and sound - a surreal cloud in the here and now. Six dancers form a stream of sampled movements, from which individual bodies break out again and again. Slogans from protest culture, pop, nonsense, politics and high tech encode the present. In an attempt to cope with the unmanageable complexity of world events of yesterday and today, Moritz Ostruschnjak succeeds with his latest work in mixing simplification and showbiz attitude: Being subtle was yesterday – it’s showtime, baby!
The live premiere of the latest production of Moritz Ostruschnjak will take place in the main hall of the Philharmonie at Gasteig. Corona made it possible to stage a unique performance in the room, which was not used due to the pandemic (it normally seats 2400 people), in which six dancers occupy the entire audience arena while the audience is sitting on stage. You’ve never experienced the Philharmonie like this!
Choreography: Moritz Ostruschnjak / Choreographic collaborator: Daniela Bendini / Dance: Dhélé Agbetou, Guido Badalamenti, Daniel Conant,
Quindell Orton, Robero Provenzano, Magdalena Agata Wójcik / Video & Set design: Moritz Stumm / Light design: Tanja Rühl / Dramatic adviser: Armin Kerber / Costume: Daniela Bendini, Moritz Ostruschnjak / Music mixing & editing: Jonas Friedlich / Production management: Hannah Melder / PR: Simone Lutz
Venue
Gasteig, Philharmonie
Rosenheimer Str. 5
München Gasteig
Festival TANZWERKSTATT EUROPA Tickets
25,-/15,- EUR
VVK: TANZWERKSTATT EUROPA
Vorstellungen im Rahmen von TANZWERKSTATT EUROPA veranstaltet von JOINT ADVENTURES –Walter Heun. Eine Produktion von Moritz Ostruschnjak. Gefördert durch das Kulturreferat der Landeshauptstadt München und durch den BLZT, Bayerischer Landesverband für zeitgenössischen Tanz, aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. In Zusammenarbeit mit der Gasteig München GmbH. Streaming-Premiere realisiert in Kooperation mit dem Theater Freiburg. Realisiert durch eine Residency am TROIS C-L - Centre de Création Chorégraphique Luxembourgeois und POLE - SUD / CDCN - Strasbourg im Rahmen des Netzwerks Grand Luxe. Moritz Ostruschnjak ist Mitglied des Tanztendenz München e. V.
For the first edition of TANZWERKSTATT EUROPA in 1991, Walter Heun commissioned four European choreographers to explore Mozart. Among them were two pieces by Rui Horta and Micha Purucker. Both choreographers were important companions of TANZWERKSTATT EUROPA for a long time and influenced dance in Munich. Their choreographies will be re-staged in cooperation with the ballet company of Staatstheater am Gärtnerplatz and Gasteig. In addition, Thomas Hauert was recently commissioned to develop a new choreography with the dancers – also with “Mozart” as the starting point for the research. An extraordinary trilogy is being created.
JOINT ADVENTURES – Walter Heun in cooperation with Staatstheater am Gärtnerplatz and Gasteig
Venue
Gasteig, Carl Orff Saal
Rosenheimer Str. 5
München Gasteig
Festival TANZWERKSTATT EUROPA Tickets
36,-/28,-/22,-/15,- EUR
VVK: TANZWERKSTATT EUROPA Purucker’s fourteenth production at the old schwere reiter: as the last event at and for this location, the choreographer has invented a performance structure for the hall in which a creaturely approach to movement encounters a rigid spatial structure. The performers find themselves lost in a game whose beginning is forgotten and whose end is unforeseeable. The result is a dynamic texture of long linear vectors and their refraction in short encounters. The music is loud, and the endeavor ends in fog.
with Aurora Bonetti, Alessandra Defazio, Viviana Defazio, Michal Heriban, Jules Rozenwajn and Anise Smith in a choreography by Micha Purucker with the dancers
Lighting Design: Michael Kunitsch
Mix: Robert Merdžo
PR: Beate Zeller
Venue
schwere reiter, alte Halle
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red.
reservation requested: www.schwerereiter.de
Mit Unterstützung des Kulturreferats der LH München.
Micha Purucker ist Mitglied von Tanztendenz München e.V.
“58 Indices on the Body” by the French philosopher Jean-Luc Nancy is a list of sometimes contradictory, short remarks on the human body. His text is the source of inspiration for this choreography.
„Why indices rather than characters, signs, distinctive markings? Because the body escapes, is never sure, lets its presence be suspected but not identified. [...] We only have references, traces, imprints, footprints.“
„A body is a difference. Since it is a difference from every other body [...] it’s never done with differing. It also differs from itself.“
Concept, artistic director: Zufit Simon
Dance, choreography: Zufit Simon, Lois Alexander, Clarissa Rêgo
Music: Fredrik Olofsson
Light: Jochen Haker
Costume: Valentina Primavera
Management: Dietrich Oberländer
Public Relations: Beate Zeller
Venue
schwere reiter, alte Halle
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red.
Reservation is obligatory: www.schwerereiter.de
The production is supported by the Bureau for Cultural Affairs of the State Capital City of Munich and the state of Lower Saxony, Ministery for Science and Culture. Zufit Simon is a member of Tanztendenz München e.V.
"Parotia" is a performance for three spinning dancer, inspired by sources as diverse as the Egyptian folk dance Tanoura, the choreographic work of Loïe Fuller or Oskar Schlemmer and the Bauhaus movement. By creating a piece at the intersection of middle-eastern dance and our western choreographic heritage, Léonard Engel explores the physical and visual properties of the act of whirling, and invites the audience to an hypnotic and sculptural dance piece.
"During my research for "Parotia", I was very fascinated by how the act of spinning has always appeared in different cultures and for different reasons: as a means to reach a trance-like state (in ancient Greece), to connect with a god (Sama of the dervishes), to create impressive visual effects (Tanoura) or to expose the underwear of Bavarian and Tyrolean women (Dirdnldrahn). Even in ballet there is this tradition of 32 fouettés." (Léonard Engel)
Starting from the simple movement of spinning, Engel develops a choreography that slowly changes the spectators' perception of space and body. Dressed in heavy multi-layered costumes created by Josa Marx, the three dancers become kinetic sculptures in continuous transformation, reconfiguring themselves in space, while the shimmering patterns of the fabrics underline the hypnotic effect of the spinning. The bodies of the dancers merge with their costumes and lose themselves in abstract forms until they disappear completely behind the hustle and bustle of the colours and figures.
"For me, this piece is about exploring the idea of kinetic sculpture. The dancers wear very heavy, multi-coloured skirts, which we treat as objects to abstract the performers' bodies. The resulting forms live only through the centrifugal force of the spinning movement and would fall apart if the performers stopped spinning - it is the disappearance of the body through movement, the transformation into an abstract form." (Léonard Engel)
Team
Dance: Gizem Aksu, Lisa Stertz, Angelo Petracca
Choreography: Léonard Engel
Costume: Josa Marx
Komposition: 9T Antiope
Light: Matthias Singer
Production management: Miria Wurm
Technical direction, Light technic: Rainer Ludwig
Sound technic: Josy Friebel
Costume making: Christin Wanke
Fabric production: Weberei/Noël Saavedra
PR: Simone Lutz
Venue
schwere reiter
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro erm.
Reservierung unbedingt erforderlich: www.schwerereiter.de
Produktion: Léonard Engel / Koproduktionspartner: PACT Zollverein
Das Projekt ist gefördert durch das Kulturreferat der Landeshauptstadt München und wird unterstützt durch das NATIONALE PERFORMANCE NETZ Koproduktionsförderung Tanz, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien, ermöglicht durch den Bayerischen Landesverband für zeitgenössischen Tanz (BLZT) aus den Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst.
Mit freundlicher Unterstützung durch Tanztendenz München e.V.
An exploration of idyll and concrete: we are surrounded by curated plants. The nature around us is shaped by us. It is subject to the decisions of its gardeners. We retreat into these landscaped green spaces and come to rest. Gardens and parks allow an illusion of naturalness. Geometric shapes, water features, and memories of times past allow us to escape reality. Between appropriation and distortion, the desire to establish ourselves in a place and leave traces is manifested. How does this approach to nature reflect our society?
At three different locations in Munich, the ensemble of dancers and musicians directs a focus on the question of formed nature and natural self-evidence.
Team
Choreography, artistic direction: Cristina D'Alberto
Dance: Sara Campinoti, Erica D'Amico, Siri Persson, João Santiago, Chiara Viscido Music: Leonhard Kuhn, Moritz Stahl
Choreographic assistance: Sara Campinoti
Dramaturgy: Martina Missel
Photos: Michael Weniger
Production management: Lara Schubert
Press and public relations: Claudia Illi
The project, music and choreography are developed in collaboration with the participating artists*.
Venues
September 18 || 11:00 am | Import/Export, Schwere Reiter Str. 2
September 18 || 18:00 pm | MIRA Shopping Center, Schleissheimer Str. 506
September 19 || 11:00 am + 18:00 pm | Seebühne im Westpark, Westendstr. 305 Tickets
10,00 EUR / erm. 5,00 EUR
Reservation at missel@riseup.net
In cooperation with Circus Hub and Tanztendenz e.V. Supported by the NATIONAL PERFORMANCE NETWORK - STEPPING OUT, funded by the Federal Government Commissioner for Culture and the Media as part of the initiative NEUSTART KULTUR. Support Program Dance.
Our daily post give us today ... Self-expression, inspiration, ritual and the search for affirmation - the social media hold their users firmly in their clutches. In "Our Daily Post", short video clips on a variety of topics are freshly fished out of the ocean of the Internet for each evening. A mixture of actors, diverse in age, background and art form, reacts and improvises to these clips. The participants take up acoustic, visual and thematic elements and develop them further - each evening with a different cast, each evening with changing musical input, each evening with different source material.
Team
Choreography: Katja Wachter
Performance: Ludger Lamers, Helmut Ott, Hardy Punzel, Daniela Graça Schankula, Katja Wachter u.a.
Venues .
schwere reiter, Alte Halle
Dachauer Street 116
80636 Munich
Streetcar 12, 20, 21 or bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
17,00 EUR / erm. 10,00 EUR
Reservation at www.schwerereiter.de
Sponsored by the Department of Culture of the City of Munich / A cooperation of Tanztendenz München e.V. and scope - Spielraum für neue Musik / Katja Wachter is a member of Tanztendenz München e.V.
The installation "Zero" by performance artist Stefan Maria Marb takes a special pause after his long creative break and celebrates a creative zero state, which, in the context of a public installation from October 8 to 10, provides the audience with intimate insights into a fundamental artistic creative process. Pauses, gaps and empty spaces set the rhythm of what happens or doesn't happen, in which the artist puts himself in a kind of meditation and waits for the creatively right moment, the kairos, as the ancient Greeks would say. Accentuating this state is interrupted by music recordings, minimal performances and readings from various writings, including from the as yet unpublished work of the author "Butoh- between the worlds".
For the anti-performative texture of "Zero", the art space of the KloHäuschen proves to be tailor-made, being historically a visceral place where elementary basic needs were quickly "taken care of" over many years. "Zero" consciously picks up on this history, but in doing so moves on an oppositely slowing time track and sees in this chthonic metropolitan space, which is linked to the underground sewers of the metropolis, the metaphor of a birthing station in which artistically fundamental new things can emerge. It is an easily overlooked oasis, a utopian retreat, at Munich's bustling Grossmarkthalle, which "Zero" wants to explore and enliven.
Times
Start: October 8, from 6:39 pm physical presence of the artist
October 9, from 6:37 pm physical presence of the artist
October 10, from 6:35 pm physical presence of the artist
The artist will be present on each of the three days from the moment of sunset for an unspecified period of time. This will result in a public installation that is constantly changing.
Venue
Das KloHäuschen
Thalkirchner Street / corner Oberländerstr.
Grossmarkthalle Westtor
81371 Munich The KloHäuschen Tickets
Admission free
The event takes place as part of the measures to animate das KloHäuschen at the Grossmarkthalle, a project of realitaetsbüro / Anja Uhlig, sponsored by the Cultural Department of the City of Munich. Stefan Maria Marb is a member of Tanztendenz München e.V. The performing artists are back and present themselves and their work in all its splendor and diversity on these two opening days in September. A new and a (soon to be) former venue, as well as the spaces in front and in between them will be enlivened, explored and used. And there will be a party too. “geöffnet – we are open” – is this motto under which the future venue schwere reiter will be claimed and taken into possession with dance, theater, music and playfulness. Choreographers, theater makers and musicians from the independent scene, who feel particularly connected to this location and its genres of performing arts, will present brief excerpts from their previous works as well as specially staged events for this occasion: We are back! The detailed program under the artistic direction of Christoph Reiserer and Alexander Strauch will be published online soon. Tickets are available at a uniform price of ten euros; reservations are requested via www.schwerereiter.de. (Due to the coronavirus, access to the site is possible only for a limited number of people).
Programme
dance
Stephan Herwig: _(Platzhalter)
Ceren Oran: THE URGE
Moritz Ostruschnjak: YESTER:NOW (excerpts)
Micha Purucker: local aliens – distracted + errant
Johanna Richter: come closer
Katrin Schafitel & Katrin Vogel: ZWINK
Claudia Senoner & Mark Lorenz Kysela: Shake - Mmmooz Reloaded
Rosalie Wanka & Kassandra Wedel: Visual Vibrations
theater
Olaf Becker: Hi, I’m open, how are you?
Judith Huber & Lea Ralfs: Manifest
Caroline Kapp: The Feminist Anarchists
realprodukt Christina Ruf: a-QR-z - Mobile Begriffsannäherungen
Caitlin van der Maas: Karl im ALL zu Hause (Preview)
Martina Veh: The Blind
music
Claas Krause: Die Scherben Des Alten Europa
Cornelia Mélian & Helga Pogatschar: ...von Liebe singen
Christoph Reiserer: Saxophonquartett Le Fou Rohr
Johannes X. Schachtner: MÜNCHNER SZENERIEN
Alexander Strauch & RSO-M: Epitaph B-C
KP Werani: SPUNDWAND_1 mit 4 Hommages (2021)
Venue
schwere reiter
Kreativquartier
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
10 Euro per day
Reservations are requested www.schwerereiter.de Due to the coronavirus, access to the site is possible only for a limited number of people.
Gefördert vom Fonds Darstellende Künste aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien. schwere reiter ist eine Spielstätte für die Münchner Freie Szene und Gäste, die maßgeblich gefördert wird vom Kulturreferat der Landeshauptstadt München.
Insights into experiences and moments from the lives of all people are worth telling, regardless of great deeds and success. "Anthologie/Blütenlese" is a performative attempt to collect life stories from a wide variety of Munich residents and to abstract them for the stage. The starting point for this presentation are four dancers. They unite the complexity of the stories in their bodies and reproduce them as individual interpretations. The performance allows a glimpse into the individual pieces that make up the puzzle of our personalities and reveals valuable similarities and differences. This creates agreement to support each other and strive for community.
Team
Performance Sara Campinoti, Robert Hemming, Alessandro Marzotto Levy, Lotta Sandborgh
Choreography and artistic direction Cristina D'Alberto
Dramaturgy Martina Missel
Stage & costume design Michele Lorenzini
Costume design Alessandra Guttagliere
Composition Leonhard Kuhn
Video design Ikenna Okegwo
Lighting Michael Bischoff
Understudies Siri Persson, Sonja Golubkova
Scientific advice Stefano Piemontese
Production Management Lara Schubert, NN
Developed in collaboration with the performers
Original cast of the world premiere: Sara Campinoti, Robert Hemming, Hillel Perlman, Lotta Sandborgh.
Venue .
heavy riders, new hall
Dachauer Strasse 116
80636 Munich
Streetcar 12, 20, 21 or bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro erm.
Reservation absolutely necessary: www.schwerereiter.de
We would like to give special thanks to our interview partners, without whom this project would not have been possible. With many thanks to Iwanson International. In cooperation with Tanztendenz München e.V. This project is supported by the Cultural Department of the City of Munich. The premiere was supported by the Cultural Department of the City of Munich and the Bavarian State Association for Contemporary Dance (BLZT) with funds from the Bavarian State Ministry for Education and Culture.
"How close can we get to each other? What can physical togetherness look like at all in a time when we are constantly watching ourselves and have to deduce from an almost overwhelming flood of information what is relevant to us at the moment? How do we deal with our fears? And how has prescribed social isolation changed our relationship to primal, human instincts?
The interdisciplinary dance theatre piece "fear.less" with three actors and three dancers, illuminates the "now" of social life in the pandemic, marked by fears and uncertainties, and at the same time looks for possibilities of a playful return to the greatest possible freedom of togetherness and closeness. Identification and empathy between spectators and performers create a powerful interaction and make the topic, which is topical for both sides, directly perceptible in the physical, universal language of the body. Accordingly, what moves us in the current exceptional situation, what makes us speechless and powerless, can be translated into this language. The stage becomes a platform, a direct space of experience to create spaces of possibility out of spaces of fear and to play on them in a critical, humorous and situational way.
Team
Koncept, Choreography: Johanna Richter / Together with the ensemble: Conrad Ahrens, Erica D´Amico, Amie Jammeh, Jochanah Mahnke, Búi Rouch und João Santiago /Artistic collaboration: Tim Bergmann / Stage: Mark Rosinski / Costume: Jörg Christel and Uwe Sinn / Light: H.P. Boden / Sound: Philip Kolb / Video: Tim Bergmann, Thomas Göbl / PR: Kathrin Schäfer
Venue
schwere reiter
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro erm.
Reservierung unbedingt erforderlich: www.schwerereiter.de
In Koproduktion mit dem Neuen Globe, Freilichtspiele Schwäbisch Hall und dem Theater Kempten / Gefördert im Impulsprogramm "Kunst trotz Abstand" des Ministeriums für Wissenschaft, Forschung und Kunst Baden-Württemberg / Gefördert vom Migrationsbeirat der Stadt München, vom Bezirksausschuss München 09 (Neuhausen, Nymphenburg) dem Bezirksausschuss 04 (Schwabing) und mit Projektmitteln des Kulturreferats der Landeshauptstadt München / Unterstützt von der Merkur Gruppe und mit persönlichem Dank an Stephan Eckardt, für die zur Verfügung Stellung der Drehorte / Mit herzlichem Dank für die Unterstützung an das neue schwere reiter, die Tanzquelle und den Circus Hub / Johanna Richter ist Mitglied des Tanztendenz München e.V.
The Nimble Project, Iwanson International's postgraduate programme, presents three stylistically highly diverse works by internationally renowned choreographers with dancers at the beginning of their careers!
Team
Participants of the postgraduate programme of Iwanson International / Choreography: Hannes Langolf, Alessandro Sousa Pereira, Emese Nagy
Venue
schwere reiter
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red.
Reservation obligatory: www.schwerereiter.de
Supported by Make it e.V. and in cooperation with Tanztendenz München e.V. and schwere reiter.
With the Morton Feldman Project, Sabine Glenz continues her engagement with formative composers of the modern era. In cooperation with the percussionists of the Munich Philharmonic Orchestra, she undertook choreographic research into the music of Steve Reich in “Phasen.Machen” (Munich, 2017), followed by “Rhizom” (Munich, 2018), which was dedicated to John Cage’s “Three Constructions.”
In her latest project, Glenz develops an open choreographic structure for a long-term performance set to Morton Feldman’s String Quartet No. 2.
Morton Feldman (1926-1987) composed a remarkable series for various instrumentations, including works that span five or six hours. He worked intuitively and developed a personal style characterized by extreme gentleness and slowness. The composition of String Quartet No. 2 stretches through five hours, thus providing the musical framework and temporal measure for the choreographic project, which is interpreted live by Ensemble Resonanz at the Museum für Kunst und Gewerbe in Hamburg. Throughout this lengthy interval, eight dancers come together in ever-new constellations or break away from them. Independent action within a clearly defined improvisational structure is enabled by movement sequences with open beginnings and endings and with different entrances and exits. Form fluently, imperceptibly and gradually builds up and collapses again. The performance takes place during the opening hours of the museum (admission with museum ticket) and is filmed from its center with a 360° camera. The visitors are free to move around in the rooms, so they too will become part of the recorded images.
This video recording will subsequently serve as an integral part of the sound-space-image-dance installation that will be created in January 2022 in the large hall of the WIESE. Two screens positioned at a 70° angle to each other will form the basic structure, while the video recording of the performance at the MK&G will be juxtaposed with the film “Farbfelder” by Franz Kastner (camera) and Alejandro Valbuena (painting) on the projection screens. The film, which was produced in February 2021, is inspired by Mark Rothko’s color field painting; painted motifs gradually and imperceptibly change their structure, color and form. Momentary performances by the dancers, e.g. as solos or duets, occur casually and fleetingly in space and disappear imperceptibly as choreographic allusions to the recorded performance or as autonomous additions to it. The two-dimensional digital image extends into real space; images of physicality are juxtaposed with physical presence.
The transfer of the live performance into a multimedia installation, together with the juxtaposition of digitality and reality, leads to an intimate intertwining of various aspects of sound, body, space and time, while augmenting them with a subtle other level on which the present and the past map onto each other just as much as digital and analogue appearances. The bringing together of the two films in the walk-through installation is an invitation to experience time as an almost infinitely extended moment and as a shared spatial and physical movement.
Concept, artistic direction: Sabine Glenz
Dramaturg: Matthias Quabbe
Music: String Quartet No. 2 von Morton Feldman, 1983 (Dauer: 5 h)
Live-Interpretation: Streichquartett des Ensemble Resonanz
Dance: Viktor Braun, Jonathan Bringert, Marcelo Doño, Sara Ezzell, Clàudia Ferrando,
Angela Kecinski, Fernanda Ortiz, Larissa Potapov
360° Camera: Franz Kastner
Film „Farbfelder“ (5 h): Franz Kastner, Alejandro Valbuena
Production Management: Levin Handschuh
Venues
Museum für Kunst & Gewerbe Hamburg
Steintorplatz
20099 Hamburg www.mkg-hamburg.de Tickets
admission with museum ticket www.mkg-hamburg.de
In cooperation with the Museum für Kunst & Gewerbe and the Ensemble Resonanz. Supported by the Freie und Hansestadt Hamburg, Behörde für Kultur und Medien, Hamburgische Kulturstiftung and the Rudolf Augstein Stiftung.
January 21 & 23, 2022, 1 - 6 pm
sound-space-image-dance installation
WIESE eG
Wiesendamm 24
Hamburg www.wiese-eg.de
admission free
In cooperation with the WIESE eG and the Ensemble Resonanz, supported by the NATIONALE PERFORMANCENETZ-STEPPING OUT, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen der Initiative Neustart Kultur. Hilfsprogramm Tanz.
Where can radical feminism lead? Drawing on the theories of the Jewish radical feminist Shulamith Firestone (1945-2012), “Passable, not Presentable” aims to explore, through the encounter with dance, the effects that political and private conflicts can have on female corporeality. Economic and psychological-private oppression are questioned and translated into the movement language of dance.
Choreography, Dance: Zufit Simon
Sound: Fredrik Olofsson
Costume Design: Valentina Primavera
Set Design: Dietrich Oberländer
Lighting Design: JOM
Outside Eye: Inka Paul, Clarissa Rêgo
Production Management: Dietrich Oberländer
PR: Beate Zeller
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red.
Reservation: www.schwerereiter.de
Die Produktion wird gefördert durch Mittel des Landes Niedersachsen, Ministerium für Wissenschaft und Kultur und der Stiftung Niedersachsen,
die München-Premiere wird gefördert vom Kulturreferat der Landeshauptstadt München. Zufit Simon ist Mitglied von Tanztendenz München e.V.
'From what do choreographers draw their inspiration? Which objects, people, thoughts, things determine their work? '
The series STANDPUNKT.e, developed by the Tanztendenz, focuses on the subtexts of artistic work and seduces the audience into other perspectives on contemporary dance. Here, choreographers invite audiences into their world and - free in their choice of tools - create very personal evenings for the Munich audience on the context and methods of their work.
