Taking Maurice Ravel’s orchestral classic Boléro as their starting point, Rykena/Jüngst embark on a humorous and sensual exploration of choreographic forms of climax.

Set against the backdrop of the tension between disability and wholeness, Kafka’s parable is interpreted here as a story about disability.

A search for the monstrous—not as a fully formed figure, but as a physical and social phenomenon in a state of constant transformation.