The Tanztendenz series STANDPUNKT.e was developed in 2009 especially for the venue schwere reiter and will take place for the first time in 2022 in the new building of the schwere reiter, which was constructed last year. Up to now, 12 choreographers from Germany, Europe, Brazil and the USA have been guests at STANDPUNKT.e.
( More )
In 2022, the Swiss choreographer Thomas Hauert, who lives in Brussels, will be the guest. He tours internationally with his Cie. ZOO, which he founded in 1998, and has also been a guest in Munich many times - most recently in 2021 at TANZWERKSTATT EUROPA with the evening "Re.Visited - 3 Works On Mozart" (Thomas Hauert, Rui Horta, Micha Purucker).
About Thomas Hauert
Thomas Hauert founded his company ZOO in Brussels in 1998. Cows in Space, his first piece was immediately awarded at the Rencontres de Seine-St-Denis/Bagnolet. Since then, the company has created and distributed more than 20 works. In addition to his work for ZOO, Thomas has also been invited to create works for the Zurich Ballet, Toronto Dance Theatre, Candoco Dance Company and Ballet de Lorraine among others. Alongside to his choreographic work, Thomas Hauert has developed an internationally recognized teaching method based on the movement research conducted with all the members of ZOO. Since 2013, he has been the artistic director of the Bachelor in Contemporary Dance at the Manufacture - Haute Ecole des Arts de la Scène in Lausanne.
More: www.zoo-thomashauert.be
Thomas Hauert : Excerpt Interviev with Marisa Godoy dos Santos Rüegg '
« … because of the [company’s] 20th anniversary – I wanted that everybody as a performer could kind of have a moment or could kind of realise a dream as the performer or something that they really wanted to do as performers, and Mat said : he would like to disappear on stage. And then we, it was kind of maybe 3 weeks before the premiere, we had kind of a week in a theatre in Brussels before we were gonna go to Liege [to do the premiere] (…) the piece was far from finished but we had kind of made a ‘filage’ [run through] kind of thing. (…) There were only a few people like friends and people from the company watching. (…) the music was over, like there was like one, one last dance that we finished and then I just said “ah, it’s not finished yet ! And now we’re gonna make Mat disappear!”, and then really amazing, we just kind of everybody just did something like, we’re gonna pretend. And then when I watched the video, I did not know how we did it - Mat was gone. And we had never talked about it, like, really. (…) And that’s like that that kind of sums it up for me, that was really my birthday present for the 20th, working with people we pull it off on stage that magic trick that really kind of requires some skill and some planning normally… »
(Thomas Hauert, excerpt from a transcript of an oral interview by Marisa Godoy dos Santos Rüegg, in the framework of her PhD dissertation “Generating co-presence: Dancer’s ways of knowing and discoveries in improvisation choreography”)
'
Team
Thomas Hauert, Sarah Ludi, Federica Porello
Venue
schwere reiter
Dachauer Straße 114 a
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
17,- Euro / red. 10,- Euro
Reservation: www.schwerereiter.de Supporters
Eine Produktion von Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, die Kulturstiftung der Stadtsparkasse München und durch den BLZT, Bayerischer Landesverband für zeitgenössischen Tanz, aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst
With the Morton Feldman Project, Sabine Glenz continues her engagement with formative composers of the modern era. In cooperation with the percussionists of the Munich Philharmonic Orchestra, she undertook choreographic research into the music of Steve Reich in “Phasen.Machen” (Munich, 2017), followed by “Rhizom” (Munich, 2018), which was dedicated to John Cage’s “Three Constructions.”
In her latest project, Glenz develops an open choreographic structure for a long-term performance set to Morton Feldman’s String Quartet No. 2.
Morton Feldman (1926-1987) composed a remarkable series for various instrumentations, including works that span five or six hours. He worked intuitively and developed a personal style characterized by extreme gentleness and slowness. The composition of String Quartet No. 2 stretches through five hours, thus providing the musical framework and temporal measure for the choreographic project, which is interpreted live by Ensemble Resonanz at the Museum für Kunst und Gewerbe in Hamburg. Throughout this lengthy interval, eight dancers come together in ever-new constellations or break away from them. Independent action within a clearly defined improvisational structure is enabled by movement sequences with open beginnings and endings and with different entrances and exits. Form fluently, imperceptibly and gradually builds up and collapses again. The performance takes place during the opening hours of the museum (admission with museum ticket) and is filmed from its center with a 360° camera. The visitors are free to move around in the rooms, so they too will become part of the recorded images.
This video recording will subsequently serve as an integral part of the sound-space-image-dance installation that will be created in January 2022 in the large hall of the WIESE. Two screens positioned at a 70° angle to each other will form the basic structure, while the video recording of the performance at the MK&G will be juxtaposed with the film “Farbfelder” by Franz Kastner (camera) and Alejandro Valbuena (painting) on the projection screens. The film, which was produced in February 2021, is inspired by Mark Rothko’s color field painting; painted motifs gradually and imperceptibly change their structure, color and form. Momentary performances by the dancers, e.g. as solos or duets, occur casually and fleetingly in space and disappear imperceptibly as choreographic allusions to the recorded performance or as autonomous additions to it. The two-dimensional digital image extends into real space; images of physicality are juxtaposed with physical presence.
The transfer of the live performance into a multimedia installation, together with the juxtaposition of digitality and reality, leads to an intimate intertwining of various aspects of sound, body, space and time, while augmenting them with a subtle other level on which the present and the past map onto each other just as much as digital and analogue appearances. The bringing together of the two films in the walk-through installation is an invitation to experience time as an almost infinitely extended moment and as a shared spatial and physical movement.
Concept, artistic direction: Sabine Glenz
Dramaturg: Matthias Quabbe
Music: String Quartet No. 2 von Morton Feldman, 1983 (Dauer: 5 h)
Live-Interpretation: Streichquartett des Ensemble Resonanz
Dance: Viktor Braun, Jonathan Bringert, Marcelo Doño, Sara Ezzell, Clàudia Ferrando,
Angela Kecinski, Fernanda Ortiz, Larissa Potapov
360° Camera: Franz Kastner
Film „Farbfelder“ (5 h): Franz Kastner, Alejandro Valbuena
Production Management: Levin Handschuh
Venues
Museum für Kunst & Gewerbe Hamburg
Steintorplatz
20099 Hamburg www.mkg-hamburg.de Tickets
admission with museum ticket www.mkg-hamburg.de
In cooperation with the Museum für Kunst & Gewerbe and the Ensemble Resonanz. Supported by the Freie und Hansestadt Hamburg, Behörde für Kultur und Medien, Hamburgische Kulturstiftung and the Rudolf Augstein Stiftung.
January 21 & 23, 2022, 1 - 6 pm
sound-space-image-dance installation
WIESE eG
Wiesendamm 24
Hamburg www.wiese-eg.de
admission free
In cooperation with the WIESE eG and the Ensemble Resonanz, supported by the NATIONALE PERFORMANCENETZ-STEPPING OUT, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen der Initiative Neustart Kultur. Hilfsprogramm Tanz.
We can no longer go back home. The old civic, state, and national groupings have become unworkable. The spirit of the new technology prevents things from remaining as they are...". (Marshall McLuhan)
Machines do not embed our lives and behaviour in a narrative, but calculate the connections between data points and claim that with this we can tell something. But this calculated space leaves no room for imagination, for possibilities to tell our own personal story outside of the given technologies.
Not only do we live in a ghost story of bits and bytes, we have also lost our "home", our orientation, and stumble around disoriented in a present for which we lack navigation aids. We cling to the familiar, operate with concepts of the past for tomorrow. We close our eyes as if the "Wild Hunt" were roaring over us, a vortex of dystopias.
In the large hall of Munich's UTOPIA, six dancers create a dystopian image of our unease with tomorrow, our speechlessness in the face of times to come, in which the dancing body in the vastness of space is the focus.
Team
Choreography: Moritz Ostruschnjak / Choreographic collaborator: Daniela Bendini / Dance: Guido Badalamenti, David Cahier, Daniel Conant, Roberto Provenzano, Miyuki Shimizu, Magdalena Agata Wójcik / Dramaturgy: Armin Kerber / Music mixing & editing: Jonas Friedlich / Light design: Michael Peischl / Production: Lara Schubert / PR: Simone Lutz
Utopia
Heßstraße 132
80797 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz utopia-munich.com/ Tickets
15,- / 10,- Euro red.
Reservation absolutely necessary, coming soon on: moritzostruschnjak.com
Eine Produktion von Moritz Ostruschnjak in Koproduktion mit dem Theater Freiburg. Gefördert durch das Kulturreferat der Landeshauptstadt München und durch den BLZT, Bayerischer Landesverband für zeitgenössischen Tanz, aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst. In Zusammenarbeit mit Utopia UG. Moritz Ostruschnjak ist Mitglied des Tanztendenz München e. V
Society is in a state of touch deprivation. Since the pandemic has taken hold of the world, "Don't touch!" is the order of the day and the body of the other person is a potential source of danger. Corona has turned the phenomenon known as "skin hunger" or "touch starvation" into a global mass experiment: What happens when there is no touch?
In her eponymous ensemble piece "skin hunger", Canadian choreographer Jasmine Ellis explores the effects of lack of touch, intertwining the live elements of dance and music with the narrative quality of radio. The project in its entirety is the live performance in Germany and a radio podcast by artist Johnny Spence in collaboration with CBC Canada's radio show "Ideas". Besides the thematic bracket - touch - both works also connect directly. Johnny Spence will create the sound of Jasmine Ellis' "skin hunger" from the interviews he collected for his podcast (with social workers/artists/scientists on the subject of "touch"), but at the same time elements and voices from the dance performance will also flow into the radio report, just as narratives from the podcast will be transformed into dance or stage text.
Cast
Director, Choreographer: Jasmine Ellis / Performers: Breeanne Saxton, David Pallant, Gabriel Lawton, Kim Kohlmann / Composer: Johnny Spence / Dramaturge: Martina Missel / Costume Designer: Sarah Kaldewey - Atelier Kaldewey / Light Design: Wolfgang Eibert / Press and public relations: Simone Lutz, Mandana Mansouri
Photo / Video: Ray Demski / 'skin hunger' Podcast Johnny Spence, "Ideas" from CBC Canada / Circle design and seamstress: Catherine Carpenko / Outside eye: Julia Pagel 7 Production: Sophie Thuma, Jasmine Ellis Project, Rat & Tat Kulturbüro
Venue
schwere reiter
Dachauer Straße 116
80636 München
Tram 12, 20, 21 oder Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro erm.
Reservation absolutely necessary: www.schwerereiter.de
Gefördert vom Kulturreferat der LH München und dem Bayerischen Landesverband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst.
Documentation of the platform for contemporary dance HIER=JETZT 2021. With excerpts from the productions and interviews with the participating artists and the two directors Johanna Richter and Birgitta Trommler.
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
The concept idea deals with the discrepancy between the verbalized and the body language. Through the spoken word, misunderstandings, manipulations and scaffolding of lies arise in abundance. The language wants to be superior to the kinetic signals and often tries to suppress the true feelings. How can we counteract this? Can body expression provide truth? Can kinesthetic empathy assist in communicating non-verbally and even without touching bring understanding to one's fellow human being? Would - in an idealistic sense - the world be a bit more understanding, friendly, peaceful and non-violent by consciously allowing non-verbal communication?
Choreography: Angela Wörgartner
Dance: Maureen Zollinger, Angela Wörgartner
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
We live in a time of rust (russ: Rzhavchina). Decaying images resembling pop divas appear in a whimsical landscape with a tinge of an after party on the ruins of capitalism. We are confronted with fantastic beasts who dance, burp, jerk, wheeze and sing. Their appearance embody a dualistic truth of a human: militantly horrendous and erotically attractive at the same time. In times of ecological crisis they are constructing a plastic heaven. Feast of weirdos in Time of Plague.
(Text: Polina Fenko)
Concept, choreography, stage: Alina Belyagina
Dramaturgy: Polina Fenko
Music: Ilia Symphocat
Costumes/Styling : Lorand Lajos
Dancers: Anima Eliane Medea, Andrea Scafi, Kathrin Knöpfle
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
Sabine Hess: Racial B/order: The EU-European External Border as a Violent Relationship
Against the background of many years of research on external borders, this lecture discusses recent developments of an increasingly systematic use of extra-legal violence in border spaces and shows how brutalization goes hand in hand with notions of Europe as a “white superior project.”
Sabine Hess is a professor of Cultural Anthropology / European Ethnology and has directed the Center for Global Migration Studies at the University of Göttingen since 2018.
Sven Rücker: Borderless modernity? Self-birth and self-transcendence.
Just as modernity sees itself in its self-descriptions as an age of dissolution of boundaries and transgression, so too do its subjects. The individual is expected to face ever-new challenges, to be flexible and to understand the whole of life as an ongoing movement of self-transcendence. I would like to retell the genesis of this new and supposedly boundless subjectivity, which begins in the history of ideas with German Idealism and in political history with the French Revolution, yet simultaneously refers back to much older mythemes, above all Hesiod’s “Theogony.” The perspectival vanishing point of this narrative is a different understanding of modernity that contradicts modernity’s central self-descriptions: rather than leading toward a dissolution of all boundaries, it moves toward the emergence of new type of a boundary that allows for a much more massive enclosedness.
Sven Rücker is a lecturer at the Free University of Berlin. His most recent publication was a book about masses (with Gunter Gebauer). Among other projects, he has contributed to “Lange Nacht” (Deutschlandradio) and “Spoken Essay" (SWR) and to the theater piece “Die Terroristen” in Luxembourg and Vienna.
Irene Schütze: Missing references, rudimentary “markings”: dissolving boundaries in art
Borderlines between art and everyday life were negotiated many times in the visual arts of the 20th century: they were repeatedly shifted, transgressed or readjusted. Nowadays, these boundaries seem obsolete in some instances: the cross-reference to the other sphere as an “alien” field is omitted or often only indicated by incomplete “markings.” A lecture on demarcations in the visual arts.
Irene Schütze has been a research associate in Art-Related Theory at Mainz University of the Arts since 2015.
"One must live in the present, devour every second with skin and hair, satiate oneself on it." - Jacques Lusseyran.
How do I perceive my environment? How do I relate to this very world and to the people who surround me? How do I see the world? These are questions that Jacques Lusseyran illuminates in his book "And There Was Light" and which have played a major role in his life. With his texts he does not provide answers, but only pictorial and lyrical descriptions of his experiences. And so we too have embarked on a search, not for answers but for experiences: an experiment to find out how we can personally experience what Lusseyran describes. An experimentation on life, or love, as Lusseyran would describe it, and on our view of this world-some hundred years later, we want to experience what this young man described.
Concept: Alvaro Rentz
Dance, performance: Sonja Christl, Laura Manz, Alvaro Rentz, Florian Voigt
Video artist: Valentino Rentz
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
In search of resonance in the blurring of time. - Is there someone? Is time or space swallowing us up? A person thrown back on himself, reduced to his own 4 walls. The ego surrounded by squares: the room, the table, the laptop; and a voice that seems to come from outside. Does time run in circles? In a square? Is movement an illusion?
Choreography: Urte Gudian
Dance: Kathrin Knöpfle
Voice: Urte Gudian, Kathrin Knöpfle
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
It‘s not about us and it’s not about how we met
It‘s about you
The repeated interaction you force on us
The public space is a risky field
Where we can’t own our identity
As you reduce its complexity Stolen privacy
Like a colorful bird in the cage or a dangerous lion in the zoo
In the Glasshouse you put us in
The weight of your eyes still exhausts us
Whether we hide from it or face it
Because tenderness is always a political act
Choreography: Eléonore Barbara Bovet, Wiebke Dobers
Dance, performance: Eléonore Barbara Bovet, Wiebke Dobers
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
“[t(raum)]a” is a personal, autobiographical research of the concept and the action of Day- dreaming nowadays. In a time when we see part of our social life habits and routines being transformed how can the phenomenon of Daydreaming be a helpful tool to develop our own identity? How can someone experience and travel through the boundaries of reality and fantasy? What and where is the border between reality and fantasy? How can someone go further away from the control and possibilities that the mind has in order to find and deve- lop new ideas and new experiences? Living and experiencing new emotions is a human condition, and sometimes we look for those in a very unconscious way... and I personally believe that Daydreaming is just a tool that we use unconsciously to spark happiness and comfort.
Choreography: João Santiago
Assistenz: Laura Manz
Dance, performance: João Santiago
HIER=JETZT 2021
The artists-for-artists initiative sets a sign of solidarity with the dance makers of the independent scene also in times of Corona, and invites 14 choreographers to work on their choreographic ideas for two weeks. HIER=JETZT is a laboratory situation in which the choreographers try out their piece approaches in parts or as a work in progress, and present them for discussion under professional conditions (light, sound, stage) in an open space format in mutual exchange. The sharpened aspect of play development is intended to help artists to realize full-length productions. As this platform, like the one in 2020, will unfortunately be a "Corona version", the results of the work approaches will only be available to the public in digital form from April 20.
Eine Künstler*innen-für-Künstler*innen-Initiative" der Tanztendenz-Mitglieder Johanna Richter und Birgitta Trommler in Koproduktion mit Tanztendenz München e.V. Gefördert durch das Kulturreferat der LH München, durch den BLZT – Bayerischer Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst, den Bezirksausschuss BA09 Neuhausen/Nymphenburg und private Spender.
In her new solo "Über die Wut (On Anger)" Anna Konjetzky explores anger as an individual feeling and as a condition produced by social structures. A whole arsenal of personal, political and pop-culture gestures of rage is dissected and explored by dancer Sahra Huby, making her body appear grotesque, threatening, aggressive, but also comic and comedic. In "Über die Wut" a body on stage reflects and examines via movement, via image, via music, via text the potentiality of anger, and in particular of female anger. Anger as a tool for change, as a pointing out of injustice, as a motor of fundamental and radical change.
Choreography, stage: Anna Konjetzky
Dance: Sahra Huby
Music: Brendan Dougherthy
Costume design: Michiel Keuper, Martin Sieweke
Video: Susanne Steinmassl
Light, stage: Barbara Westernach
LED construktion: Timm Burkhardt
Production: Rat & Tat Kulturbüro
PR: Simone Lutz
See the TRAILER
A production in the framework of 2. Münchner Plattform der NOMADISCHEN AKADEMIE
A project of TANZPAKT Stadt-Land-Bund
25 June – 02 July – Munich
From June 25 - July 2 the 2nd part of the 2nd Munich Platform of the NOMADIC ACADEMY will take place under the headline "alliances, connection and care"; as usual as an interplay of theoretical and practical, of internal and shared research. In addition to internal research with the permanent Munich group of artists, the focus will be on work with associations and initiatives, such as the group JUNO - a voice for refugee women. In addition to the performance ABOUT THE RAGE, a lecture by Common Wallet on the possibility of radical sharing and trust will take place publicly on June 27.
Venue
schwere reiter
Dachauer Straße 116a
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro erm.
Reservation absolutely necessary: www.schwerereiter.de
Eine Produktion von Anna Konjetzky & Co in Koproduktion mit den Münchner Kammerspielen und dem Festival DANCE München sowie dem LOT Theater Braunschweig. Gefördert durch das Kulturreferat der Landeshaupt-stadt München und den Fonds Darstellende Künste. Mit freundlicher Unterstützung der fabrik Potsdam und schwere reiter tanz.
„NOMADIC ACADEMY“ is a project from Anna Konjetzky. Funded by TANZPAKT Stadt-Land-Bund with the support of the German Federal Government Commissioner for Culture and the Media. With friendly support of the Department of Arts and Culture of the City of Munich and made possible by the Bavarian State Association for Contemporary Dance (BLZT) with funds from the Bavarian State Ministry for Science and the Arts. In cooperation with HochX Theater and Live Art München e.V.
Moves between bed and closet, a classic variation in front of kitchen counter, release on the balcony: home videos from the lockdown in spring 2020. Soloistic. Pandemic. Uploaded to social media. They are all testimonies of the urge of dancers and choreographers to dance and remain visible. Ceren Oran uses these found objects for her performance THE URGE and brings them to the street. THE URGE wanders through Munich from July 11 to 17, occupies the public space and picks up the audience in everyday life.
THE URGE refers directly to our current living environment, which has been defined by the pandemic for over a year now, and focuses on the relationship between collective trauma and individual behavior. The way each individual deals with crises in society as a whole is scrutinized and transformed into choreographic images that captivate through the contrast between powerful common unison phrases and the individual solos that emerge from them. The music by Oran's long-term collaborator Hüseyin Evirgen also plays a major role, helping to determine the dramaturgy of the choreography with rhythmic changes and dynamizations. The electronic music is complemented by the live musician Simon Couratier (saxophone), who intensifies the contrast between collective and individual through the musical level.
The premiere of THE URGE took place simultaneously in Munich, Berlin and Cologne on May 8 as part of the DANCE 2021 festival; due to the pandemic situation not analog, but as a live stream digitally. All the more the choreographer and her team are now happy to bring THE URGE live and analogue into the public space of Munich, because Ceren Oran is keen to bring dance into the social everyday life of the city: "Performing in public space means taking risks and getting in contact with many different people, instead of performing only for a limited elite - it means exposing yourself to a wide spectrum of honest feedback. I believe in the fascinating, contagious and inspiring power of dance: contemporary dance should be accessible to everyone, anytime, anywhere." (Ceren Oran)
Konzept, künstlerische Leitung, Choreografie: Ceren Oran // Choreographische Kollaboration: Maayan Reiter, Rotem Weismann // Tanz: Jin Lee, Uwe Brauns, Laura Manz, Jihun Choi, Lena Klink (München); Maayan Reiter, Margherita Dello Sbarba, Paula Niehoff, Lucas Lopes Pereira, Hayato Yamaguchi (Köln); Rotem Weismann, Lukas Malkowski, Woo-Sang Jeon, Susanna Ylikoski, Ariel Hayoun (Berlin) // Musik: Hüseyin Evirgen (Electronics) Jeannot Salvatori (Saxophon), Jean Baptiste Charlot (Flöte), Simon Couratier (Saxophon) // Dramaturgische Begleitung: Karolina Hejnova // Künstlerische Produktionsleitung: Rat & Tat Kulturbüro // Produktions Assistenz: Caroline Skibinski, Florian Greß // Technische Leitung: Peer Quednau // PR: Simone Lutz
The unison parts of the choreography are based on the Lockdown videos of Phil Hulford, Sofia Pouchtou, Clementine Herveux, Elisa Ruffato, Kamola Rashidova, Renan Martins Oliveira, Anina Labanidze, Rose Ellen Lewis, Jin Lee
Venue
Glockenbachwerkstatt
Blumenstrasse 7
80331 München www.glockenbachwerkstatt.de Tickets
Admission free
Reservation is absolutely necessary: Tickets THE URGE Further performances
15. July / 9 pm – Import Export
Info + Tickets www.import-export.cc
16. July / 7:30 pm - Werksviertel, Platz vor dem Riesenrad
Info + Tickets www.theater-hochx.de
Eine Produktion von Ceren Oran. Gefördert durch das Kulturreferat der Landeshauptstadt München und das Festival DANCE München. Unterstützt durch das NATIONALE PERFORMANCE NETZ - STEPPING OUT, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen der Initiative NEUSTART KULTUR. Hilfsprogramm Tanz. In Kooperation mit HochX Theater und Live Art. Mit freundlicher Unterstützung des Teilresidenzprogramms der Tanzfabrik Berlin. Vielen Dank an die Urbane Mitte Am Gleisdreieck - das Stadtquartier von Morgen. Ceren Oran ist Mitglied der Tanztendenz München e.V.
Moves between bed and closet, a classic variation in front of kitchen counter, release on the balcony: home videos from the lockdown in spring 2020. Soloistic. Pandemic. Uploaded to social media. They are all testimonies of the urge of dancers and choreographers to dance and remain visible. Ceren Oran uses these found objects for her performance THE URGE and brings them to the street. THE URGE wanders through Munich from July 11 to 17, occupies the public space and picks up the audience in everyday life.
THE URGE refers directly to our current living environment, which has been defined by the pandemic for over a year now, and focuses on the relationship between collective trauma and individual behavior. The way each individual deals with crises in society as a whole is scrutinized and transformed into choreographic images that captivate through the contrast between powerful common unison phrases and the individual solos that emerge from them. The music by Oran's long-term collaborator Hüseyin Evirgen also plays a major role, helping to determine the dramaturgy of the choreography with rhythmic changes and dynamizations. The electronic music is complemented by the live musician Simon Couratier (saxophone), who intensifies the contrast between collective and individual through the musical level.
The premiere of THE URGE took place simultaneously in Munich, Berlin and Cologne on May 8 as part of the DANCE 2021 festival; due to the pandemic situation not analog, but as a live stream digitally. All the more the choreographer and her team are now happy to bring THE URGE live and analogue into the public space of Munich, because Ceren Oran is keen to bring dance into the social everyday life of the city: "Performing in public space means taking risks and getting in contact with many different people, instead of performing only for a limited elite - it means exposing yourself to a wide spectrum of honest feedback. I believe in the fascinating, contagious and inspiring power of dance: contemporary dance should be accessible to everyone, anytime, anywhere." (Ceren Oran)
Konzept, künstlerische Leitung, Choreografie: Ceren Oran // Choreographische Kollaboration: Maayan Reiter, Rotem Weismann // Tanz: Jin Lee, Uwe Brauns, Laura Manz, Jihun Choi, Lena Klink (München); Maayan Reiter, Margherita Dello Sbarba, Paula Niehoff, Lucas Lopes Pereira, Hayato Yamaguchi (Köln); Rotem Weismann, Lukas Malkowski, Woo-Sang Jeon, Susanna Ylikoski, Ariel Hayoun (Berlin) // Musik: Hüseyin Evirgen (Electronics) Jeannot Salvatori (Saxophon), Jean Baptiste Charlot (Flöte), Simon Couratier (Saxophon) // Dramaturgische Begleitung: Karolina Hejnova // Künstlerische Produktionsleitung: Rat & Tat Kulturbüro // Produktions Assistenz: Caroline Skibinski, Florian Greß // Technische Leitung: Peer Quednau // PR: Simone Lutz
The unison parts of the choreography are based on the Lockdown videos of Phil Hulford, Sofia Pouchtou, Clementine Herveux, Elisa Ruffato, Kamola Rashidova, Renan Martins Oliveira, Anina Labanidze, Rose Ellen Lewis, Jin Lee
Venue
Import Export
Dachauer Straße 114
80636 München www.import-export.cc Tickets
5,33 Euros
Reservation is absolutely necessary:
Tickets THE URGE Further performances
16. July / 7:30 pm - Werksviertel, Platz vor dem Riesenrad
Info + Tickets www.theater-hochx.de
Eine Produktion von Ceren Oran. Gefördert durch das Kulturreferat der Landeshauptstadt München und das Festival DANCE München. Unterstützt durch das NATIONALE PERFORMANCE NETZ - STEPPING OUT, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen der Initiative NEUSTART KULTUR. Hilfsprogramm Tanz. In Kooperation mit HochX Theater und Live Art. Mit freundlicher Unterstützung des Teilresidenzprogramms der Tanzfabrik Berlin. Vielen Dank an die Urbane Mitte Am Gleisdreieck - das Stadtquartier von Morgen. Ceren Oran ist Mitglied der Tanztendenz München e.V.
Moves between bed and closet, a classic variation in front of kitchen counter, release on the balcony: home videos from the lockdown in spring 2020. Soloistic. Pandemic. Uploaded to social media. They are all testimonies of the urge of dancers and choreographers to dance and remain visible. Ceren Oran uses these found objects for her performance THE URGE and brings them to the street. THE URGE wanders through Munich from July 11 to 17, occupies the public space and picks up the audience in everyday life.
THE URGE refers directly to our current living environment, which has been defined by the pandemic for over a year now, and focuses on the relationship between collective trauma and individual behavior. The way each individual deals with crises in society as a whole is scrutinized and transformed into choreographic images that captivate through the contrast between powerful common unison phrases and the individual solos that emerge from them. The music by Oran's long-term collaborator Hüseyin Evirgen also plays a major role, helping to determine the dramaturgy of the choreography with rhythmic changes and dynamizations. The electronic music is complemented by the live musician Simon Couratier (saxophone), who intensifies the contrast between collective and individual through the musical level.
The premiere of THE URGE took place simultaneously in Munich, Berlin and Cologne on May 8 as part of the DANCE 2021 festival; due to the pandemic situation not analog, but as a live stream digitally. All the more the choreographer and her team are now happy to bring THE URGE live and analogue into the public space of Munich, because Ceren Oran is keen to bring dance into the social everyday life of the city: "Performing in public space means taking risks and getting in contact with many different people, instead of performing only for a limited elite - it means exposing yourself to a wide spectrum of honest feedback. I believe in the fascinating, contagious and inspiring power of dance: contemporary dance should be accessible to everyone, anytime, anywhere." (Ceren Oran)
Konzept, künstlerische Leitung, Choreografie: Ceren Oran // Choreographische Kollaboration: Maayan Reiter, Rotem Weismann // Tanz: Jin Lee, Uwe Brauns, Laura Manz, Jihun Choi, Lena Klink (München); Maayan Reiter, Margherita Dello Sbarba, Paula Niehoff, Lucas Lopes Pereira, Hayato Yamaguchi (Köln); Rotem Weismann, Lukas Malkowski, Woo-Sang Jeon, Susanna Ylikoski, Ariel Hayoun (Berlin) // Musik: Hüseyin Evirgen (Electronics) Jeannot Salvatori (Saxophon), Jean Baptiste Charlot (Flöte), Simon Couratier (Saxophon) // Dramaturgische Begleitung: Karolina Hejnova // Künstlerische Produktionsleitung: Rat & Tat Kulturbüro // Produktions Assistenz: Caroline Skibinski, Florian Greß // Technische Leitung: Peer Quednau // PR: Simone Lutz
The unison parts of the choreography are based on the Lockdown videos of Phil Hulford, Sofia Pouchtou, Clementine Herveux, Elisa Ruffato, Kamola Rashidova, Renan Martins Oliveira, Anina Labanidze, Rose Ellen Lewis, Jin Lee
Venue
Werksviertel, Square in front of the Ferris wheel www.theater-hochx.de Tickets
Admission free
Reservation is absolutely necessary: Tickets THE URGE
Eine Produktion von Ceren Oran. Gefördert durch das Kulturreferat der Landeshauptstadt München und das Festival DANCE München. Unterstützt durch das NATIONALE PERFORMANCE NETZ - STEPPING OUT, gefördert von der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen der Initiative NEUSTART KULTUR. Hilfsprogramm Tanz. In Kooperation mit HochX Theater und Live Art. Mit freundlicher Unterstützung des Teilresidenzprogramms der Tanzfabrik Berlin. Vielen Dank an die Urbane Mitte Am Gleisdreieck - das Stadtquartier von Morgen. Ceren Oran ist Mitglied der Tanztendenz München e.V.
A small, intimate format:
The dynamics of contradictory inner worlds unfold inside a limited space –
All dynamics shatter in, on, around the body, while the space remains still – the elements of contextualization situate it situationally, provisionally in a special moment of time, of memory of films, images, situations...
"splitter + stream / rhetorics of flesh" by Micha Purucker
with Michal Heriban, Robert Merdžo, Michael Kunitsch
PR Beate Zeller
Venue
schwere reiter
Dachauer Straße 114a
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red.
Reservation www.schwerereiter.de
Gefördert vom Fonds Darstellende Künste aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen von NEUSTART KULTUR.
Micha Purucker ist Mitglied von Tanztendenz München e.V.
Group behavior shapes us. Humans are herd animals, they protect and organize themselves in class groups, leisure clubs, in communities of states and unions.
But what happens when the individual leaves the protective group? Or in other words: What if the individual recognizes himself and wants to live this out? Is it defencelessly exposed to the rest of the group when it removes itself from the group - when it is quite different?
The choreographer Ceren Oran takes up this theme in dance and music. For this, she cooperates with a multicultural team consisting of five dancers* and a musician, who bring their own experiences of "being different" and of belonging into the production process.
Unlike previous productions in which Ceren Oran tells stories about life circles ("Elephant from the Egg") and being foreign ("Tell Me...") to a very young audience, in this work Oran relies on the physical expressiveness of bodies and the immediacy of live music. The piece is aimed at children ages 6 and up and family audiences.
Dates
6. + 7. July 2021, 10:00 am
Team
Künstlerische Leitung, Choreographie, Tanz: Ceren Oran
Choreographie und Tanz: Roni Sagi
Tanz: Maria Casares Gonzales, Jin Lee, Jovana Zelenović
Musik, Komposition: Benny Omerzell
Kostüm: Sigrid Wurzinger
Produktionsleitung: Rat & Tat Kulturbüro
PR: Simone Schulte-Aladag
Venue
HochX
Entenbachstraße 37
81541 München www.theater-hochx.de
Gefördert durch das Kulturreferat der Landeshauptstadt München und durch den Bayerischen Landesverband für zeitgenössischen Tanz aus Mitteln des Bayerischen Staatsministeriums für Bildung und Kultus, Wissenschaft und Kunst und den Bezirk Oberbayern. Ceren Oran ist Mitglied der Tanztendenz München e.V. Mit freundlicher Unterstützung durch das Tanzbüro München und Fokus Tanz.
In the Museum für Abgüsse there is a figure of Nike of Samothrace, more than three meters high (see photo). It appears to some viewers as an oversized angel, which powerfully striding out dominates the overall picture in the atrium of the museum.
Inspired and driven by this sculpture, the performance "Angel" wants to step out of a long drawn-out, leaden Corona time to give the audience_inspirations from the world of poetic dance art.
Choreography:Stefan Maria Marb// Assistenz: Alexander Strauß // Actor: Gerd Lohmeyer // Live-Cello: Jost-H. Hecker // Dance ( Butohatelier): Beate Brömse, Beate Dürr, Inka Maiwaldt, Anne Egger-Büssing, Gisela Maria Hailer, Sieglinde Maerzke, Günther Maier, Eugenie Nietmann, Henriette Preinhelter, Andrea Stapfer, Rosemarie Weichel, Hanne Wölfle
Venue
Museum für Abgüsse Klassischer Bildwerke
Katharina-von-Bora-Straße 10
München abgussmuseum.de/ Tickets
Price: 20 €./ reduced 15 €
Tickets are available only with advance booking: mfa@lrz.uni-muenchen.de. There is no box office!
Tanzperformance mit dem Butohatelier im Museum für Abgüsse Klassischer Bildwerke München im Haus der Kulturinstitute
THE LOVERS creates a bubble in which the performers rid themselves of socially imposed gender roles and leave commonplace models of life behind. The trio of dancers try to create a utopia in the format of a chamber play.
Choreography: Stephan Herwig
Dance: Anima Henn, Alexandre May, Alessandro Sollima
Artistic Collaboration: Karen Piewig
Artistic Advice: Maxwell McCarthy
Lighting Design: Michael Kunitsch
Costume Design: Lorand Lajos
Make Up + Hair: Alina Kappeler
Production management: Angelika Endres, Jan Termin
PR: Beate Zeller Venue
schwere reiter, neue Halle
Dachauer Straße 116
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
17,- / 10,- Euro red
Registration obligatory: www.schwerereiter.de
Das Projekt wird gefördert durch das Kulturreferat der Landeshauptstadt München und ermöglicht durch den Bayerischen Landesverband für zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Ministeriums für Wissenschaft und Kunst.
Stephan Herwig ist Mitglied des Tanztendenz München e.V.
The choreographers of the Tanztendenz Munich invite fellow artists and choreographers from Germany and abroad to research and work on the topic of “(Sub-)Systems: Agents and Dissidents“.
The last two Choreographers’ Ateliers in 2005 and 2008 dealt with possible role models of artists (pirates, warriors), and the next Choreographers’ Atelier 2011 entitled “(Sub-)Systems: Agents and Dissidents” will continue in this direction.
The focus will be on different kinds of subsystems – existing parallel societies that subvert the values of their surrounding society. Agents infiltrate foreign systems for the purpose of obtaining information, in other words: to spy, they live “undercover”. Dissidents openly criticize the political system, disregarding the zeitgeist and consciously accepting personal disadvantages. Agents and dissidents are outsiders and committed to above-average attention and alertness. They have clear goals and a defined enemy. They define themselves by opposition. Heidemarie Schwermer for instance has been living without money since 1996, she dropped out of the existing structures. In her book “Das Sterntalerexperiment” (“The Star Money Experiment”) she describes her experiences.
The Atelier casts the net as wide as possible. The topic shall be explored and information gathered from as many different perspectives as possible. Lectures by top-class academics will once again be mixed with practical exercises. This offers the participants the possibility to get to know other strategies and ways of thinking that will subsequently fertilize their own artistic work.
As in 2008 the Choreographers’ Atelier 2011 is aimed at choreographers from Germany and abroad and invites them to gather in Munich to highlight some of the aspects together with colleagues, experts, and artists from other fields. The main concern of the Atelier is to offer time and space to the artists to continue developing ideas and thoughts under professional circumstances and to enter into an intense artistic exchange with other choreographers, to experiment, and make new contacts without the pressure of performing. This is one of the very few opportunities for continued professional education for choreographers. For a period of one week five international choreographers/artists are invited to work together in various workshops that will be taking place in different locations in the city.
Tanztendenz München e.V. is sponsored by the Munich
Municipal Department of Arts and Culture
Charles Linehan will be developing ideas from his research at Standpunkt 2010. He will be working with musician/ performer Scott Smith to develop "The Fault Index".
"The Fault Index" is a celebration of isolated events, a series of connected and unconnected incidents presented in a different order for each performance. At its heart are three ensemble pieces that weave together disparate and independent choreographic elements in a percussive and spirited tour de force.
We will experiment with sounds and performance ideas in relation to two structures connected by piano stings, work on compositions and research ambient and percussive themes.
Scott will be play an outside role as musician, soundmaker, stagehand (moving equipment lights) manipulator and observer.
Sponsored by BLZT and the Cultural Department of the City of Munich.
Spielort
schwere reiter
Dachauer Straße 114
80638 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Free entrance.
„By system I mean all the levels of systems: the organism's individual system, within a family system, within a societal system (rural, village, city as well as religious, educational, political, sexual), within a global system (international politics, government). If you want to define system further in the description or title we could say something like:
Gesture as Embodiment of the System from Individual to Global”
- or: personal to global
- or: the individual to the world“
Previously a dancer and choreographer, Jennifer Bury is a Movement Therapist in practice for over 25 years and was a Dance Medicine Specialist at Saint Francis Hospital in San Francisco for 15 years. Jennifer’s work is defined by her studies of both dance and medicine at New York University, as well as neuro-science, Ideokinesis, physiotherapy, Pilates, Alexander & Feldenkrais Techniques, Myofascial massage, Cranio-Sacral therapy, yoga, Bartenieff and Laban Fundamentals, Gestalt therapy, and Aikido.
Spielort
schwere reiter
Dachauer Straße 114
80638 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Der Eintritt ist frei!
Step by step, Heidemarie Schwermer dropped out of existing structures and grew into a new kind of freedom. Since May 1996 the former teacher and psychotherapist has been living without money. Her book “The Star Money Experiment” is not merely the description of an intense life of convictions, but at the same time an encouragement, to reevaluate our value system and to dare live alternative forms of togetherness and co-operation.
Spielort
schwere reiter
Dachauer Straße 114
80638 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Free entrance
11 Assumptions about Art in Contemporary Society
Dr. phil. Michael Hirsch, geb. 1966, Philosoph und Politikwissenschaftler. Langjährige Forschungs- und Lehrtätigkeit an privaten wie staatlichen Forschungsinstituten u. Universitäten im Bereich Politische Philosophie und Kunsttheorie in Freiburg, Prag, Frankfurt, Stuttgart und München. Lebt als freier Autor und Dozent in München.
Spielort
schwere reiter
Dachauer Straße 114
80638 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Free entrance
Julienne Lorz is curator at Haus der Kunst, Munich. Spielort
schwere reiter
Dachauer Straße 114
80638 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Der Eintritt ist frei!
Dunja Bialas and Oliver Kohlmann have set up a selection of experimental films. Dunja Bialas will be
present this evening.
She is curator of the UNDERDOX-Filmfestival; since 2000, she also writes for the online
filmmagazine “artechock”. Since 2010, she is curator of the International Competition at Dok.Fest Munich.
movieselection by Dunja Bialas:
TRYPPS #3
Ben Russell | USA 2007 | 12 Min.
JOE
Florian Geierstanger | D 2010 | 22 Min.
FROM HERE TO ETERNITY
Oliver Pietsch | D 2010 | 42 Min.
Spielort
Werkstattkino
Fraunhoferstr. 9
München
089.260 72 50 www.werkstattkino.de Kartenreservierung
Der Eintritt ist frei!
Due to its complex employability, the so called “Experimental Film” or “Avantgarde Film” is always searching for alternative
ways and tools to be seen. This led to the development of unique distribution channels and brought up particular forms of
self organization.
Amongst the description of economical utilization of experimental film and video art, Oliver Kohlmann will question terms of
copyright and briefly highlight the influence of the New Media on the business.
Oliver Kohlmann works at the Berlin moviestore “Image Movement”.
After the talk:
Movieselection by Oliver Kohlmann.
Spielort
schwere reiter
Dachauer Straße 114
80638 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Der Eintritt ist frei!
This walk through system theory will raise questions such as: How has the system’s limit to be thought? What is hidden on
the other side? And who sneaks along this boundary?
Eva Kiefer is a cultural scientist. She works as a consultant and does research on ethnografic topics. She currently is
curator of the project “Borderline” at PACT-Zollverein.
Spielort
schwere reiter
Dachauer Straße 114
80638 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Der Eintritt ist frei!
Bülent Kullukcu and Anton Kaun:
The Brides "free experiment set"
The meeting of the two groups from Stuttgart and Munich is all about artistic improvisation. Instant PIG//Stuttgart – PerformanceImprovisationGroup – is a free-lance ensemble whose members have been working together in the SAAL FREI platform since 2018. Here, artists from the free scene practice improvisation as their own art and stage form and research the quality of the unique, spontaneous and unexpected.
The Munich-based collective “ZwischenZweiZeit”, around the choreographer Karen Janker, was founded in 2022 and is also committed to improvisation, with a focus on space of action in which dance and music meet as equal partners. Both performance groups thus combine their long-standing work with real-time composition in dance and music: dance meets music, dance and music meet the ideas of each and every participating artist. Everything is in flow, everything is possible.
WHERE
Tanztendenz | Lindwurmstraße 88 | 80337 München
FREE ENTRANCE
Stephanie Felber and her team invite you into an interactive situation field that addresses the basic individual and collective need for security. A space in which the decisions and behaviour of the performers, as well as those of the audience, have a direct influence on the event.
Artistic direction: Stephanie Felber
Performer/artistic collaboration: Sunday Israel Akpan, Maria Mercedes Flores, Nikos Konstantakis, Ludger Lamers, Elsa Mourlam
Technical Operator: Patrick Thomas
Sounddesign: Christoph Reiserer
Setdesign/costume: Guida Miranda
Lightdesign: Diana Dorn
Productionmanagement: Veronika Heinrich
PR: Simone Lutz
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Statione Leonrodplatz www.schwerereiter.de Tickets
Price: 17,- EUR / 10,- EUR
Reservation: www.schwerereiter.de
Wiederaufnahme gefördert durch das Kulturreferat der LH München. Produktion gefördert durch das Kulturreferat der LH München und den Bayerischen Landesverband für Zeitgenössischen Tanz (BLZT) aus Mitteln des Bayerischen Staatsministeriums für Wissenschaft und Kunst / Partner: ZU-UK/GAS Station London, MIREVI-Lab Hochschule Düsseldorf / Unterstützer: Münchner Kammerspiele, Treibgut, Empfangshalle / Stephanie Felber ist Mitglied des Tanztendenz München e.V. Artists crash together fascinated by the rapid decline of empathy. Admitting that the waters around us have grown, dance, theatre and live-music weave together asking politely: Please don’t stand in the doorway. Don’t block up the hall. Pondering if the last time we cried was in front of a youtube video maybe it would be nice to go to the theatre?
Choreography: Jasmine Ellis
Dance: Yael Cibulski, Evelyne Rossie, Luca Cacitti, Lukas Malkowski
Dramaturgy: Martina Missel
Music: Lukas Bamesreiter, Ralph Heidel, Maximilian Hirning
Costume: Sarah Kaldewey ATELIER KALDEWEY
Stage: Nicola Missel
Photos: Ray Demski
Part of RODEO. Munich Dance and Theatere-festival. In Cooperation eith Tanztendenz München e.V. Supported by ATELIER KALDEWEY and BOXWERK München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Station Leonrodplatz rodeomuenchen.de Tickets
Coasts: 15,- / 8,- erm.
Reservation: ticket(at)rodeomuenchen.de, rodeomuenchen.de
(Start VVK: 10. September 2018) As part of DANCE 2015, Tanztendenz will establish a temporary project and workspace – art lodge munich – to present and discuss the multifaceted history of creating artistic space in the community in a programme featuring readings, activities, film presentations and discourse.
Space is understood here as the result of choreographic thinking in multiple ways – not only stage design but also the form and creation of actual work structures and spaces.
As a staged workspace, art lodge munich highlights the actual spatial interface of a field of thought, the open structure of which inspires reflection and debate in artists and visitors. It also reflects the special role that schwere reiter plays in art and dance production at this location and in this city. Tanztendenz, an association “of artists for artists”, runs the schwere reiter as a self-managing venue located in the city’s future creative quarter. The association of choreographers Tanztendenz München has been in existence since 1987 as a unique interest group in Germany for contemporary dance.
On thursday, may 14, Christiane Blaise is our guest at art lodge munich. She will present the choreographic center "Le Pacifique" at Grenoble. www.pacifique-cdc.com
opening times:
Thursday, May 14, 16:30 – 18:30 pm
Friday, May 15, 20:30 – 22:30 pm
The entrance is free!
RODEO MÜNCHEN is going to be a celebration ? for the spectators, experts and the Munich artists alike. This way, it gives both local and international audiences the opportunity to attend an exciting show of selected dance and theatre groups. Come to the wild South!
In total, seventeen recent dance pieces and plays from Munich have been invited. Audiences at the five-day festival in June can expect a great show as the productions take their exciting performances into the ring. The concept also includes urban interventions, and the event is accompanied by a symposium on art and economy, which looks set to stimulate some thoughtful discussion.
RODEO MÜNCHEN will be organized every two years by the Munich Department of Arts and Culture. Through this, Head of the department Dr. Hans-Georg Küppers wants to create the opportunity for local theatre makers and choreographers to join forces in presenting their shows to the public, attracting both local and international attention.
The centre of the festival will be the Schwere Reiter area in the Dachauer Straße. Here the opening of
RODEO MÜNCHEN will take place on 9 june, launching a festival at which audiences can explore and experience the diversity of the Munich scene. The evening will present a range of theatrical performances, discussions and music. Other venues of the festival are the i-camp / neues theater and the Muffatwerk.
CLAUDIA ILLI. HEAD of COMMUNICATION
phone +49.89.12 07 15 59
mobile +49.178.640 82 94
presse@rodeomuenchen.de
„Les Nouveaux Repérages“ : guests & friends
Since 2006 the Tanztendenz has been a partner in the international network for contemporary dance: Les Repérages* that initiates and fosters contacts between 15 European nations, Canada and Brazil. Every year in March representatives of the national contemporary choreographers’ scene are sent to the “Danse à Lille” festival (since 2013: “Le Grand Bain”) to Lille and Roubaix in the north of France. Emerging choreographers can present short pieces within a professional frame and make important new contacts with international presenters. Until recently, the Tanztendenz and Tanzhaus nrw in Düsseldorf alternately sent choreographers to Lille. The latter, however, have withdrawn their participation from the network, leaving the Tanztendenz as the sole German partner.
The International Choreographers’ Atelier organized biennially by the Tanztendenz has always been a format, which presented the opportunity to take part in the exchange by inviting choreographers, who had introduced their work in Lille. For the second time now the Tanztendenz will invite high-carat choreographic jewels to guest at Munich’s schwere reiter venue to reflect this new status as the network’s sole German partner:
Daniele Ninarello with his solo "Non(leg)azioni", "Cult to the Built on What" by Adam Linder and for the first time in Germany, the brazilian Companhia Híbrida with the second part of their trilogy "Moto Sensível". Welcome!
*le repérage: (determination of a) location, locating, bearing
side.kicks is presented by Tanztendenz München. With kind support by the Cultural Department of the City of Munich and the district committee 9 – Neuhausen/Nymphenburg. Supported as well by the NATIONALE PERFORMANCE NETZ which is kindly supported by the Federal Government Commissioner for Culture and the Media, by 14 Departments of Culture and Arts of the German federal state.
Non (leg) azioni
Non(leg)azioni is a project of improv acts in various places, where the body organizes its structure in the space to find new ways and directions without intention to tell. The only purpose is to open a way to what is unknown, becoming part of the space, favouring the feeling of rightness in the Figure.
Investigating the space through body and his creativity. Trough improvisation exploring areas of the body and mind that sometimes are put aside, images and situations can reappear, full of potential and generosity that allow the poetic catharsis.
Giving life to the moment, instantly, perceive, grasp and follow, choosing to do so through the irrationality of the body.
Recognize the true nature, the first gesture that becomes movement, the root of every action that is coming, without losing the freedom and creativity.
Co-production and support MosaicoDanza / Festival Interplay
In collaboration with Associazione Artemovimento / Festival Insoliti
Creation selected for CDC- Les Hivernales Avignon 2011 100% Danse “Quand les régions s’en mêlent…”, a project supported by Regione Piemonte. LINK VIMEO
Cult to the Built on What
Cult to the Built on What is a dance for three performers: a body, a lectern, and language. In seeking a place for vernacular experience alongside more formalist discourses of Western theatre Linder has re-skilled as a rapper. In this Rapography, Linder uses the lectern as a crutch which supports the playing-out of multiple bodies.
Concept / Performance: Adam Linder
Scenery: Shahryar Nashat, Adam Linder
Music / Composition: Brendan Dougherty
Sound Technique: Julius Holtz
Light: Dennis Döscher
Technical Director: Andreas Harder
Photography: Thies Rätzke
Duration: 50 Minutes
A production in the frame of K3 Residence-Choreographies 2013 by K3 | Tanzplan Hamburg. Supported by the Hamburgische Kulturstiftung.
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
Fee: 18,- / 12,- red
Kombiticket for both shows: 30,- / 20,- (red)
Reservation: 0049. 89.721 10 15 or come directly to the cash desk
reservierung@schwerereiter.de
Moto Sensível - Second part of the trilogy
In this second part of the trilogy begun with the show “Estéreos Tipos”, which theme is “Hip Hop and Fragility”, three points formed and deepened the basis of research to the scene. The use of gesture in Hip Hop culture; the repetition as a basis for transformation / corruption of some signs, the search for other forms of choreography for this language. Beyond, a concern: how to use these points to sharpen the perception of the spectator, offering other viewing angles, suggesting sensations, and perhaps causing other conditions to the one who sees / interfere with the look.
Through the collaborative process, the mix of impressions and stories of the interpreters themselves, with the compositions of motion, this work also intends a magnifying glass directed to street dancer, in the beauty of their movement, strength and energy of a vigorous body and "without limits".
The repetition that seeks subversion, the transformation that seeks approach, a framing that seeks to reach the spectator in other ways, are issues that affect this work. In essence, however, remain and deepen discussions on market, culture and philosophy in Hip Hop, identified in the first show.
Direction and Choreography: Renato Cruz
Assistant Director: Aline Teixeira
Dancer: Renato Cruz, Luciana Monnerat, Luciano Mendes (duly), Jefte Francisco, Daniel Oliveira, Fábio Francisco
Light Designer: Gil Santos
Executive Producer: Steffi Vigio
Total duration of the show: 50 minutes
The Cia Híbrida is sponsored by law Incentive Culture in Brazil, through the Ministério da Cultura, Prefeitura da Cidade do Rio de Janeiro, Secretaria Municipal de Cultura, Unimed-Rio and Conservice.
Companhia Híbrida integrates the residency program of the Choreographic Center of Rio de Janeiro.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
Fee: 18,- / 12,- red.
Combiticket: 30,- / 20,- (red.)
Reservation: 0049.89.721 10 15 or come to the cash desk the same evening.
reservierung@schwerereiter.de
Discover the beauty of sharing! "Halfbreadtechnique" is a funny and intelligent evening by the Swiss performance artist Martin Schick who appears in the piece as the Swiss performance artist Martin Schick. He searches for the "more" that lies in "less". It's about the question of how much we really need for our personal well being in a period of post-capitalism and globalism.
Schick's works are fundamentally influenced by socio-economic and bio-political issues. Above all, he is interested in what external circumstances do to our body and our feelings. The theater presents him with a space that is suited to testing and discussing these limits. He recently purchased a bunker in the Swiss mountains with support from the Swiss Nestlé Art Foundation in order to set up an artistic research center for post-capitalist ideas.
Since its premiere in 2012 at Julidans in Amsterdam, his performance "Halfbreadtechnique" has been touring throughout the world, winning the hearts of his audiences and their money. An unusual evening that could turn your thoughts inside out.
This guest performance is kindly supported by Pro Helvetia/ Schweizer Kulturstiftung.
"I LIKE TO MOVE IT" is a further development of Zufit Simon's latest solo production, "Wild Thing". In this choreographic concert for three dancers and eight speakers, the three disco-girls' bodies create the music by rubbing their clothes or rotating their microphones in the air like propellers. A dry, pulsating beat from Jimi Hendrix's song "Wild Thing" drives through the whole piece. Over time, a situation develops of a reciprocal dependency between dance and music in a musical and choreographic process. The audience is then a third medium. The oscillations, beats, vibrations and resonances flow all the way into the audience's bodies. In search of an egalitarian relationship between music, dance, sound and bodies, the Israeli succeeds in revealing strategies of pop culture and translating them into dance with acumen and intelligent humor.
Simon's "I like to move it" from 2013 was in this year's jury selection for the GERMAN DANCE PLATFORM; it presents the most important names in Germany's dance landscape every two years.
Credit
This guest performance is kindly supported by the Kulturreferat der Landeshauptstadt München.
Production > artblau Tanzwerkstatt/ Dietrich Oberländer
With the support of > Regierender Bürgermeister von Berlin – Senatskanzlei für Kulturelle Angelegenheiten
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Karten
Pre-Sale via München Ticket www.muenchenticket.de
In his new dance production Stephan Herwig is working on the phenomenon of violence and power. The bodies of the dancers become resonant bodies, projecting states of emotions that lie in each of us, seething and seeking for liberation. The air seems to stand still, breathing is hard and the sky is oppressive until the relieving thunderstorm breaks.
„The dance I’m looking for - regarding the piece - is one of flesh and blood being percieved and experienced by the audience in its gaps as well as in the full extent of both extremities (the violent and the beautiful).“
Stephan Herwig is engaging in a residency at the dance center TROIS C-L in Luxembourg from july 21 until august 3, 2014 with a final showing in the series „Le 3 du TROIS. The performance is accompanied by an exhibition of photographs of Stephan Herwigs’ work taken by the photographer Dorothee Elfring www.danse.lu
Choreography: Stephan Herwig
Choreographical Collaboration: Karen Piewig
Dance: Anna Fontanet, Nadine Gerspacher, Maxwell McCarthy, Víctor Pérez Armero, Mathias Schwarz
Lighting: Michael Kunitsch
Trailer venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Ticket
Euro 15,- / 10,- reduced
phone: 089 / 721 10 15 or come to the cash desk in the evening
reservierung@schwerereiter.de
BODY TERRITORIES XVI: What can we do together that we can't do alone
september
19th 2014, 7
pm
- i-camp
PUBLIC LECTURE
with
Juan Dominguez (
choreographer
; Madrid / Berlin). The
lecture
is
held
in English
language
.
Septembre
, 19th – 21st 2014, all
day
- i-camp
NON-PUBLIC WORKSHOP
In
this
lab
we
will
develop
strategies
to
understand
,
what
we
can
do
as
a
group
that
we
can’t
do on
our
own
. In a
purposeless
surrounding
,
created
especially
for
us
,
we
will
explore
what
one
can
create
in
and
with
a
group
only
for
the
reason
of
being
in an
environment
of
creative
work
.
Without
looking
for
efficiency
we
will
explore
the
reality
surrounding
us
.
We’ll
be
looking
for
the
things
that
can
only
be
realized
–
respectively
produced
–
through
our
cooperation
.
From
reflection
to
action
,
from
the
explicit
to
the
metaphoric
,
from
“
me
“
to
“
us
“.
Septembre
, 21st 2014, 7
pm
- i-camp
PUBLIC
SHOWING
Monica
Gomis
, Juan Dominguez
and
the
participants
show
and
discuss
the
results
of
the
workshop
done.
Venue
i-camp / neues theater münchen
Entenbachstr. 37
München www.i-camp.de
The entrance is free.
Starting by accompanying artistic processes and documenting them, in “Hands and Days” Sabine Glenz transfers pictorial structures into moved physicality.
Analysis and creation interact directly so the interconnections of creative work can be experienced with the senses.
“Hands” stands for doing, for working out and creating sculptural, contentual and also choreographic material.
“Days” is a temporal synonym for the processual. The stage is a laboratory and an open collage, a playing area for the performers,
whose bodies are the forming tools that question the texture of movement.
October 10 to 20, 2014, residence at Centro d’Arte Verrocchio
with Nigel Konstam, English sculptor near Siena (Casole d’Elsa)
Concept/Direction/Choreography : Sabine Glenz
Performance: Judith Hummel, Markus Kunas
Sound: Klaus Janek
Lighting: Rainer Ludwig
Space: Leonie Droste
Video Editing: Krisztina Sárközi
Graphic Design: Ruth Botzenhardt
Photography: Dorothee Elfring
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich and
the Bavarian State Association for Contemporary Dance (BLZT) with funding from the Bavarian State Ministry for Science, Research and Art.
Sabine Glenz is member of Tanztendenz München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
price: Euro 15,- / 10,- red.
Reservations: 089 / 721 10 15 or come to the cash desk
reservierung@schwerereiter.de
A piece initially inspired by the works of artist Juan Munoz, Flora in the Slaughterhouse is a bizarre fairy tale which explores the fine lines between formation and transgression, submission and resistance and victim and perpetrator. Finding herself within the confines of a sterile and contrary system, Flora – the woman, the mother, the plant, the disease - instigates a skurril and absurd cycle of growth, infection, destruction and new life.
Choreography: Caroline Finn
Lightdesign: Günther Schweikart
Dramaturgy: Nikola Stadelmann
Dance: Yamila Khodr, Marta Zollet, Jorge Soler Bastida and Bert Uyttenhove
A production by Theater in Kempten. (Premiere 11.10.13)
Supported by the Cultural Department of the City of Munich.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 or Bus 53
Stop Leonrodplatz www.schwerereiter.de Tickets
Fee: 15,- / 10,- red.
Reservation: 089 / 721 10 15 or come the same evening directly to the cash desk
reservierung@schwerereiter.de
Spielort
Tanztendenz München
Lindwurmstr. 88
München
Der Eintritt ist frei. www.tanztendenz.de
Elektronisches Rauschen, Streicherklänge, computergenerierte Sounds, Stille – Dali Touiti liefert die Tänzer/innen seiner Klangwelt
aus und lässt sie dem Sound folgen. Sie saugen ihn auf und emanzipieren sich. Die Choreografie entwickelt sich mit konzentrierter
Energie, reduziert, präzise. Emotionen werden subtil austariert oder explodieren in expressiven Gesten.
Bewegungen verdichten sich in hoher Intensität und Komplexität.
Choreografie: Dali Touiti
Tanz: Gonçalo Cruzinha,Edith Buttingsrud-Pedersen, Simone Detig, Mariko Yamada
Musik: alva noto, Ryūichi Sakamoto
Video: Felix Leon Westner
Licht: Dali Touiti, David Herzog
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Eintritt: 15,- / 10,- erm.
Reservierungen: 089 / 721 10 15 oder einfach an die Abendkasse kommen
reservierung@schwerereiter.de
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Eintritt: 15,- / 10,- erm.
Reservierungen: 089 / 721 10 15 oder einfach an die Abendkasse kommen
reservierung@schwerereiter.de
„Les Nouveaux Repérages“ : guests & friends
Since 2006 the Tanztendenz has been a partner in the international network for contemporary dance: Les Repérages* that initiates and fosters contacts between 15 European nations, Canada and Brazil. Every year in March representatives of the national contemporary choreographers’ scene are sent to the “Danse à Lille” festival (since 2013: “Le Grand Bain”) to Lille and Roubaix in the north of France. Emerging choreographers can present short pieces within a professional frame and make important new contacts with international presenters. Until recently, the Tanztendenz and Tanzhaus nrw in Düsseldorf alternately sent choreographers to Lille. The latter, however, have withdrawn their participation from the network, leaving the Tanztendenz as the sole German partner.
The International Choreographers’ Atelier organized biennially by the Tanztendenz has always been a format, which presented the opportunity to take part in the exchange by inviting choreographers, who had introduced their work in Lille. For the second time now the Tanztendenz will invite high-carat choreographic jewels to guest at Munich’s schwere reiter venue to reflect this new status as the network’s sole German partner:
Daniele Ninarello with his solo "Non(leg)azioni", "Cult to the Built on What" by Adam Linder and for the first time in Germany, the brazilian Companhia Híbrida with the second part of their trilogy "Moto Sensível". Welcome!
*le repérage: (determination of a) location, locating, bearing
side.kicks is presented by Tanztendenz München. With kind support by the Cultural Department of the City of Munich and the district committee 9 – Neuhausen/Nymphenburg. Supported as well by the NATIONALE PERFORMANCE NETZ which is kindly supported by the Federal Government Commissioner for Culture and the Media, by 14 Departments of Culture and Arts of the German federal state.
Non (leg) azioni
Non(leg)azioni is a project of improv acts in various places, where the body organizes its structure in the space to find new ways and directions without intention to tell. The only purpose is to open a way to what is unknown, becoming part of the space, favouring the feeling of rightness in the Figure.
Investigating the space through body and his creativity. Trough improvisation exploring areas of the body and mind that sometimes are put aside, images and situations can reappear, full of potential and generosity that allow the poetic catharsis.
Giving life to the moment, instantly, perceive, grasp and follow, choosing to do so through the irrationality of the body.
Recognize the true nature, the first gesture that becomes movement, the root of every action that is coming, without losing the freedom and creativity.
Co-production and support MosaicoDanza / Festival Interplay
In collaboration with Associazione Artemovimento / Festival Insoliti
Creation selected for CDC- Les Hivernales Avignon 2011 100% Danse “Quand les régions s’en mêlent…”, a project supported by Regione Piemonte. LINK VIMEO
Cult to the Built on What
Cult to the Built on What is a dance for three performers: a body, a lectern, and language. In seeking a place for vernacular experience alongside more formalist discourses of Western theatre Linder has re-skilled as a rapper. In this Rapography, Linder uses the lectern as a crutch which supports the playing-out of multiple bodies.
Concept / Performance: Adam Linder
Scenery: Shahryar Nashat, Adam Linder
Music / Composition: Brendan Dougherty
Sound Technique: Julius Holtz
Light: Dennis Döscher
Technical Director: Andreas Harder
Photography: Thies Rätzke
Duration: 50 Minutes
A production in the frame of K3 Residence-Choreographies 2013 by K3 | Tanzplan Hamburg. Supported by the Hamburgische Kulturstiftung.
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Eintritt: 18,- / 12,- erm.
Kombiticket für beide Programme: 30,- / 20,- (erm.)
Reservierungen: 089 / 721 10 15 oder einfach an die Abendkasse kommen
reservierung@schwerereiter.de
What does it mean to be a couple? To live together, to work together? What boundaries are drawn and need to be preserved? Where can each be himself, and when is intimacy visible? There are also boundaries within ourselves that serve to hold us back. In 1987, Liat Dror and Nir Ben Gal presented their Two Room Apartment as a moving two-hander that changed the face of Israeli dance and became internationally acclaimed. Twenty-five years later, Niv Sheinfeld and Oren Laor – who, like Dror and Ben Gal, were partners in private life as well as on stage – revisited the piece. Sheinfeld & Laor modified this minimalistic study of the boundaries that give our habits and rituals a solid framework as well as impeding and inhibiting our actions – thereby determining our daily lives. They give their version a fascinating new spin and gay makeover.
Born in 1972, Sheinfeld was a dancer with Liat Dror and Nir Ben Gal’s company for five years. As a choreographer, he worked for Kibbutz Dance Company and Batsheva, among others. In 2009, he was presented with the Rosenblum Award. He teaches at the School of Visual Theatre in Jerusalem and at the Suzanne Dellal Center in Tel Aviv. Together with director and dramaturg Laor, he established the company Sheinfeld & Laor, with which they developed numerous works that went on to tour internationally. Laor, born in 1971, received his education at Tel Aviv University. Since 2009 he has also been a member of Tmuna Theatre in Tel Aviv.
Niv and Oren imbued the work with their intimate relationship and emotions, and the result is fascinating … Applauds to Niv and Oren for taking a work that was created some 25 years ago, and showing first and foremost how it withstood the test of time, and stayed surprisingly relevant.
Ora Brafman, Dance Talk
In December 2013, Israel Dance Critics’ Circle named Two Room Apartment Best Performance of the Year.
Artist talk: May 10th
Choreographers/dancers: Niv Sheinfeld, Oren Laor
Based on the original dance production by Nir Ben Gal and Liat Dror in 1987
Music by Ori Vidislavski (original music), Elton John, Vains of Jenna
Artistic adviser: Keren Levi
Costume designers: Nive Sheinfeld, Oren Laor
Light designer: Netta Koren
Co-production with the Centre National de Danse (Paris) and Grand Theater (Groningen)
World premiere: 2012, Tmuna Theatre, Tel Aviv
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
ONLY via München Ticket www.muenchenticket.de
089 / 54 81 81 81
The dancers that studied or are still studying at Minzu University of China are in their early 20s. Youthful and passionate, they represent their artistic position between traditional and modern China. Just Go Forward is based on a poem by Chinese poet Ye Ting and deals with the need for freedom and possible ways to achieve it. Young Beijing choreographer Yang Zhen combines traditional Chinese art with contemporary artistic strategies. Following on his pieces LUO LUO, Aria, Migrant and Root, he has turned the focus of Just Go Forward on women’s situation in the society of his homeland, which is orientated around the collective, and reflects on the role of the individual in the community.
Yang Zhen studied dance and choreography at Minzu University of China. He has presented his work as an independent choreographer at major Chinese festivals such as Beijing Dance Festival, Guangdong Dance Festival and China Dance Forward 2014 in Hong Kong, and in collaboration with Tang Ka Dance Studio at the China Shanghai International Arts Festival.
Artist talk: May 13th
Choreographer: Yang Zhen
Dancers: Gao Tian, Zeng Gui, Zhuang Tian, Cao Ningning, Yang Zhen, Xia Xiaoming
World premiere: 10.11.2014, Guangdong Dance Festival
www.dance-muenchen.de Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
only via München Ticket www.muenchenticket.de
089 / 54 81 81 81
Can the feeling of home be applied to any existing situation?
Can we find a sense of home in any context?
By allowing the sense/feeling of “home” to exist between the creators (us), our dialogue about how we would live and interact in this “home” becomes the creative space - and the performance.
It comes down to two people who try to see each other and are being seen in the intent of seeing each other by the audience.
Rosalie Wanka is guest of Tanztendenz München.
Venue
Tanztendenz
Lindwurmstr. 88
80337 München
U3 / U6 Poccistraße
The entrance is free. Registration required: produktion.qsa@gmail.com
Six media stations with selected films and lectures mark the opening of the Choreographers’ Atelier 2020/2021 and invite you to an exploratory journey through the myriad concepts surrounding the idea of “border”.
The theme of borders as both object and metaphor in politics, territorial and regional development, philosophy, cultural studies, sociology, biology, psychology, art theory, etc find their expression in crucial societal questions about identity, territory, gender, class, nation, culture, health or religion. On the one hand, borders seem to be blurring more and more, yet there is at the same time an obvious yearning for clarity and belonging that expresses itself in themes of differentiation and exclusion.
LECTURES on LIVESTREAM at 20.00 (8pm) each day. Please register: termine@tanztendenz.de
The speakers invited to mark out the territory in Part 1, 2020:
Thomas Fuchs (phenomenology and psychiatry)
The corona pandemic as a collective border situation
Michaela Ott (individualism criticism) Blurring borders in the area of bio- and sociotechnology
Spyridon Koutroufinis / René Pikarski (philosophy)
Border as creative process // a dialogue between Athens and Berlin
Günter Lempa (psychoanalysis): Overcoming borders – protecting borders? Thoughts from a psychoanalytical perspective
Thomas Dörfler (human and cultural geography):
The dialectic of the border: exigencies and irrationalities of cultural enclosure
Concept: Micha Purucker
Many thanks to Dunja Bialas (film curator)
Translation into English: Christine Madden
Technik: Michael Kunitsch, Roland Wawoczny
THUR 26 November, 8 pm Thomas Fuchs: The corona pandemic as a collective border situation
According to Karl Jaspers, a human being is confronted with a border situation when their former “carapace” of certainties, basic assumptions and belief systems, which provides protection from the contradictions of being, collapses. In this respect, border situations have an exposing nature. This concept can also be applied in collective situations such as the current pandemic: our former orientation towards the future is suspended; we must live with uncertainty. Yet a border situation, according to Jaspers, also opens up to us the possibility of grasping our own existence. In a similar way, a collective border situation like the corona pandemic can instigate reflection on how we would like to live in future. The lecture will pose several considerations about such possible developments.
Thomas Fuchs (phenomenology and psychiatry)
Karl Jaspers Professor for the philosophical foundations of psychiatry and psychotherapy, University of Heidelberg
FRI 27 November, 8 pm Michaela Ott: Blurring borders in the area of bio- and sociotechnology
Borders thrive on the continued liberation from boundaries, on displacement and infiltration, regarding their appearance in both its political and epistemological forms. This lecture represents a critique of traditional philosophical delimitation and a plaidoyer for epistemological and ethical border-blurring. In this way, the concept of the “individual” is critiqued, in that it signals a personal self-awareness as undivided, autonomous and differentiated. Due to contemporary bio- and socio(techno)logical interference, media practices and cultural enmeshment, this self-awareness no longer seems replete with cognition and appears ethically problematic. This is why replacing the concept with that of “dividuation” is necessary, which instead lets various types of participation come to the foreground.
Michaela Ott (individualism criticism)
Professor of aesthetic theories at the Hochschule für bildende Künste Hamburg (Hamburg Academy of Visual Arts)
FRI 27 November, following Günter Lempa: Overcoming borders – protecting borders? Thoughts from a psychoanalytical perspective
Borders play an important role in psychoanalysis. How does a differentiated self emerge in early development; how do approach, exchange and separation between ego and object, baby and care giver take place? Using these “border problems” in the intimacy of interpersonal relationships as a starting point, the talk will attempt to open perspectives on social and political issues. In doing so, it will focus on questions of how important a stable architecture of differentiation and boundaries is for a society in maintaining its civilising standards, as well as how the expansion of the radius of empathy and solidarity to those formerly excluded can be achieved.
Günter Lempa (psychoanalysis)
Medical doctor of psychiatry and psychotherapeutic medicine and psychoanalyst
SAT 28 November, 8 pm Thomas Dörfler: The dialectic of the border: exigencies and irrationalities of cultural enclosure
In this day and age, there’s hardly a topic more pressing in the issues of political debate than borders and demarcation, and their consequences.
Social orders, territories and political camps therefore each create sharp distinctions for themselves in order to get noticed and look ready and able for action. This lecture aspires to discuss the ambivalences of social, geographical and political demarcation in order to make the case for handling social differences with greater equanimity.
Thomas Dörfler (human and cultural geography)
Project team member at the University of Bayreuth, department of social [and populace] geography
Available in the online-archive Spyridon Koutroufinis / René Pikarski:
Border as creative process // a dialogue between Athens and Berlin
The bio-philosophical assumption is that borders are not rigid, substantially fixed lines of demarcation, but rather continuing processes of dynamic (self-) limitation and boundary-breaching. An organism forms a unit with its environment and creates itself and its environment through the constant reconstruction of its borders. Writers such as Alfred N. Whitehead, Jakob von Uexküll, Georges Canguilhem, Henri Bergson and Michel Foucault are the focus of this enquiry.
Spyridon Koutroufinis (biophilosophy)
Lecturer of philosophy at the TU (Technical University) Berlin
René Pikarski (philosophy)
Doctorate from the Munich School of Philosophy
Venue
schwere reiter
Dachauer Straße 116a
80636 München
Tram 12, 20, 21 or Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
Free admission
Registration requested at
termine@tanztendenz.de
The Choreographers’ Atelier, presented by Tanztendenz München e.V., is supported by the Department of Arts and Culture of the Bavarian capital of Munich, the Culture Foundation of the Stadtsparkasse München, the District Council 4 Schwabing-West and the District Council 9 / Neuhausen-Nymphenburg of the Bavarian capital of Munich.
ON STAGE AT SCHWERE REITER
Choreographie: Mathias Schwarz. Performance: Janine Komik, Moni Keller, Therese Madeleine Thonfors, Jenny Szabo und Mathias Schwarz
23. – 25. September, 8.30 pm Johannes Härtl: Bloodline
Choreographie: Johannes Härtl. Performance: Christina D´Alberto, Jasmine Ellis, Antonia Cop, Marta Rak, Matteo Sacco, Nadine Gerspacher, Moritz Ostruschnjak, Niv Melamed, Fran Martinez Garcia, Itxasai Mediavilla, Chiara Manzoni, Giorgia Reitani, Francesca Merolla
OPEN SPACE At SCHWERE REITER
24. + 25. September, 3.00 - 4.45 pm + 5.00 - 7.00 pm Open space Short choreography, work in progress, improvisation
With: Odd Susie (Amalie Obitz Mogensen, Sophie-Amalie Munch und Therese Madeleine Thonfors), Helmut Ott, Bui Rouch, Elina Akhmetova, Chiang-Mei Wang, Fran Martinez Garcia, Natalie Bury, Eva Bormann, Tanya Rydell, Simon Kummer, Lotta Sandburg, Iris Mesko, Katja Wachter,Jamesd Newton, Peter McCoy
OPEN SPACE AT PROBENRAUM SCHWERE REITER
rehearsal 19. – 23. September, daily 11.00 am –1.00 pm Human(s) Being. Project with ANIMAN / Peter Mc Coy
Information: richter@tanztendenz.de
21. September, 7.30 - 8.00 pm Project with video from Brygida Ochaim
WORKSHOPS
24. + 25. September at 10.00 am – 2.00 pm Cross over: Dance and acting
Für professionals with Birgitta Trommler and Johanna Richter
Information: richter@tanztendenz.de<
Venue
schwere reiter + schwere reiter Probenraum
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Station Leonrodplatz www.schwerereiter.de Tichets
12,- / 8- erm.(ON STAGE)
Reservation: 089 / 721 10 15 oder richter@tanztendenz.de
10,- (WORKSHOPS)
Reservation: richter@tanztendenz.de
Entrance free (OPEN SPACE)
Reservation: richter@tanztendenz.de
Ein düsterer Blick auf die Welt von heute: an immer mehr Orten begegnen sich immer mehr Menschen auf immer engerem Raum, finden immer weniger Zeit wirklich das zu tun, was sie erstreben. Das Tempo der Zeit rast davon, die Fülle an Eindrücken macht das Eigene unsichtbar und farblos.
Und dennoch, es gibt ihn, den geheimen Traum-Raum, an den man sich flüchtet, wenn die Realität ausweglos, unerträglich, laut und lästig wird. Hier ist Platz für freie Gedanken, Unwirkliches und eigene Träume.
Konzept/Regie: Johanna Richter
Bühne: Mark Rosinski
Kostüme: Jörg Christel, Uwe Sinn
Licht: Hans-Peter Boden
Mit Joy Bai, Caroline Finn-Fischer, Tim Bergmann, Alan Brooks, Miguel Fiol Duran,
Volker Michl, Jannis Spengler
Spielort
Schauburg / Theater der Jugend
Franz-Joseph-Str. 47
München
Reservierung: 089 / 233 371-55 www.schauburg.net
From 19th of February until 4th of March 2018 the Tanztendenz Munich will offer their studios once more to young emerging choreographers.
We offer a lab situation for research and exchange without any pressure of producing to choreographers, who are at the beginning of their artistic career.
The overall aim of “OPEN STUDIOS” is not to create finished pieces, but rather giving ideas and approaches a first try.
According to capacity every participant will be given four hours per day for rehearsal. Optional a member of Tanztendenz can attend the rehearsals. At the end of the two weeks on Sunday, march 4th, at 4 p.m. there is the opportunity of an informal public showing at Tanztendenz.
Venue
Tanztendenz
Lindwurmstraße 88 / 5. Stock
80337 München
U 3 + U 6, Stadtbus 62 + N 40, Haltestelle Poccistraße Eintritt
The entrencee for the Showing on mach 4 is free
Registration: info@tanztendenz.de
A walk-in diagram — a spatial hybrid between exhibition, cinema and stage.
A movement profile from 30 years of choreography and action. A medial infrastructure of performative platform, pinboards, screens, listening and viewing stations—loaded and performed each evening from a new and different point of view. As an installation and an exhibition, “archival beach” unfurls an experientially accessible network of relationships among themes, references, persons and influences. As a concept and spatial diagram, it is a transferrable model for a dynamic archive of artistic work.
Embedded in this on three days is “organic display – poles apart,” Purucker’s performance about the terrain of his work between dissolving and gaining the human body.
Organized as a score for voice, “organic display – poles apart” runs two contrary trains of thought and bodily practices around a center that has been left empty. On the one side, there is the reduction of the human being and the person to the brain (transplant medicine). On the other side stands a practice such as bodybuilding, which aims for mass and bodily growth through enormous effort. Both strategies miss their mark, i.e. the body, and ultimately represent the extreme antitheses of one and the same fleeing: away from the body.
FRI april 10,
7 pm Vernissage,
8.30 pm performance: „organic display - poles apart“
among others with Gabriele Graf, Uli Zentner
SAT april 11 7 pm exhibition
8.30 pm performance: „organic display - poles apart“
among others with Gabriele Graf, Uli Zentner
SUN april, 11 am to 5 pm, café + exhibition
"is any body home?", audio piece and talk
THUR april 16 7 pm exhibition, video.concert, snacks
8.30 pm lecture: Dr. Rainer Gruber (Theoretische Physik) „Von Verkrustungen, Erfolg und dem Nutzen der Retrospektive – oder wie viele Häutungen braucht die Physik?“
FRI april 17 7 pm exhibition 8.30 pm performance: „organic display - poles apart“
among others with Gabriele Graf, Uli Zentner
SAT april 18 11 pm café + exhibition, 7 pm video.concert, snacks
8.30 lecture: Marcus Steinweg (philosopher) „Evidenzterror“
every day presence: Micha Purucker
Concept, directing, visuals: Micha Purucker
Sound: Robert Merdžo
Lightdesign: Michael Kunitsch
Atelier: Manuela Müller, Peter Slabon
Public Relations: Beate Zeller
Supported by the Cultural Department of the City of Munich. Micha Purucker is member of Tanztendenz München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
price: 15,- / 10,- red.
beach.pass: 30,-
exhibition: 5,-
reservation: 089 / 721 10 15 or just come to the venue the same evening.
reservierung@schwerereiter.de
A walk-in diagram — a spatial hybrid between exhibition, cinema and stage.
A movement profile from 30 years of choreography and action. A medial infrastructure of performative platform, pinboards, screens, listening and viewing stations—loaded and performed each evening from a new and different point of view. As an installation and an exhibition, “archival beach” unfurls an experientially accessible network of relationships among themes, references, persons and influences. As a concept and spatial diagram, it is a transferrable model for a dynamic archive of artistic work.
Embedded in this on three days is “organic display – poles apart,” Purucker’s performance about the terrain of his work between dissolving and gaining the human body.
Organized as a score for voice, “organic display – poles apart” runs two contrary trains of thought and bodily practices around a center that has been left empty. On the one side, there is the reduction of the human being and the person to the brain (transplant medicine). On the other side stands a practice such as bodybuilding, which aims for mass and bodily growth through enormous effort. Both strategies miss their mark, i.e. the body, and ultimately represent the extreme antitheses of one and the same fleeing: away from the body.
THUR april 16 7 pm exhibition, video.concert, snacks
8.30 pm lecture: Dr. Rainer Gruber (Theoretische Physik) „Von Verkrustungen, Erfolg und dem Nutzen der Retrospektive – oder wie viele Häutungen braucht die Physik?“
FRI april 17 7 pm exhibition 8.30 pm performance: „organic display - poles apart“
among others with Gabriele Graf, Uli Zentner, Daniel Kirchhoff
SAT april 18 11 pm café + exhibition, 7 pm video.concert, snacks
8.30 lecture: Marcus Steinweg (philosopher) „Evidenzterror“
every day presence: Micha Purucker
Concept, directing, visuals: Micha Purucker
Sound: Robert Merdžo
Lightdesign: Michael Kunitsch
Atelier: Manuela Müller, Peter Slabon
Public Relations: Beate Zeller
Supported by the Cultural Department of the City of Munich. Micha Purucker is member of Tanztendenz München.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
price: 15,- / 10,- red.
beach.pass: 30,-
exhibition: 5,-
reservation: 089 / 721 10 15 or just come to the venue the same evening.
reservierung@schwerereiter.de
A drift in the night – radio luma : into the night traces the footsteps of film characters Oscar and Sergio according to motifs from the films "O Fantasma" by João Pedro Rodrigues and "Enter the Void" by Gaspar Noé, with a voice-over of text extracts by Louis-Ferdinand Céline. The protagonists are destabilised individuals on an inner journey. The films are tangibly experienced cinema. And Céline? He loved cinema and wrote lines such as “When dogs sleep, they look like wolves”. Being in a broadcast with Micha Purucker means submerging yourself in a space that, thanks to the intensity of movement and the dancers, can be physically experienced.
Three exquisite solos.
Münchner Feuilleton
Concept/choreographer: Micha Purucker
Dancers: Zufit Simon, Gonçalo Cruzinha, Bong Su Kim
Sound designer: Robert Merdžo
Lighting designer: Michael Kunitsch
Set construction workshop: Manuela Müller, Peter Slabon, Björn Freese, Pius Spiesshofer
Special thanks to Do Yeun Kim
World premiere: 6 November 2014, Schwere Reiter, Munich
Micha Puruckeris a member of Tanztendenz and is supported by the city of Munich.
www.dance-muenchen.de
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
ONLY via München Ticket www.muenchenticket.de
089 / 54 81 81 81
concepts of art and space
As part of DANCE 2015, Tanztendenz will establish a temporary project and workspace – art lodge munich – to present and discuss the multifaceted history of creating artistic space in the community in a programme featuring readings, activities, film presentations and discourse.
Space is understood here as the result of choreographic thinking in multiple ways – not only stage design but also the form and creation of actual work structures and spaces. Using two sample positions as a starting point, international models will be presented and discussed in dialogue with Munich choreographers: Jan Ritsema will present the Performing Arts Forum (PAF), an informal institution initiated and maintained by the artists, theoreticians, practitioners and activists themselves. Laurent Van Kote, international performing arts consultant for the French Ministry of Culture and Communication, will address structure building for dance in France.
As a staged workspace, art lodge munich highlights the actual spatial interface of a field of thought, the open structure of which inspires reflection and debate in artists and visitors. It also reflects the special role that schwere reiter plays in art and dance production at this location and in this city. Tanztendenz, an association “of artists for artists”, runs the schwere reiter as a self-managing venue located in the city’s future creative quarter.
The association Tanztendenz München has been in existence since 1987 as a unique interest group in Germany for contemporary dance.
Those interested are invited to take part in a tour of the site on Dachauer Straße with Werner Schmitz (from the arts and culture office of the city of Munich) and Prof. Sophie Wolfrum (department of urban development and regional planning at Technische Universität München) directly after the discussion.
In the days following, art lodge munich will also be open for two and a half hours before DANCE festival performances at schwere reiter:
Sunday, May 10, 13:30 – 15:30 pm
Wednesday, May 13, 16:30 – 18:30 pm
Thursday, May 14, 16:30 – 18:30 pm
Christiane Blaise talks about her choreographic center "Le Pacifique" in Grenoble
www.pacifique-cdc.com
Friday, May 15, 20:30 – 22:30 pm
The entrance is free!
If you’re interested in joining us for the opening day events, please let us know by registering by 6 May 2015 at info@tanztendenz.de
Interactive library: films and multimedia contributions from artists including Andrea Zittel, Catalyst Arts Gallery Belfast, Andreas Reckwitz, L’école de Stéphanie, New Ponderosa Year Zero, Thomas Hirschhorn und Marcus Steinweg, Little sparta/ Edinburgh, Chez Bushwick/ center for Performing Research (CPR) in Brooklyn.
Photo documentary by Volker Derlath:
Impressions of the site at Dachauer Straße
DANCE 2015
7 - 17 May
Munich’s 14th international festival for contemporary dance
Artistic director: Nina Hümpel
Presented by the Cultural Department of the City of Munich, in collaboration with Spielmotor. www.dance-muenchen.de Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Karten
Der Eintritt ist frei.
news garden – a landscape of reporting for six performers and one voice
Micha Purucker‘s third choreographic scuplture:
The public news stations’ idiosyncratic “news-speak”, blended and recontextualised
with the altogether different concentration and affectivity of
the dancers.
The project addresses in abstract form the questionable amalgamation of
world news with our respective local, personal, domestic situations as we all
experience them at the breakfast table, at work, in our cars, as we listen to
the radio, watch TV or read the paper.
The dancers’ emotions and their inwardness produce a stark contrast to the
professional indifference of the news anchor. The dancers and performers
illustrate nothing, they do not recount or service any particular content,
and yet links and cross connections keep emerging between the acoustic
and visual levels. What becomes most interesting then, are the blurred
intersections.
The discrepancy between a specific textual content and the inherent
openness of the choreographic narrative added to the fact that the two are
perceived on different levels creates a kind of potential for unrest in this
production.
And there emerges a new territory of meaning which oscillates between
acoustic and kinetic elements and information and opens towards an infinite
number of personal interferences.
choreographic sculpture
passing by between 6 and 9 p.m.
With Michael Althauser, Steven Barrett, Ariel Cohen, Gonçalo Cruzinha, Alessandra Defazio, Gabriele Graf, Janne Gregor, Manon Greiner, Michael Kunitsch, Michele Meloni, Robert Merdzo, Manuela Müller, Akemi Nagao,
Ming Poon, Peter Slabon, Davide Sportelli, Josef Weinert, ...
Supported by the Bureau for Cultural Affairs of the State Capital City of Munich and the Bavarian State Association for Contemporary Dance (BLZT)
with funding from the Bavarian State Ministry for Science, Research and Art. Micha Purucker is member of Tanztendenz München e.V.
Venue
Immatriculationhall of TU, main entrance
Arcisstr. 21
Munich
Free entrance.
Spielort
Tanztendenz München
Lindwurmstr. 88 / 5. Stock
089 / 721 10 15
Der Eintritt ist frei.
info@tanztendenz.de www.tanztendenz.de
Mosaico Danza, TROIS C-L and TanzTendenz represent the SHARED CHOREOGRAPHIC RESIDENCY Project in their respective home countries.
The initiative brings together young European artists who work in contemporary dance as well as choreographic institutions and dance festivals that focus on research and young generations in particular and that put great emphasis on training and artistic development through the exchange of different working methods and by relying on European mobility.
The project is a creative and synergetic encounter of talented young choreographers from the Piemont, Luxembourg and Munich regions who are nominated by the directors of the national and international choreographic centres involved in the project. Three creative spaces thus share three choreographic residencies.
SHARED CHORE
This component of the project is based on cooperation between the Centre de Création Chorégraphique Luxembourgeois TROIS C-L (Luxembourg), Tanztendenz Munich (D) and Mosaico Danza Turin (I). It consists of 4 stages – meeting up, sharing knowledge and experience, residency work and a performance in front of an audience.
The young choreographers selected for SHARED CHORE 2012/13 are Daniele Ninarello (I), Yuko Kominami (L) and Stephan Herwig (D).
Ninarello, Kominami and Herwig will work together from November 2012 to June 2013, travel the three countries involved and benefit from 10 day-working residencies in each partner institute. We thought it would be useful for participants to be able to rely on the support of a coach (or tutor) throughout the various stages of the research and creation periods. Christiane Blaise, director of Le Pacifique | CDC, Centre de développement chorégraphique de Grenoble and founder of the (Re)connaissance contest for young artists with Maison de la danse Lyon will provide this creative supervision and assistance for all three residencies. The closing of each residency is marked by an open rehearsal or informal performance in front of an audience.
OBJECTIVES
The project aims at promoting training and artistic development through the exchange of different working methods and by making use of European mobility with a view to enhancing cooperation between artists and choreographic institutes.
The project’s main aim is not to create a new production; instead, the focus is on the creative journeys and cooperative processes that define joint initiatives and that require good teamwork and shared creative interaction and impulses.
A project by Tanztendenz München (D),
Mosaico Danza, Turin (I) in cooperation with
Torinodanza/Fondazione del Teatro Stabile di Torino (I)
and TROIS C-L Centre de Création Chorégraphique Luxembourgeois (L).
The "Enoteca Regionale di Nizza" presents more than 600 prestigious wines from piemontese winegrowers, mainly from the area of production of Barbera d'Asti Superiore Nizza Docg.
Venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Tickets
free entrance
Ma Ma Ma Materials (work-in-progress) plays out as a mix tape of performative identities.
Through the sampling of dance vernaculars and performative strategies the cultural migration of a dancing body is charted. By exercising a chameleonic strategy, Linder is evoking the multiplicity of a body's inscriptions. Concept & choreography Daniele Ninarello
Performers Annamaria Ajmone, Marta Ciàppina e Daniele Ninarello
Dramaturg Carlotta Scioldo
Sound designer Mauro Casappa
Set Paolomatteo Patrucco
Light designer luci Cristian Perria
Production Associazione Culturale CodedUomo. Coproduction Fondazione Fabbrica Europa per le arti contemporanee, Lavanderia a Vapore-Centro di eccellenza per la danza di Collegno (Torino), Balletto dell’Esperia/Palcoscenico Danza (Torino), Mosaico Danza (Torino), Electa Creative Arts (Teramo), Tanztendenz München (D).
With the support of the project DE.MO./MOVIN’UP II session 2012.
Project winner of "Teatri del Tempo Presente 2013" promoted by Fondazione Piemonte dal Vivo/Circuito Regionale dello Spettacolo and MiBAC-Ministero per i Beni e le Attività Culturali.
www.cargocollective.com/danieleninarello
Spielort
Tanztendenz München
Lindwurmstr. 88
München
Der Eintritt ist frei. www.tanztendenz.de
Since 2006 the Tanztendenz has been a partner in the international network for contemporary dance: Les Repérages* that initiates and fosters contacts between 15 European nations, Canada, Brazil, and Tunisia. Every year in March representatives of the national contemporary choreographers’ scene are sent to the “Danse à Lille” festival (2014: “Le Grand Bain”) to Lille and Roubaix in the north of France. Emerging choreographers can present short pieces within a professional frame and make important new contacts with international presenters. Until recently, the Tanztendenz and Tanzhaus nrw in Düsseldorf alternately sent choreographers to Lille. The latter, however, have withdrawn their participation from the network, leaving the Tanztendenz as the sole German partner.
The International Choreographers’ Atelier organized biennially by the Tanztendenz has always been a format, which presented the opportunity to take part in the exchange by inviting choreographers, who had introduced their work in Lille. For the first time now the Tanztendenz will invite choreographic jewels to guest at Munich’s schwere reiter venue to reflect this new status as the network’s sole German partner:
Compagnie CFB 451 from France will show their solo „Valse en trois temps“ as part of a double bill with Zufit Simon‘s duo „Adom Modulations“; the performance by Zufit Simon was chosen as a candidate for Lille 2014. On another night the James Cousins Company will present the duo “There We Have Been” that could be seen last at Sadler’s Wells in London.
*le repérage: (determination of a) location, locating, bearing
Supported by the Cultural Department of the city of Munich and the British Council.
VALSE EN TROIS TEMPS
On a classical music theme, Christian & François Ben Aïm put into perspective artistic disciplines, this time between contemporary movement and classical music.
This solo will be questioning notions of abstraction and fluidity of the body in space. The
choreographical act is emphasized here, proposing a moment of aerial dance, when the soul
lets itself goes and travels with its body.
Choreography: CFB 451 - Christian et François Ben Aïm
Dance: Aurélie Berland
Duration: 15 minutes
ADOM MODULATIONS
In Hebrew ADOM stands for “red“. DAM- Blood, ADAM – the first human being and ADAMA – earth.
All these words share a strong connection, which develops into a choreographically dense, highly musical duet. Two slender bodies in a web of complex movements.
Bodies striving to stand upright, stumble, falter, always with the depths of the abyss at their feet.
Their movements are perpetuated in the Other’s body, they are a mutual source of support and locomotion. A helping hand is always also a physical relationship of interdependency.
And so the dance develops desired and undesired relationships of interdependency.
“Initially ADOM was just a study that developed from performance to performance. A specific quality of movement emerged between the two bodies and to the ground. ADOM Modulations is a revision of the original topic, which also gives me a chance to build up on it and develop it further.”
Concept and Choreography: Zufit Simon
Dance: Ulrike Etzold, Zufit Simon
Music: Nackt, Robert Merdzo
Lighting: Rainer Ludwig
Production: artblau Tanzwerkstatt
Duration: 35 minutes
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Eintritt: 15,- / 10,- erm.
Kombiticket für beide Abende: 20,- / 10,- (erm.)
Reservierungen: 089 / 721 10 15 oder einfach an die Abendkasse kommen
reservierung@schwerereiter.de
Since 2006 the Tanztendenz has been a partner in the international network for contemporary dance: Les Repérages* that initiates and fosters contacts between 15 European nations, Canada, Brazil, and Tunisia. Every year in March representatives of the national contemporary choreographers’ scene are sent to the “Danse à Lille” festival (2014: “Le Grand Bain”) to Lille and Roubaix in the north of France. Emerging choreographers can present short pieces within a professional frame and make important new contacts with international presenters. Until recently, the Tanztendenz and Tanzhaus nrw in Düsseldorf alternately sent choreographers to Lille. The latter, however, have withdrawn their participation from the network, leaving the Tanztendenz as the sole German partner.
The International Choreographers’ Atelier organized biennially by the Tanztendenz has always been a format, which presented the opportunity to take part in the exchange by inviting choreographers, who had introduced their work in Lille. For the first time now the Tanztendenz will invite high-carat choreographic jewels to guest at Munich’s schwere reiter venue to reflect this new status as the network’s sole German partner:
Compagnie CFB 451 from France will show their solo „Valse en trois temps“ as part of a double bill with Zufit Simon‘s duo „Adom Modulations“ – the performance Zufit Simon chose to apply for participation at Lille 2014. On another night the James Cousins Company will present the duo “There We Have Been” that could be seen last at Sadler’s Wells in London.
*le repérage: (determination of a) location, locating, bearing
Supported by the Cultural Department of the city of Munich and the British Council.
ADOM MODULATIONS
In Hebrew ADOM stands for “red“. DAM- Blood, ADAM – the first human being and ADAMA – earth.
All these words share a strong connection, which develops into a choreographically dense, highly musical duet. Two slender bodies in a web of complex movements.
Bodies striving to stand upright, stumble, falter, always with the depths of the abyss at their feet.
Their movements are perpetuated in the Other’s body, they are a mutual source of support and locomotion. A helping hand is always also a physical relationship of interdependency.
And so the dance develops desired and undesired relationships of interdependency.
“Initially ADOM was just a study that developed from performance to performance. A specific quality of movement emerged between the two bodies and to the ground. ADOM Modulations is a revision of the original topic, which also gives me a chance to build up on it and develop it further.”
Concept and Choreography: Zufit Simon
Dance: Ulrike Etzold, Zufit Simon
Music: Nackt, Robert Merdzo
Lighting: Rainer Ludwig
Production: artblau Tanzwerkstatt
Duration: 35 minutes
THERE WE HAVE BEEN “My arm was not the one she needed, but the arm of someone else.
My warmth was not what she needed, but the warmth of someone else.
I felt almost guilty being me.
As the winter deepened, the transparent clarity of Naoko’s eyes seemed to increase. It was a clarity that had nowhere to go.”
Extract from Norwegian Wood by Haruki Murakami.
There
We
Have
Been
takes
inspiration
from
the
troubled
relationships
portrayed
in
Haruki
Murakami's
bestselling
novel,
Norwegian
Wood.
Focusing
on
the
first
half
of
the
story
and
the
development
of
relationships
between
the
novel’s
protagonist
and
his
late
best
friend's
girlfriend,
Cousins
presents
a
daringly
intimate
glimpse
into
a
secluded
world
of
fragile
dependency.
This
touching
and
emotionally
charged
duet
sees
the
two
performers’
intensely
folding,
wrapping
and
balancing,
with
the
female
character
never
once
touching
the
floor.
“Simply one of the most stunning contemporary dance pieces I have ever seen” Londondance.com
Choreography: JamesCousinsCompany
Dance: Lisa Welham and Aaron Vickers
Composition: Seymour Milton
Lighting: Lee Curran
Costumes and stage: Colin Falconer
Duration: 20 minutes
Promovideo on vimeo.com
Supported by the British Council.
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Eintritt: 15,- / 10,- erm.
combiticket for both evenings: 20,- / 10,- (red.)
Reservierungen: 089 / 721 10 15 oder einfach an die Abendkasse kommen
reservierung@schwerereiter.de
„Bei der analogen Übertragung von Information werden der physikalischen Größe die entsprechenden Daten kontinuierlich aufgeprägt. Jeder Wert ist dabei in einem festgelegten Intervall zulässig und zu jedem Zeitpunkt relevant.“
Choreografie: Daniela Graça Schankula
Tanz: Avianna Mckee und Katrin Schafitel
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Ticketreservation
Entrance Fee: 12,-
Reservation: 089 / 721 10 15 or come to the evening desk
The number of places is limited - there is standing room only.
reservierung@schwerereiter.de
Seit einiger Zeit beschäftigt sich Dali Touiti mit der Musik und der faszinierenden Künstlerpersönlichkeit von John Cage. Sie inspirierte ihn zu seiner Arbeit „Center of Gravity“, der er wieder und wieder eine neue Form gibt und sie weiter entwickelt.
Choreografie: Dali Touiti
Tanz: Edith Buttingsrud Pedersen, Mariko Yamada, Cheri Isen, Marie Lykkemark
Musik: John Cage „Roaratorio“, 48nord "about variations"
Videoinstallation: Felix Leon Westner
Auch die Musik von 48nord (Ulrich Müller und Siegfried Rössert) ist der künstlerischen Arbeit von Dali Touiti sehr nah - über Genregrenzen hinweg, experimentell, improvisierend. "Physical" gibt als work in progress einen Vorgeschmack auf die kommende Arbeit.
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Eintritt: 15,- / 10,- erm.
Reservierungen: 089 / 721 10 15 oder einfach an die Abendkasse kommen
reservierung@schwerereiter.de
This circle, | I trace in the middle, | represents everything I know. | Outside the circle | is everything | I do not know. |
If I make a new experience, | I bring it into the circle | and there I give it a name. | It then becomes part of my world. - Malgven Gerbes
Malgven Gerbes aims to measure her own world. It's a world of memories, impressions and poetic thoughts that she tries to hold onto with lines and drawings.
The result is a wonderfully light voyage, a graphical recording of her inspirations which will be mapped bit by bit. Far from that, to array the world,
Malgven Gerbes visualises the fleeting beauty of a movement, a feeling, an emotion.
Potsdamer Neueste Nachrichten
“What started as an exposed trip for self exploration gained bit by bit the lightness and beauty
of an authentic process of search that could take place in any of us.”
Märkische Allgemeine Zeitung
This performance showed the really new and offered a vast array of continuously changing images and experiences.
A total work of art and an artistic self presentation with impressive results.
Choreography, texts, dance, drawing: Malgven Gerbes | Dramaturgic advices, sound composition: David Brandstätter |
projection, lights: Thomas Achtner | graphics: Yoann Bertrandy studio dessin | photo, documentation: Marie Spiller |
thanks to: Katrina Brown, Eva Karczag, Chris Crikmay, Christine Erbé, Katja Kettner | production: shifts art in movement |
created in residences at: Dancing compagnie Beau Geste, Moulin de Louviers, fabrik Potsdam, Collectif Danse Rennes Métropole,
Tanztendenz München, Giesinger Bahnhof München, Lofft Leipzig | supported by: Drac Haute Normandie, Region Haute Normandie,
fabrik Potsdam | Structural advices: Odia Normandie | premiere has been on: 15th of October 2012, Normandie | duration: 50 min
Supported by the Cultural Department of the City of Munich
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Eintritt: 15,- / 10,- erm.
Reservierungen: 089 / 721 10 15 oder einfach an die Abendkasse kommen
reservierung@schwerereiter.de
„Alles Interessante ereignet sich im Dunkeln, ganz ohne Zweifel.“
Louis-Ferdinand Céline
rr a d i o *luma - real im areal !
into the night:
live mit Tanz, Sound, Snacks und Aktionen - dunkle Kerzen zur Vorweihnachtszeit drei Paraphrasen zu Céline, Noé und Rodrigues -
drei unterschiedliche Ausgangspositionen -
drei unterschiedliche Performer - ein Thema:
Das Tagesbewusstsein schwindet, die Realität verliert ihren Halt.
Wie die Protagonisten aus den Filmen von Noé und Rodrigues (Sergio und Oscar) überlassen sich die Tänzer einer Drift in die Nacht.
Sie bereiten sich vor zum Eintauchen in den Dschungel einer nächtlichen Großstadt, sei es Lissabon, Tokio oder eine andere große Stadt. Mit der Innensicht der Tänzer kontrastiert eine Textarbeit zu Louis-Ferdinand Céline.
Am Freitag- und Samstagabend gibt es nach einer kleinen Pause zusätzlich Quiet Darkness zu sehen, ein Duett von Do Yeun Kim und Bong Su Kim, und es öffnet der koreanische pop up store für Geschenke in letzter Minute.
Konzept/Choreografie: Micha Purucker
Mit Konstantin Bez, Wolfgang Cerny, Gonçalo Cruzinha, Chris Hartmann, Stephan Herwig, Bong Su Kim,
Do Yeun Kim, Katharina Malong, Michael Kunitsch, Robert Merdžo, Manuela Müller, Peter Pruchniewitz,
Peter Slabon, Federico Sánchez, u.a.
Mit freundlicher Unterstützung des Kulturreferats der Landeshauptstadt München.
Freitag, 20. & Samstag, 21. Dezember, gegen 22:00
QUIET DARKNESS
Duett von und mit Do Yeun Kim und Bong Su Kim
At a dark beach we can not distinguish the surface of the sea from the horizon.
but we can sense the ocean, its smell and its sound.
by placing reason over experience and sensation - as in western culture - remote experience that involves sight and hearing became superior to direct experiences like smell, taste or touch.
the piece aims to deliver the significance of „presence“ rather than „image“.
quoted from „Matrix“, the movie „simulacrum is everywhere. it's all around us, even now in this very room.
you can see it when you look out your window or when you turn on your television. you can feel it when you go to work, when you go to church, when you pay your taxes. it is as if the world has been pulled over your eyes to blind you from the truth.“
Choregraphy / dance: Do Yeun Kim, Bong Su Kim
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Eintritt: 15,- / 10,- erm.
Reservierungen: 089 / 721 10 15 oder einfach an die Abendkasse kommen
reservierung@schwerereiter.de
Spielort
Tanztendenz München
Lindwurmstr. 88
München
Der Eintritt ist frei. www.tanztendenz.de The Secret and the Sacred
Two Worlds at Los Alamos (English Version)
Drehbuch/Regie: Claus Biegert 2001, 58 Min.
Filmvorführung und Gespräch mit Claus Biegert
Hidden in the mountains of Northern New Mexico lies the birthplace of the Atomic Age: The Los Alamos National Laboratory. The lab takes up forty-three square miles - indigenous land of the Tewa people, who are today cut off from their traditional shrines of worship: their prayer sites are either fenced off or contaminated. The central meeting point for artists and activists is the Black Hole, a former supermarket. From the Black Hole, Ed Grothus, a former laboratory mechanic who became an outspoken pacifist, resells salvage of the Los Alamos National Laboratory.
Claus Biegert arbeitet seit 1973 als Journalist. Seine Arbeit führte ihn mehrfach nach Nordamerika, wo er insbesondere die Bedrohung der indigenen Völker durch nukleare Technologien, den Abbau von Uran, Tests von Atomwaffen und die Lagerung von Atommüll erlebte und darüber berichtete. Er initiierte 1992 die Weltkonferenz World Uranium Hearing in Salzburg und gründete im Ergebnis dieser Konferenz zusammen mit Franz Moll den Nuclear-Free Future Award, der seit 1998 jährlich vergeben wird.
Dieser Abend findet im Rahmen des Internationalen Choreografenateliers der Tanztendenz München mit dem Titel: CLOSE BY - Unter dem Pflaster liegt der Strand, statt. Das
Thema: ist: Heterotopien und andere Orte.
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Der Eintritt ist frei.
Choreographers of the Tanztendenz München invite artists and choreographers from Germany and abroad to reflect about their roles as artists in the society they live in. Impulses from practice and theory hailing from different fields will be supporting this process. This edition’s subject matter will be the space, the other place, the different structure, in which artistic creation ideally takes place.
Does artistic autonomy exist only as an Utopia?
Project design
The last Choreographers’ Ateliers (in 2005, 2008, and 2011) dealt with all kinds of artistic role models (pirates, warriors, secret agents, and dissidents) – this time around the subtitle reads “Utopians and Tourists”. We are planning to conceive of this week together as one continuous performance, which is to take place on the premises of Schwere Reiter – including open air cinema, lectures, and practical exercises relating to the topic of Heterotopia.
Michel Foucault characterizes heterotopias as „real places — places that do exist and that are formed in the very founding of society — which are something like counter-sites, a kind of effectively enacted Utopia in which the real sites, all the other real sites that can be found within the culture, are simultaneously represented, contested, and inverted. Places of this kind are outside of all places, even though it may be possible to indicate their location in reality.“ Heterotopias unfold a difference vis-à-vis the remaining space. Extreme heterotopias are in this regard the illusionary space and the compensatory space. They possess the ability to unite several incongruous spaces in one place and to create a connection between them, where none seemed possible. Here, their own underlying structure of time plays an important role: „The heterotopia begins to function at full capacity when men arrive at a sort of absolute break with their traditional time.“
For the space of time of eight days five international choreographers/artists will be invited to focus together with the Munich choreographers on alternative spaces and places, while also conquering very concretely some places in the city with their presence. At a point in time when there is some debate in Munich about a Creative Quarter (Kreativquartier), the artists will formulate their own position regarding those spaces in which creativity can occur.
Programm-Flyer download Programm-Flyer
The Dubai In Me. Regie: Christian von Borries, D 2010 | 78 Min.
In Anwesenheit des Regisseurs, anschließend Gespräch, moderiert von Dunja Bialas
Combining shots of Dubai with footage from Second Life, real estate promotional videos, and quotations from French philosopher Jacques Rancière on the nature of image-making itself, The Dubai In Me portrays boom-town Dubai, at its recent peak, as a theoretical object and product of free-market liberalism. An essay film with multiple narrators and techniques, which won a special mention at the 2010 Marseille International Film Festival, the documentary plays with subtitles, voice-overs, and the orthodoxies of documentary film-making, to create a unique piece – which in conclusion, suggests that the conflicts and forces creating Dubai, are found in Europe, and indeed in all of us.
Christian von Borries produces media from other media. He is an orchestra conductor, composer and producer of site specific psychogeographic projects. His work was comissioned by Lucerne Festival, Kunstfest Weimar, Volksbühne Berlin, Kampnagel Hamburg and documenta 12 among others. His first film "The Dubai In Me" was shown at film festivals all over the world as well as the Yekaterinburg Industrial Biennale and the principio potosi exhibition in Madrid and Berlin and online. This year, he will take part in the central asian pavillion of the venice biennale.
www.masseundmacht.com
Vielen Dank an Dunja Bialas. Sie hat beratend beim Filmprogramm des Ateliers mitgewirkt.
Dunja Bialas ist Leiterin und Kuratorin des UNDERDOX-Filmfestivals und seit 2000 Redakteurin des Internet-Filmmagazins "artechock". Seit 2010 kuratiert sie außerdem den Internationalen Wettbewerb beim Dok.Fest München.
Dieser Abend findet im Rahmen des Internationalen Choreografenateliers der Tanztendenz München statt, mit dem Titel CLOSE BY - Unter dem Pflaster liegt der Strand. Das
Thema lautet Heterotopien und andere Orte.
Spielort
werkstattkino
Fraunhoferstr. 9
80469 München
U 1/ U2 Fraunhoferstr.
T +49 (0)89 260 72 50
Der Eintritt ist frei. www.werkstattkino.de
Lecture in English by Sigrid Obermeier
man-place-space
what happens between them?
Together we search for communication with the surrounding space and with the place which is holding us.
In which time- and space-level do we find ourselves at the moment? How do we let ourselves be influenced?
Sigrid Obermeier, geb. 1967 in Landshut. Fachoberschule für Gestaltung. Architekturstudium. 3-jährige Geomantie-Ausbildung bei Hagia Chora-Schule der Geomantie-. Per Fahrrad und zu Fuss in 5 Monaten nach Santiago de Compostela... Ich arbeite selbständig und angestellt als Architektin und Geomantin - im Industriebau und in der individuellen Einfamilienhausplanung.
In meinem beruflichen Alltag habe ich mit Menschen, Orten und Räumen zu tun. Die Interaktionen dazwischen interessieren mich - und haben mich zur Geomantie geführt.
Dieser Abend findet im Rahmen des Internationalen Choreografenateliers der Tanztendenz München statt, mit dem Titel CLOSE BY - Unter dem Pflaster liegt der Strand. Das
Thema lautet Heterotopien und andere Orte.
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
The entrance is free
Vortrag von Thomas Kisser
Zero Dispensierungen der Wirklichkeit - Medialisierungen des Raumes - Figurationen des Körpers.
Thomas Kisser (Dozent im Studiengang Aisthesis der Universitäten München Eichstätt Augsburg). Forschungstätigkeit zur Philosophie des Deutschen Idealismus.
Dieser Abend findet im Rahmen des Internationalen Choreografenateliers der Tanztendenz München statt, mit dem Titel CLOSE BY - Unter dem Pflaster liegt der Strand. Das
Thema lautet Heterotopien und andere Orte.
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Der Eintritt ist frei.
20:30 – 21:30 Einführungskurs mit Ruth Golic, Milonga ab 21:30 mit den
DJanes Romina und Ruth
Im schwere reiter wird exklusiv und einmalig zum argentinischen Tango gebeten. Für eine Nacht wird der Raum in die besondere Atmosphäre dieser nonverbalen Kommunikation getaucht.
Festejemos en la magia del tango!
Dieser Abend findet im Rahmen des Internationalen Choreografenateliers der Tanztendenz München statt, mit dem Titel CLOSE BY - Unter dem Pflaster liegt der Strand. Das
Thema lautet Heterotopien und andere Orte.
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de
Eintritt: 6 Euro
UTEROTOPIA
THE UNFAMILIARITY OF REALITY
Reality is both familiar and unfamiliar. This is the precise function of the word "reality": to make us believe in the familiarity of the world. Nevertheless sometimes we experience the unfamiliarity of the world: it's uncannyness, it's contingency and inconsistency. From birth onward the human subject has to deal with the fact that there is no way back to the level of comfort experienced in the uterus, which I (Marcus Steinweg) call UTEROTOPIA.
Marcus Steinweg, geb. 1971, Philosoph. Seit 1998 etwa 250 Vorträge im In- und Ausland zum Verhältnis von Kunst und Philosophie, zu Marguerite Duras, zu Themen wie Freiheit, ontologische Armut, Demokratie als Exzess, sowie zu Martin Heidegger, Theodor W. Adorno, Gilles Deleuze etc.
Seine letzten Bücher sind: Aporien der Liebe (Merve Verlag Berlin 2010), Politik des Subjekts (Diaphanes Verlag Zürich/Berlin 2009), Duras (mit Rosemarie Trockel, Merve Verlag 2008), Behauptungsphilosophie (Merve Verlag Berlin 2006). Er ist Mitherausgeber der Zeitschrift INAESTHETICS (Merve Verlag Berlin)
Dieser Abend findet im Rahmen des Internationalen Choreografenateliers der Tanztendenz München statt, mit dem Titel CLOSE BY - Unter dem Pflaster liegt der Strand. Das
Thema lautet Heterotopien und andere Orte.
Spielort
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de Kartenreservierung
Der Eintritt ist frei.
Are you man enough to be gay?
Stephan Herwig’s latest dance production is inspired by the perspective of gay artists in the History of Art and Aesthetics.
Five male dancers on stage: That basic constellation in itself creates a vibrant energy all of its own.
The dancers are revealing themselves, they are getting to the bottom of both their masculine and feminine sides;
at times reluctantly and suggestively; at other times in an aggressive and extroverted manner.
Stereotypes are being shifted and dispelled; different images of the male body are being evoked and called into question.
The strong individual personalities of the dancers create a fascinating and energizing friction.
While not, however, tying anything down, but leaving as much of interpretation up in the air as possible –
the borders are blurred. Ultimately, it is all about “being oneself and to allow this with all its consequences.”
Choreography
Stephan Herwig
Choreographical collaboration
Karen Piewig
Dance
Maxwell McCarthy
Andrew Pan
Víctor Pérez Armero
Salvatore Siciliano
Alfredo Zinola
Lighting
Michael Kunitsch
Stage set:
Raumfreunde
Production Management
Ingrid Kalka
With kind support from the Department of Arts and Culture of the City of Munich.
Stephan Herwig is member of the Tanztendenz München.
A cooperation with schwere reiter tanz.
venue
schwere reiter
Dachauer Straße 114
80636 München
Tram 12, 20, 21 oder Bus 53
Haltestelle Leonrodplatz www.schwerereiter.de tickets
fee € 15 / reduced 10 €
Since the places are limited, we kindly ask you to reserve your tickets via Mail or phone:
+49.89 / 721 10 15 or
reservierung@schwerereiter.de
the premiere is complete, please choose another day!
Grafik: Markus Pollinger SIMON. HERWIG. PURUCKER.
a dance triplex
Judith Hummel
Where do we come from? On Rosemary Butcher (1947 - 2016) Where are we for now? Exhibition of fragments Judith Hummel
Where do we come from? On Rosemary Butcher (1947 - 2016) Where are we for now? Exhibition of fragments
Anna Konjetzky: abou a session Filmstill von René Liebert (v.l.n.r.: Quindell Orton, Maxwell McCarthy, Victor Perez Armero, Sahra Huby) Anna Konjetzky
about a session
Stefan Maria Marb
Yamabushi resurrection – a reconstruction
Foto: Aleksandra Kwasnik Stefan Maria Marb Yamabushi resurrection – a reconstruction
ATTENTION: PERFORMANCE CANCELED!
Forecasting
Foto: Lars Kjaer Dideriksen TANZWERKSTATT EUROPA: Barbara Matijević + Giuseppe Chico
Forecasting
Foto: Volker Derlath Stefan Maria Marb
Welten.Tänzer
Zufit Simon: alll about nothing // Foto: Franz Kimmel Zufit Simon
all about nothing
Stefan Maria Marb Showing Butohatelier: Fairy tales
tanz.verwittert
Performance mit Tanja Zgonc, Michael Finkenzeller und Stefan Maria Marb in der Münchner Glyptothek am Königsplatz
Stefan Maria Marb + Tanja Zgonc dance.weathered
Yvonne Pouget: Lo spirito del cuore
Yvonne Pouget Lo spirito del cuore
Helmut Ott, Katrin Schafitel, Susie Wimmer
Big Drag
FOTO: Maciej Rusinek DANCE 2023 Tony Rizzi & The Bad Habits Why Wait?
Elien Rodarel
Foto: Anja Wechsler Yvonne Pouget
Das Geisterherz - der innere Körper
Foto: Vivi D`Angelo für PLATFORM Performance-Projekt
SCHHPLTTLR/ VKTRN_txt_fetzen_
Minorities
Yang Zhen
Foto: Qi Ray DANCE 2017: Yang Zhen
Minorities (world premiere)
Katja Wachter + James Newton: NichtIch
Tanz-Musik-Sprach-Performance
Design: strobo B M / Foto: Franz Kimmel Katja Wachter + James Newton NichtIch (NotMe)
DANCE 2017: Ausstellung
Tanz in München – Archiv in Bewegung
Foto: Walter Wehner DANCE 2017: Exhibition
Dance in Munich –
an archive in motion
DANCE 2017: Mia Lawrence / Performance Lab
Live Events am Gasteig (UA)
Foto: Mia Lawrence DANCE 2017: Mia Lawrence / Performance Lab
Live Events at the Gasteig Cultural Center
(world premiere)
Ceren Oran
Rush Hour
Foto: Guelay Yigican Ceren Oran
RUSH HOUR
Claudia Senoner: Vatn
Solo-Performance von und mit Claudia Senoner
Claudia Senoner
Vatn
Victoria Hauke (Hamburg)
STANDPUNKT.e – welcome to my world
Stephanie Felber
vague de corps
Fotograf: Stephanie Felber Stephanie Felber
vague de corps
Doris Uhlich (AT)
mehr als genug
(c) Andrea Salzmann Tanzwerkstatt Europa: Doris Uhlich
mehr als genug
Tanzwerkstatt Europa: Moritz Ostruschnjak Text Neck
Martin Lanz + Mario Lopes
"ALBUM kodex_feedback"
Foto: Ana Mathias Residency programm Tanztendenz Showing Martin Lanz (Mexiko) + Mario Lopes (München)
Tanzjahr 2016 TRANSFORMANCE CITY X CHANGE
Judith Hummel: AKT tracing, remembering, finding poses from Venus, Olympia and us Foto: Cordula Meffert Judith Hummel AKT Tracing, remembering, finding poses from Venus, Olympia and us
Johanna Richter + Volker Michl Remembering the future
Foto: Marc Doradzillo / emimiyoshi.de TANZ SÜD Showing Eva Baumann (Stuttgart) und Emi Miyoshi (Freiburg)
CUQUI JEREZ: The Gifts // www.cuquijerez.com Monica Gomis + Cuqui Jerez Lab XX: Los Regalos/Die Geschenke
JOINT ADVENTURES/MPHIL 360° (re-)written – 3 Tanz-Konzerte für Sergej mit Prolog
Offene Studios
Foto: Elmar Schemberg Newcomer Showing Open Studios 2017
Angelika Meindl + Thomas Mahnecke
Hyperraumsimulation – I. Gedankenwelt
Foto: Thomas Mahnecke Angelika Meindl + Thomas Mahnecke
Hyperraumsimulation – I. World of thoughts
Günter Lempa 6th International Choreographers' Atelier Günter Lempa: Overcoming borders – protecting borders?
Thoughts from a psychoanalytical perspective
Thomas Dörfler 6th International Choreographers' Atelier Thomas Dörfler: The dialectic of the border:
exigencies and irrationalities of cultural enclosure
Gespräch zwischen Berlin und Athen
Spyridon Koutroufinis / René Pikarski 6th International Choreographers' Atelier Spyridon Koutroufinis / René Pikarski: Border as creative process //
a dialogue between Athens and Berlin
"Müllzappen" von Helmut Ott / Robert Kis, Foto: Franz Kimmel Selfish Shellfish / Katja Wachter und Helmut Ott / Robert Kis
Zwischenmensch / Nebenichlich und Müllzappen (Premiere)
Anna Holter, Katja Wachter und Helmut Ott kuratieren die Studioreihe "Immer am Ersten - Quartalsweise" in 2010 Studioreihe der Tanztendenz
Immer am Ersten - Quartalsweise
Studioreihe der Tanztendenz
Immer am Ersten - Quartalsweise
Foto: Christoph Lohr Wachter, Ott, BARTOMUK u.a.
Impro Session
UNLEASHED Choreografie: Stephan Herwig
Mit Víctor Perez Arméro, Anna Fontanet, Maxwell Mc Carthy, Nadine Gerspacher, Mathias Schwarz Foto: Franz Kimmel Stephan Herwig
UNLEASHED (Uraufführung)
Speak! Der richtige Weg.
Eine Inszenierung des pädagogischen Theaterprojekts ON STAGE.
Uraufführung: 9. Juli 2014, i-camp
Bildnachweis / Copyright: Tony Martin Manfred Kröll / ON STAGE
SPEAK! DER RICHTIGE WEG.
Credit: M. Taliercio, M. Clarendon Monica Gomis & Mirco Taliercio
Bewegtes Leben (Premiere)
La cattedrale nel vento
Musiktanztheater von Yvonne Pouget
Uraufführung: 28. - 30. November 2014, i-camp
Bildnachweis: Yvonne Pouget Yvonne Pouget
LA CATTEDRALE NEL VENTO (Uraufführung)
Foto: Laetitia Vancon Stefan Maria Marb
LoveChild
STILL LIFE von Nicole Beutler, 2013.
Performer: Marjolein Vogels, Benjamin Kahn.
Foto: Anja Beutler Reihe der Tanztendenz
STANDPUNKT.e - welcome to my world
DANCE 2015: Niv Sheinfeld & Oren Laor
Two Room Apartment
DANCE 2015:Yang Zhen
Just Go Forward
On/Off stage - A Perform(d)ance / Foto: Franz Kimmel Katja Wachter + Katrin Schafitel On/Off stage - A Perform(d)ance
ZONEN 4.2. Eine Musik-Tanz Performance der Choreografin Claudia Senoner und des Komponisten Michael Maierhof Claudia Senoner + Michael Maierhof Zonen 4.2
"Propulsão/what makes you live-untitled" (Propulsão – Antrieb / Motor), Foto: Inês Corrêa With Ricardo Iazzetta (São Paulo)
STANDPUNKT.e - welcome to my world
Working out human conditions / Choreographing the moment
Reihe Body Territories, Lab XIV
21. - 23. Juni 2013, i-camp
Bildnachweis: Lilia Mestre Monica Gomis
BODY TERRITORIES Teil XIV
Bomarzo/ Latium, Sacro Bosco, "Höllenmaul" mit Beschriftung "Ogni pensiero vola". Foto: Iris Lauterbach International Choreographers' Atelier
Der Garten als Heterotopie
Tanztendenz Munich e.V. is sponsored by the Munich Department of Arts and Culture
Luke Murphy
Originally from Cork City, Luke is a performer and choreographer based between Cork, New York and Brussels.
Luke has danced with Ultima Vez since 2014 touring internationally in productions of "In Spite of Wishing and Wanting", "Booty Looting and Spiritual Unity" and "Punchdrunk" since 2009, performing leading roles in the original casts of "Sleep No More in Shanghai" (‘16-‘17), "New York City" (’11-‘15) as well as productions of "The Drowned Man" in London and "Sleep No More" in Boston. In addition he has danced in the companies of Luca Silvestrini, Martha Clarke, Kate Weare, Pavel Zustiak and in projects with John Kelly, John Scott, Jonah Bokaer and Bill T Jones/ Arnie Zane Dance Company.
Luke’s own work has been supported by various commissions, awards and residencies internationally including Arts Council of Ireland, Cork City Council, CultureIreland, New England Foundation for the Arts National Dance Project, Kaatsbaan International Dance Centre, Pavilion Theatre, Tyrone Guthrie Centre, Irish Arts Centre, Foundation for Contemporary Arts, DanceLimerick, DanceBase Edinburgh, Tribeca Performing Arts Centre, b12 Berlin and others. He has created and performed seven evening length works throughout Ireland, UK and USA ("Drenched" 2012, "Icarus" 2013, "Your Own Man/Mad Notions" 2015, "On Triumph and Trauma" 2016, "The Dust We Raised" 2017 "Ex Caelo" 2018 "The Milyboy Kid" 2018).
Luke founded Attic Projects in 2014 as an umbrella for his various independent projects in dance, film and theatre. Luke is the producer and programming director of The Catch8 Workshop Series in Cork City and is currently working toward the opening of a new dance residency centre in County Cork.
Luke trained at Point Park University where he earned his BFA in Dance and English in 2009 and University of Chichester where he earned an MA in Choreography in 2017.Guests
Karolína Hejnová (Tschechische Republik), Mario Lopes (Brasilien),
Akemi Nagao, (Japan/Berlin), Fearghus Ó Conchúir (Irland), Laura Pante (Italien)
Hosts
Stephan Herwig, Ceren Oran, Moritz Ostruschnjak, Micha Purucker
Lecturers
Marcus Steinweg (Philosophy), Franziska Konitzer (Astrophysics), Dominic Eskofier (VR),
Lars Henrik Gass (Film), Axel Krüger (Architecture), Birgit Wiens (Theaterwissenschaft),
Thomas Dörfler (Humangeografie)
THIRTY YEARS OF TANZTENDENZ MÜNCHEN e.V.
Five choreographers, supported by the Cultural Office of the State Capital City of Munich, co-founded Tanztendenz München e.V. in 1987 with the goal of improving the conditions for contemporary dance and making it easier for artists to work independently and in a self-determined way. The association presently includes 25 members.
Under the leitmotif “Artists for Artists,” the objective of Tanztendenz München e.V. is to create a free space for dance: for research, experimentation and finalizing; with openness toward regional, national and international guests; and with diverse formats for sharing, networking and discussion.
A central component in the association’s self-image is to provide practical support for artistic projects produced by their creators. For this purpose, Tanztendenz München e.V. operates three studios and an organizational office in Lindwurmhof. Under the name “schwere reiter tanz” and with a concept of its own, the association is co-initiator and operating partner of the schwere reiter performance venue, which is operated together with partners PATHOS München and schwere reiter MUSIK in the future Kreativquartier.
The “Open Studios,” “Standpoint.s – welcome to my world,” “side-kicks” and “Choreographers’ Atelier” formats successfully strengthen the autonomous profile and reaffirm the association’s purpose. In creative collaboration and thanks to unpaid voluntary work by the association’s members, self-determined work is facilitated in an environment that appreciates and protects the artistic process.
Tanztendenz München e.V. is grateful for longstanding support and trusting collaboration with the Cultural Office of the State Capital City of Munich. We and also thank our partners, patrons and colleagues in Germany and abroad, as well as all the artists who have accompanied us during the past thirty years.
PAT GRANEY
Seattle-based choreographer Pat Graney received Choreography Fellowships from the National Endowment for the Arts for 11 consecutive years, as well as from Artist Trust, the Washington State Arts Commission, the NEA International Program, National Corporate Fund for Dance and the John Simon Guggenheim Memorial Foundation. In 2008, Ms. Graney was awarded both the Alpert Award and a US Artists Award in Dance. In 2011 Ms. Graney was the recipient of the ‘Arts Innovator’ Award from Artist Trust and the Dale Chihuly Foundation. In 2013, Ms. Graney received a Doris Duke Performing Artist Award.
Ms. Graney hails from St. Augustine, Florida, where she spent her seminal years after the Graney family relocated there from Chicago. In 1969, with her family, Pat moved to Mechanicsville, VA and Philadelphia, PA, before returning to St. Augustine to finish high school. Starting her college career at Tallahassee Community College, she eventually went on to The Evergreen State College, then transferred to University of Arizona where she graduated with a BFA in 1979. In the fall of 1979, Graney moved to Seattle, which has been her home for the past thirty years.
In 1981, Graney presented her first full evening of work entitled go red go red, laugh white set to the writing of Gertrude Stein. She went on to choreograph more work to Stein’s writing as well as the writing of Julio Cortazar and Raymond Carver. Departing from the written word, Graney started exploring the use of music combined with American Sign Language to create Colleen Ann, a work commissioned for the French/American Dance Exchange in 1986. In 1987, with Beliz Brother, she created a work for 7 gymnasts on 7 sets of uneven parallel bars, set against the backdrop of Marymoor Park, and in 1988 Graney created an original work for Pacific NW Ballet. Seven/Uneven toured to the Serious Fun Festival at Lincoln Center and went on to appear at MayFest in Glasgow in 1991. Following the gymnastic works, Ms. Graney began to create a body of work related to women with Faith (1991), Sleep (1995), and Tattoo (2001). In between creating this Triptych of works, Ms. Graney created the full evening work Vivaldi, choreographed 150 gymnasts for the Goodwill Games, and worked with 130 female martial artists for the Movement Meditation Project in 1996. Following the 12 city national tour of Tattoo, Graney created the Vivian girls (set to the artwork of Henry Darger) with music by Martin Hayes and Amy Denio. In 2008, Graney created House of Mind, an installation performance work set in a 5000 square foot raw space featuring an eighteen foot high wall containing 4000 miniatures, a wall of 100,000 buttons with water flowing over it, a closet of giant little girls’ dresses, hundreds of gold shoes, a 50 x 4 foot-long room covered with 1940’s police reports and a large scale video installation by Ellen Bromberg.
Ms. Graney’s interest in working with incarcerated women began in 1992 after a conversation with Rebecca Terrell, then head of Florida Dance Festival. This conversation later morphed into what has become Keeping the Faith/The Prison Project. KTF is an arts-based residency program that features dance, expository writing and visual arts, and culminates in performances. This project has been conducted at prisons all over the USA, in Japan, in Salvador, Bahia, Brazil, Munich City Jail in Munich, Germany and in Dublin, Ireland. KTF is one of the longest- running prison arts programs in the US.Paulo Emílio Azevedo
is a professor, master in social policies and PhD student in social science, focusing on studies of body anthropology. His research crosses the fields of education and culture, illustrated by the creative, conceptual and management process. His experience is distinguished by the ability to unite theory and practice with simplicity and spontaneity, aiming acting at urban places, enabling educators and forming interpreters.
Coach, professor, artistic director, writer, panelist and a creator who values the “beauty” in multiple existential shapes, who uses art to transform, mostly in live and multiplicative actions, what had seemed amorphous, useless, unable and/or disastrous.
Before his current projects, he founded and coordinated 3rd sector and managed Membros and DI dance companies. Although Cia Gente was founded on August 9, 2012, the concepts, actions and articulations of its creator preceded its founding by many years.
Paulo E. Azevedo received many awards for his creations, e.g. the Rumos Educação, Cultura e Arte , within Instituto Itaú Cultural (2008-10), the Multilinguagens by Culture Secretary of Rio de Janeiro (2013), the Klaus Vianna by FUNARTE (2010), and many others. He represented Brazil at important events such as the meeting “Centro e Periferia: a produção da dança contemporânea hoje” (Center and Periphery: the producing of contemporary dance nowadays), performed in Oslo, Norway (2008). He also acted as artist and lecturer in several countries, basing his participation on coordinating the project “Micropolíticas do corpo” (“Body Micropolicies” - Territoire de la Danse, France, 2011), “Membros: corps politique dan(s)e la ville” at Master Projets Culturels dans l’Espace Public, de l’université Paris 1 Panthéon-Sorbonne (France, 2010) and in the Festival Europalia (Bélgica-Brasil, 2011); Seminário "INARTE" (2013 and 2010) performed at Teatro São Luís, in Lisboa (Portugal); in the project "Teatralidade do Humano" (“Human dramaticity”, 2010) performed in Instituto Oi Futuro, "I Fórum de Dança para Infância e Juventude” (First Dance for Children and Youth Forum) in Porto Alegre (2014) and Circuito Literário da Praça da Liberdade (Literary Circuit of Praça da Liberdade) in Belo Horizonte (2014).
Paulo is the author of eight books, including “Meninos que não criam permanecem no CRIAM: histórias de adolescentes em conflito com a lei” (2008); “Palavra Projétil” (2013) and “Notas sobre outros corpos possíveis” (2014).
More:www.ciagente.com.br und www.fundacaopaz.com
HEIKE LANGSDORF (*1974, Burghausen, Germany)
is a Brussels based performing artist. She studies classical and
contemporary dance at the Conservatory of Arnhem (Nl) and followed the Advanced performance Training at a.pass, where she occasionally now works as a coach and in association with artistic researchers Elke Van Campenhout, Lilia Mestre, Einat Tuchman a.o.
She worked with various international theater makers, amongst others with Karin Post, Krisztina de Chatel, Thierry Smits, Alexandra Dementieva, Alexander Baervoets and Kris Verdonck, most intensively with Jan Fabre.
Since 2002 she is member of the artist collective C&H and since 2010 she produces work with her working figure
radical_hope.
Since 2013 she gives class at KASK (Hogeschool Gent) Mulltimedia Design / Activated Space and
frequently works with children and teenagers in various Brussels school contexts. In 2013 Langsdorf received traject
subsidies as well as a development grant. Until the summer 2014 she is now busy executing her artist trajectory OTÇOE
- works for passers-by and developping the movement research sitting with the body further into a choreographic work for
public space, premiering beginning of 2015. www.open-frames.net/OTCOE
ZUFIT SIMON
born in Israel, studied classical dance in Israel and Frankfurt on the Main at the University of Music and Performing Arts (HfMDK). In 2005, she won 3rd prize for
„Das beste deutsche Tanzsolo“ (Best German dance solo) at the euro-scene Leipzig with “fleischlos”, in 2007 she was awarded the audience prize at the Vorort Festival Münster for “diminuendo2” and she also won 3rd prize at the International Competition for Choreographers in Hannover for “Meine Mischpuche”, which premiered during the festival TANZ IM AUGUST.
One of her recent works, entitled “Wild Thing”, was created in Dresden in the context of the GERMAN DANCE PLATFORM 2012. The choreographic concert “I LIKE TO MOVE IT” was developed from this piece (premiere: February 2013, Berlin). “Sepsis – das System ist vergiftet” is her first collaborative work with the director Moritz Schönecker, staged at the Theaterhaus Jena (premiere: October 2013).
She finished the third part of her trilogy about the correlation between body language and emotional sensation: After the duet „never the less“ (2013), the solo „all about nothing“ (premiered in june 2014 at schwere reiter Munich), the trio „piece of something“ was premiered at the Festival RODEO MÜNCHEN in october 2014.
artblau.deNicole Peisl
After she had been a member of William Forsythe's ballet company in Frankfurt Nicole Peisl completed training in Visionary Craniosacral Work®, a form of non-invasive bodywork, and she completed training in Somatic Experiencing in 2013, which was developed by Dr. Peter A. Levine. She was a consultant choreographer for the performance group Mamaza, and a consultant to the School of Dance and Circus (DOCH) in Stockholm. She has been working regularly since 2009 with the author and philosopher Alva Noë in the fields of creation, research, and teaching. Since 2014 she has been delving deeper into her research of the body, movement, and consciousness as part of a doctorate at the University of California, Davis.
Colette Sadler was born in Glasgow Scotland in 1974 and initially trained in Classical ballet at The Scottish Ballet and then in London. She later completed a BA (hons) in dance theatre at the Laban Centre, London. She was a member of Transitions Dance Company until 95 and has since then worked as a performer for choreographers including Divas (Liz Aggiss/Billie Cowie), Yolande Snaith, Jeremy James, Wayne MacGregor, Gary Stevens, Ted Stoffer, Amanda Miller, Lanonima Imperial and Cia Vicente Saez.
A founding member of New Moves International Choreographic Core, she received a British Council award in 96 to study in New York and at “Le Groupe de La Place Royale” in Ottawa, Canada, under the mentorship of Peter Boneham where she made her first solo work “Minotaur” that premiered at the New Territories festival Glasgow in 1997. In 2002 she initiated her own production structure Stammer productions and has since then made a number of choreographic works including dDumY-another myself (2005) and “The making of Doubt” (2008) both co-productions with TRAMWAY Glasgow. In 2008 She represented the UK at Spring Dance in Utrecht as part of the Dialogues series and was International associate artist in residence at Dance Ireland in Dublin 08-09.ADAM LINDER is engaged with choreography. His works have been presented at HAU Hebbel am Ufer in Berlin, Silberkuppe in Berlin, TANZ IM AUGUST in Berlin, K3 – Centre for Choreography in Hamburg, Kunsthaus Dresden, American Realness in New York, KM – Künstlerhaus Graz, Kunstverein Nürnberg, Sophiensæle in Berlin, LISTE Performance Projects in Basel, Museum für Gegenwartskunst Basel, Halle für Kunst Lüneburg and The Watermill Centre in New York, amongst others. In the past, Linder has performed with Michael Clark, Meg Stuart/Damaged Goods and The Royal Ballet. He trained in dance at the Royal Ballet School in London.
www.adam-linder.net
DANIELE NINARELLO
After attending the RDA Codarts, he has the opportunity to dance with several international choreographers such as Bruno Listopad and Virgilio Sieni, Sidi Larbi Cherkaoui. Since 2007 he presents his creations at different festivals as Les Repérages, Les Hivernales Avignon - 100% Danse “Quand les régions s’en mêlent…”. In 2012 with the creation Bianconido he is selected for an intercontinental tour Dance Roads; and he’s the winner of DNA Roma Europa Festival mention at Premio Prospettiva Danza 2012. In 2013, for the second time, he’s finalist at “Premio Equilibrio Roma”. His new production “Rock Rose WoW” is winner of "Teatri del Tempo Presente 2013" promoted by Fondazione Piemonte dal Vivo/Circuito Regionale dello Spettacolo and MiBAC-Ministero per i Beni e le Attività Culturali. http://cargocollective.com/danieleninarello
The Companhia Híbrida
was founded in 2007, in Rio de Janeiro, Brazil, with the propose of develop a unique research that mixes different kinds of artistic languages as Hip Hop Dance, Contemporary Dance, and Theatre. Since then, the company has received some important awards in Brazil, such as:
- Resident of the Choreographic Center of the city of Rio de Janeiro - since 2008 until now
- Funarte´s Award Occupation of Scenic Spaces - 2010
- Funarte´s Award of Dance Klauss Vianna - 2011
- FADA Award – Support Found for Dance - 2011 and 2012
- Fomentation of the Carioca Culture Program - 2013
Besides that, Híbrida was selected for several festivals throughout Brazil, passing through many cities, such as Rio de Janeiro, São Paulo, Bahia, Pernambuco, Minas Gerais, Ceará, and Rio Grande do Sul, becoming one of the most outstanding companies in Brazil.
In 2013 the Companhia Híbrida made your first tour out of Brazil, passing through 2 cities in France: Saint Nazaire and La Baule. This tour had a great repercussion and the company will return to premiere of your new show, OLHO NU, In november 2014, after the brazilian premiere in october 2014
Now, in 2014, the company continues presenting Moto Sensível in many theaters and already has three invitations to international festivals, beyond side.kicks in Munich/schwere reiter tanz.
www.ciahibrida.com.br
His practices are inscribed within choreography and performing arts.
He is researcher, and guest teacher in different institutions, he also works as organizer curating different festivals and programs.
Since 1992 he develops his own work, predicated on questions of the theatre as medium, the parameters of dance: time and space. Exploring the relationship between the different codes, his works
advocate the complete dissolution between fiction and reality.
Currently he is working in using the impact of life art forms as material extending the experiences over the time of presentations.
Continuity and commitment are his actual goals. He is also concern about the independency of art from whatever instrumetalitaion made from it.
Latest tiles: the taste is mine 2000, all good spies are my age 2002. the application 2005, the 7th act of the opera seven attempted escapes
from silence 2005, shichimi togarashi 2006, all good artistes my age are dead 2007, research project from to 2007, don't even think about
it 2008, blue 2009, Clean Room (pilot) 2010, characters arriving 2011.
950, a room without view 2011. Clean Room (S01) 2012, Pause 2012. Clean Room (S02) 2014.
He was artist in residence in Podewil (Berlin)
2004 and 2005.
Since 2003 he is artistic director of the Festival In-Presentable/La Casa Encendida, Madrid, since 2010 he is co director of Living Room Festival (Berlin, Madrid).
Coach of Master in Performing Arts Practices and Visual Culture (UAH / ARTEA) 2010.
Director of the Laboratory "stage creation and media" Master in Performing Arts Practices and Visual Culture (UAH / ART) in 2011 and 2012.Nicole Beutler (Munich, 1969) lives and works in Amsterdam as choreographer and theatremaker. After studies of Fine Arts at Münster and München Arts Academies and of German Literature at the University of Münster, she came to study Dance and Choreography at the SNDO at the Theaterschool, AHK in Amsterdam where she graduated in 1997. Her work is situated on the threshold of dance, performance and visual arts, she works from the conviction that all fixed categorizations should be destabilized. She refers in her contemporary work often also to the history of dance and theatre. She engages in works with amateurs and professionals, old and young. Her performances are composed with a high sense for musicality, and suffused with subtle humor.
Her latest works include: 5: ECHO - in collaboration with ICKamsterdam, LIEFDESVERKLARING - in collaboration with Magne van den Berg and fABULEUS, 4: STILL LIFE, SHIROKURO- a collaboration with concert pianist Tomoko Mukaiyama and lighting designer Jean Kalman, ANTIGONE - a collaboration with puppettheatermaker Ulrike Quade, 3: THE GARDEN, 2: DIALOGUE WITH LUCINDA, 1: SONGS and in December 2010 her first short dance film had its premiere during the Cinedans Festival: DIAMOND DANCERS - a collaborative project with the filmmakers Helena Muskens & Quirine Racké. She was awarded the Dioraphte-price for SHIROKURO and the prestigious VSCD Mimeprize for her work 1: SONGS (2009). Several of her works have been selected to be presented at the yearly Nederlandse Dansdagen, a platform for the best works of the season: Several species of small furry animals… (2005), LES SYLPHIDES (2009), 2: DIALOGUE WITH LUCINDA (2010, PIECE (2011)and SHIROKURO (2014).
After being a member of the collective of theatremakers LISA for five years, she set up her own organization NBprojects in 2009. Her company is a regular player at Frascati Theater in Amsterdam, tours in the Netherlands and abroad (a.o. Spain, Austria, Germany, Great Britain, Belgium, USA, Switzerland, Norway, Italy, Romania).
Nicole continuously engages and initiates projects that enable reflection and encounter. With that ambition she co-curates various events: the yearly event WE LIVE HERE: An Academy, BACK TO NATURE, in 2014 COME TOGETHER: Beauty, Bauhaus & The Beast, in 2011 GARDENING #1 in collaboration with the Goethe-Institute Amsterdam. She co-curated the lecture series THE OLD BRAND NEW in collaboration with a team of curators from the visual arts field. This took place in the Stadsschouwburg Amsterdam from January till September 2009. As Dance and Performance curator at Frascati Theatre (2008 till 2010), she signed a.o. for the programming of the SOMETHING RAW FESTIVAL for innovative dance and performance-makers (2009 and 2010).
Nicole has been a permanent cast member of THE SHOW MUST GO ON by Jérôme Bel since 1999. She is a regular guest teacher at the School for New Dance Development, the department for Modern Theaterdance and the Mimeschool, all of which are departments of the Theatre School of the AHK. Nicole is also the mother of one child.
www.nbprojects.nl ADAM LINDER is engaged with choreography. His works have been presented at HAU Hebbel am Ufer in Berlin, Silberkuppe in Berlin, TANZ IM AUGUST in Berlin, K3 – Centre for Choreography in Hamburg, Kunsthaus Dresden, American Realness in New York, KM – Künstlerhaus Graz, Kunstverein Nürnberg, Sophiensæle in Berlin, LISTE Performance Projects in Basel, Museum für Gegenwartskunst Basel, Halle für Kunst Lüneburg and The Watermill Centre in New York, amongst others. In the past, Linder has performed with Michael Clark, Meg Stuart/Damaged Goods and The Royal Ballet. He trained in dance at the Royal Ballet School in London.
www.adam-linder.net
DANIELE NINARELLO
After attending the RDA Codarts, he has the opportunity to dance with several international choreographers such as Bruno Listopad and Virgilio Sieni, Sidi Larbi Cherkaoui. Since 2007 he presents his creations at different festivals as Les Repérages, Les Hivernales Avignon - 100% Danse “Quand les régions s’en mêlent…”. In 2012 with the creation Bianconido he is selected for an intercontinental tour Dance Roads; and he’s the winner of DNA Roma Europa Festival mention at Premio Prospettiva Danza 2012. In 2013, for the second time, he’s finalist at “Premio Equilibrio Roma”. His new production “Rock Rose WoW” is winner of "Teatri del Tempo Presente 2013" promoted by Fondazione Piemonte dal Vivo/Circuito Regionale dello Spettacolo and MiBAC-Ministero per i Beni e le Attività Culturali. http://cargocollective.com/danieleninarello
ROSALIE WANKA
Studied classical Ballet at the State Opera Ballet schools of Munich and Vienna and contemporary dance and dance pedagogics at the Anton Bruckner Privat Univiversität Linz, Austria (Master Degree 2013).
As a Dancer she worked between 2009 and 2012 for Cie. Off Verticality (AT), Cie. Déjà Donné (IT), Xavier Leroy & Marten Spangberg (FR/SE), Netzwerk AKS (DE/AT), Dali Touiti (TU/DE), Vertigo Tango (AR),
Ismael Ivo (BR).
Together with Cecilia Loffredo she founded in 2009 the Cia. Quiero Ser Agua and since then tours her own productions (a.o. in Germany, Austria, Czech Rep., Portugal, Argentina, Cuba, Mexico...).
Since 2012 she dedicates herself exclusively to her own artistic research.
In the frame of this company she realized 9 Productions:
Late (2009), Solo una Mujer (2010), Casinas (2012), Viva (2012/13), The day you will love me, Malena...
(2013), Tanzgespinnste Dance
and Poetry (2014), Mantis (2014), Intus et in Cute te novi (2014/15),
Hambre de Piel (2014/15).
Some of these productions got partial funding by the city of Linz, region Upper Austria and the state of Austria.
In the beginning of 2015 she got her piece "Bezirzungen" financed by the city of Munich, an interdisciplinary
cooperation with the Museum Villa Stuck, including life music, short film screenings, acting and dancing.
She got invited to teach and perform contemporary dance and Argentine Tango to venues and Festivals in
12 countries in Europe and Latin America.
ELDAD BEN SASSON
Eldad studied at the Bat Dor School of Dance.
He worked with the Batsheva Dance Company, directed by Ohad Naharin And Vertigo Dance Company, directed by Noa Wertheim and Adi Sha'al.
Besides this he collaborated with many choreographers such as Mats Ek, Sharon Eyal, Alexandra Waierstall, Paul Norton, Yoshifumi Inao, Orjan Andersson, Michael Getman, Noa Dar, Yossi Berg, among others.
He is invited to give workshops in schools, academies and companies in Israel and around the world.
Eldad works as a choreographer since 2000. With his creation “4 of a kind” he won the 1st place at the
Cross Connection Ballet Competition in Denmark, and the best dancer award.
His solo piece "Heterotopia" has been touring the world with great success and for his piece
"StrangeAttractor" he received excellent reviews.
He is invited as a guest performer in different projects
About the format of the Choreographers’ Atelier
The choreographers of Tanztendenz München e.V. invite artists and choreographers, both within Germany and abroad, to Munich to exchange ideas on a theme without the pressure of production and get new inspiration. The atelier consists of workshops and excursions exclusively for the group and events (films, lectures, discussions) for the interested public.
The Sixth International Choreographers’ Atelier will be reconceived to be “corona-compatible”. As international participation at this present moment is extremely uncertain, the internal part with the artists will be postponed until spring 2021, and an exploration space will be created in 2020 that will take place live on location as well as digitally, thereby creating a basis for the second part of the event, which will then be accessible afterwards.
Micha Purucker
studied architecture, art history, ethnology and theatre studies. He received dance training in Munich and Stockholm, and has been working as a freelance choreographer, movement director and lecturer since 1985. He was a founding member of Munich’s Formationen Dance Energy (1985-2000), living room and the choreographer’s association Tanztendenz. As well as numerous other awards, he received the city of Munich’s Tanzpreis in 2003. He was a guest lecturer at Korean National University of Arts (2001-2007) and is a founding member of Laboratory Dance Project (LDP) in Seoul (2001). To date he has created 52 full-length productions, solos, duets, trios and ensemble works for diverse groups on large, mid-sized and small stages.
Jan Ritsema (The Netherlands, 1945), theatre director.
He started dancing when he was fifty. Made a solo. Was invited by Meg Stuart for several ‘Crash Landings’, worked with Boris Charmatz in his Entrainements project in Paris and in a Bocal presentation and made the widely acclaimed Weak Dance Strong Questions with Jonathan Burrows. Teaches at PARTS, the dance school of Anne Teresa De Keersmaeker
since it started in 1995. Started in 2006, north of Paris, the international
artist residency Performing Arts Forum in an old convent. Since 2010 he dances in Xavier Le Roy’s ‘Low Pieces’.
Laurent Van Kote currently works as an international advisor for performing arts policies at the French Ministry of Culture and Communication.
He studied economics and political science (master for arts and culture), and dance in France, Canada and the US (NYC Merce Cunningham). After being dancer, choreographer and artistic director, he has been working for the French Ministry of Culture since 1998.
Laurent Van Kote was first responsible for music and dance at a Regional directorate for arts and Culture (DRAC). He was the national director of dance in the central administration (DGCA) from 2010 to 2014.
THE ARTISTS
YUKO KOMINAMI «I am really looking forward to encounter, communicate and create together with experienced dancers/choreographers from different styles and backgrounds. I often work alone as a butoh soloist therefore working with other choreographers/dancers of non-butoh background is still an unknown land and it will be an adventure. I appreciate the fact that it will not be a vertical nor linear communication but a more rhyzomic one and I am curious what comes out of this connection.
Connecting/disconneting/bridging/learning/unlearning - through this process, I imagine a narrative can organically emerge, or it can be taken to an abstraction. However, for me the underlying theme as well as the starting point will always be the communication between us. I
would like to cherish the process, and also somehow create a performance together. The process itself can already
be a performance...»
STEPHAN HERWIG «In general I try not to expect too much, or let ́s say too specific things to happen. I wish for an open situation for all of us to meet, get to know each other and find a common base which to start working, discussing and creating something together on equal levels, whatever this might be. How can 3 different choreographers from 3 different countries with different backgrounds, who, at least in my terms, never met before, find a way of sharing their status quo and their ideas and somehow
create something together? What are our similarities, and what are our distinctions? And how does the different environments (cities) change or form what we will be doing? And in general, I am very interested in how to work together with other people on, as I said before, equal levels,
without losing our own position!? Or maybe it would be good to lose our own position and find a new one together?
How to balance that?»
DANIELE NINARELLO «I am always deeply curious to meet new artists, and share some time, ideas
and reflections together. I imagine a space where we can discover together
new creative territories.
When I work with other choreographer or performers, I try not to expect too
much, and I try to be as open as I can, to learn from them, to receive and give
at the same time, to let myself be surprised.
I look forward to be inspired and to inspire, to learn other way of moving
and creating, to create beautiful images and poetic frames together. The
possibility of sharing at this time is very precious for me.
My expectation is to create a space where 3 different artists can find
themselves in an open situation, free to create, propose, express, question
and suggest, while finding common ways of researching with the desire of
creating something powerful that can leave a sign.»
Mélanie Demers is a choreographer, word lover, moviegoer and art addict established in Montreal where she founded the dance company Mayday in 2007.
Having studied literature and theatre, Mélanie Demers pursued her professional training as a dancer at LADMMI. She graduated in 1996 and started her career working with emerging choreographers before joining O Vertigo with whom she collaborated for nearly ten years. In parallel, she was already developing and building her craft as a creator.
Her work has charmed by its originality, intensity and its complexity, exploring the darker zones of the human condition. Socially engaged as an artist, Mélanie Demers travelled to teach dance in Kenya, Niger, Brazil and Haiti, amongst other destinations. The harsh reality of the developing countries strengthened her beliefs that the role of art is to address political issues and to stimulate a debate of ideas. Les Angles Morts (2006), Sauver sa peau (2008), Junkyard/Paradis (2010) and Goodbye (2012) have all been created from this perspective.
To date, Mélanie Demers choreographed fifteen works and was presented in some thirty cities across Europe, America, Africa and Asia.
www.maydaydanse.caFrançois Ben Aïm
After training in physical theater with Hellequin Company, he played in two shows (Aria Xenoland
and a red spot).
He co-directs the festival of performing arts, The Harvest of April for its 1993, 1994, 1995 editions.
In parallel, he continues his exploration of the arts of movement and dance.
In Quebec in 1995, he met the Dutch choreographer and video artist Angelika Oei, and
participated in the creation at the Festival International de Nouvelle Danse in Montreal ; after he
continued this collaboration in Lisbon and Rotterdam with the creation of shows and Tomi Tomi
4.0, mixing video and live dance film. In France, it is an interpreter for S. Djebbar, O. Azagury,
and the solo Retouramont Samuel, Book II, Chapter 6 of Serge Papiernik-Be.
Christian Ben Aïm
He approaches the arts at the age of nine, and then explores particularly physical theater, circus arts
and dance. He follows a year at the Ecole du Passage in Paris and then participates at the collective
creation of two street performances combining theater, juggling and music. In 1995, he directed
«The Overwhelmed» street show for seven performers.
From October 1995 to late 1997, he worked with the company Carbone 14 in Montreal (reprise
of the show The Dorm, creating Dead Souls, Winter). Back in France, it is an interpreter for
companies Philippe Jamet (Portraits in), Hervé Diasnas (The tabloid angels, transparencies), Odile
Azagury (Fields of Love, How much is an angel?) Haim Adri (anamnesis Act 1), and Norway with
the Virginia Co. Hybrium Mira and Namik Makick (The folding sky). He works since 1997 with
his brother, Francis Ben Aim, in the company CFB 451.
A co-direction
The work of Christian & François Aïm Ben explores different faces of our humanity: memory, commitment, observation of
everyday life, dreams ...
After spending two years in Montreal, they created the company in 2000 CFB 451, located in the Val-de-Marne, near Paris.
Today, fifteen pieces, from the solo to 10 dancers have been created. If their choreographic research, close to some parts of
the dance-drama finds its inspiration in different worlds such as the poetry of Gaston Miron, photographs by Josef Koudelka
or parts of Bernard-Marie Koltes, they also develop an original writing mixing dance with other disciplines such as video,
poetry, music, theater or circus. Valse en trois temps in 2010 or L’Ogresse des archives et son chien created in autumn 2011
is an opportunity for them to continue their work of co-directors.
Their choreography requires both committed bodies and detached emotions. Christian and François Ben Aïm have developed
an expressive language that allows ample scope for the performer to interpret their choreography. The interplay between
dance and text as well as between dance and music is a touchstone for them.
Zufit Simon,
was born in Israel and moved to germany in 1998.
She completed her dance education in Israel and Germany. In 2001, she received her degree in classical and contemporary Dance from the university for Music and performing Art Frankfurt a.m. Zufit Simon has since worked as a dancer e.g. with Saar Magal, Ingo Reulecke, Christoph Winkler, Cobosmika Company, Marco Santi, Cocoondance company, Sabine Glenz, Micha Purucker and Dieter Heitkamp. In 2004, she choreographed her first solo "fleischlos". It wan the third prize at the "best German Dance solo" competition at euro-scene Leipzig in 2005. The year after she created the duet installation "Diminuendo" with Ingo Reulecke.
Her successful piece "ADOM MODULATIONS" was shown on numerous festivals in Germany and abroad. In 2009, "Meine Mischpuche" which was awarded the third prize at the international Competition for choreographers Hannover was presented during the Tanz im August festival 08` in Berlin.
Her latest piece "I like to move it" was presented in Berlin in february 2013.
James Cousins
was recently recognised by Time Out magazine as one of the future faces of dance and his company, launched in January 2011, is quickly making it’s mark on the dance world after a sell out showcase performance at Sadler’s Wells in September 2012.
Whilst studying at London Contemporary Dance School, James created his first work, The Still Point. It was an immediate success, selected for the LCDS Graduation Performances 2009 and chosen to represent the school at the opening gala of The Place’s 40th Birthday Celebrations as well as winning both Best Performance and Best Choreography at The London Contemporary Dance Competition 2009 and being taken to Spain as a semi-finalist in the VIII International Burgos-New York Choreographic Competition.
The Still Point was also performed along side the English National Ballet and Richard Alston Dance Company at Buckingham Palace for the Duke of York’s 50th Birthday Celebrations.
Since this initial success, James has created numerous works.
In 2011, James accepted onto the Escalator programme, an Arts Council England East initiative which aims to find, support and invest in artist and art-form development. Through this programme he worked in partnership with DanceEast, where he is an Associate Artist, and received support in further establishing the company.
In August 2011, James was announced as the winner of the New Adventures Choreographer Award, receiving mentoring from Matthew Bourne and New Adventures, culminating in the showcase performance at Sadler’s Wells. www.jamescousinscompany.comAbout the Guests
Tatiana Clavel (Valencia) www.lacojadanza.com
Tatiana Clavel (1978) is finishing her PhD with an investigation about dance and video (Rey Don Juan Carlos University). She is MA in Performing Arts and has a diploma on Digital Media and Stage (University of Barcelona). She is also BA Hons in Contemporary Dance (Altea Arts College) and has a degree in Classical Dance (Valencia Conservatoire).
She founded La Coja Dansa with Santi de la Fuente and Raúl León; the company came to life at the Altea Arts College in 2000 and went professional in 2004 with the short pieces “J’aime beaucoup le fromage” and “Fracaso n.6”. After settling in Valencia, they presented “Nada que Ver” (2005), “Mucho que Perder” (2006 - selected for the Circuito’07 by the Network of Alternative Spaces), “Todo por Hacer” (2007 – selected for Proyecto Bailas? By the APDCV), “Prólogo del Temblor”, “Retrats Habitats” (selected for the Danza a Escena by the INAEM and Red de Teatros de Titularidad Pública) and “Compañía” (2008), Fracaso n.7, Fracaso n.8 and Fracaso n.9 - Abril Award for the Best Dance Performance in the Valencian Comunity (2009), No Falta Ninguno (2010), Accidia (2011) and The Dying Dog and Amagatall (2012)
At the beginning, they participated in many competitions, but they did not win any of them. They have participated in festivals such as L’Obert Dansa, Festival del Cos d’Alzira, Mostra de Peces Curtes, Marató de l’Espectacle i Festival Visual i Sonor (Barcelona), Dansa a Elx (Alicante), Dansa València, Tensdansa (Terrassa), Forum for Independent Theatre Groups (Alexandria/Egypt), Periferias (Huesca), FestivALT (Vigo), Quinzena de Dança Almada (Portugal) and Les Repérages de Lille (France).
Tatiana is very active in the pedagogic area and has worked in many institutions as the Valencian Conservatoire, the Popular University, the Mislata Performing Arts School, the EACC (Contemporary Arts Space of Castelló) and many others.
Santi de la Fuente (Valencia)
Santi de la Fuente (1976) has a MA in Culture Management (Valencia University) and BA Hons in History of Art (Valencia University) and Contemporary Dance (Altea Arts College).
He founded La Coja Dansa with Tatiana Clavel and Raúl León; (->see chapter of Tatiana about the Company’s Work)
Besides his work with the company, he manages A Contar Mentiras, a small dance centre in Valencia with pedagogical programs for children and adults, performing activities and residencies for young companies. He also works as a volunteer with young people with social exclusion risks.
João Costa Espinho (Paris / Portugal)
Born in Portugal, in 1979. Independent dancer, choreographer. At the moment lives and work between Porto and Paris. He began his dance studies with Conchita Ramirez following the syllabus of the Royal Academy of Dancing. He took the Course of Choreographic Research and Creation-Lisbon in Fórum Dança. In 2002, he took part in island 1- Capitals Encontros Acarte 2003 of Calouste Gulbenkian Foundation (Un-under the roof-Choreography as an investment in risk, dance as a laboratory of doubt). As a dancer and performer he has worked with Ne Barros, Isabel Barros, Nigel Charnock, Joclécio Azevedo, Alberto Magno, Ana Figueira, Pedro Carvalho, Mathilde Monnier, Rui Horta, Javier de Frutus, Jamie Watton, Jaro Vinarsky, Peter Bebjack, Juraj Korec, Vera Mantero and Bruno Listopad, Joana Antunes and Ana Borges among others. As a choreographer his work has been presented in Portugal, England, Turkey, France, Spain, Italy and Slovakia. Among others pieces he developed "lilly 03" (2003), "Eus" (2004) "peter 05" (2005) "Jo and Jo" (2007) and more recently "Simon 06.07.08.09"(2009), "Anticorpo" (2009) for the Culturgest Foundation and "Esboço" (2012). He is preparing is next piece "Bestiaire".
He represented Portugal in the dance field at the Biennale of Young Artists from Europe and Mediterranean - PUGLIA 2008, and in Les Reperages - danse à Lille in 2010.
Attends the integrated MSc in Pharmaceutical Sciences - University of Porto. Erasmus Student 2010/2011 at Paris 5 - Université Paris Descartes.
Nadine Gerspacher (Barcelona / Freiburg) www.cianadinegerspacher.com
She was born in 1976 in Freiburg, Germany. She was graduated at the “Iwanson School of Contemporary dance” Munich in 2002. Scholarships brought her to Stockholm and Barcelona. After finishing her education she danced for various choreographers like Stephan Herwig, Katja Wachter, Regine Blum, Jessica Iwanson, Anna Sanchez ect. She was dancing at the “Opera of Passau”, for Jonathun Lunn and was member of the company “Holterdancers” of Anna Holter (Munich) for 5 years. Since 2007 she lives in Barcelona and teaches at the education school of Anna Sanchez “Varium” education-classes in Contemporary Dance, Modern-Jazz, Improvisation, Composition and she is creating numerous short choreographies for school and theatre performances. She works as the assistent of Anna Sanchez since 2008. Nadine teaches Workshops in Spain, France, Swizerland and Germany. In 2011 she founded her own company “Cia.Nadine Gerspacher” in collaboration with Helena Canas and Anna Fontanet in Barcelona. Since 2011 Nadine is a member of the “Dave St.Pierre Company” Canada and also works for the company “Cia.Sonia Rodriguez” Barcelona.
Own works which were performed at different dance festivals and theaters in Germany, France and Spain: 2012 “Triturar el tiempo”(in collaboration with Nicolas Ricchini). “9 en 1” (creation for the students of the professional formation of Varium school) Auditorio de Sant Cugat/Barcelona. 2011 “Run” in collaboration with Anna Fontanet and Helena Canas, Auditorio de Sant / Cugat/Barcelona. “A36,5- temperatura humana” (in collaboration with Jeanne Morel), Barcelona. “A36,5- temperatura humana” (in collaboration with Jeanne Morel), Teatro Prinzipal de Menorca. 2010 “Espaguetti a la putanesca” (creation for the students of the professional formation Varium school Auditorio de Sant Cugat/Barcelona). 2009 “Puzzle” Teatro Gorga, Palamos 2007 “Andy Warhol” “Künstlerhaus” München 2006 “le triosieme solo” “St.Pierre de cuisine” Toulouse 2005 “DependAnce” “Pasinger Fabrik” München Winner of the competition for young choreographers Barcelona with the piece: “Nada por obligacion, todo por ilusion” in 2010. Currently Nadine works on her latest piece “Elegantly Wasted” with Cia. Nadine Gerspacher and teaches at Varium school in Barcelona .
She also tours with the latest piece “Foudre” of Dave St.Pierre Company throughout Europe.
Antigoni Linardou (Athen, geb. 1975) www.kiomoskineitai.gr
Education at High Professional School of Dance “Niki Kontaxaki Bakali”
(1995-1998, Athens) and
«ΑΝΙΜΑ» Educative Encouragement Studies (2005-2007, Athens)
Founding Member of the Dance Company «KI OMOS KINEITAI»
(2003-2013)
participation in the following performances: «ARRIBA» (2004),
«ISAAC NEWTON’S LIE» (2005),
«INFERNO» του Dante Alighieri (2006), «PURGATORIO»
του Dante Alighieri (2010), «IL PARAISSO» του Dante Alighieri (2011), «MEDDET» (2012), «THE GOD’S PARTICLE» (2013) ; Teaching Aerial Acrobatics (Trapeze, Hoop) at The Circus School of Athens “CIRCUS DAYZ” (2012/13)
PETRA FORNAYOVÁ (1972, Bratislava)
studied law at the University of Comenius and dance at the Academy of Performing Arts in Bratislava and at the EDDC Düsseldorf. Except for different courses she participated regularly at the MAPA activities (Moving academy for performing arts, Holland). She was among others dancer of the Slovak State Opera Banská Bystrica, member of Théatre du Mouvement, Paris. She performed in many dance and theatre projects of Slovak and foreign directors and choreographers (P.Groll, A. Green/USA, M.Fulkerson/USA,DE, C.Heggen/FR, M. Hawkins/GB, etc.). Since 2000, she has created her own choreographies (Deep Disorder of Epidermis, Who Is Annik?, Diamondance, Everything I Love, Objects of Research etc.). She participated at the festivals Tanec Praha, Festival d´ Otoňo Madrid, Mediawave Festival Györ, Bratislava in Movement, Divadelná Nitra, etc. She teaches contact improvisation, writes for contemporary art magazine Vlna. Since 2001, she is in charge of Slovak Contemporary Dance Association. In 2003, she was a co-fonder of the A4-space for contemporary art in Bratislava. In 2006, she has founded and organises the international contemporary dance festival Nu Dance Fest in Bratislava.
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